Alix London has a promising career as an art consultant, a sumptuous condo in Seattle’s toniest neighborhood, a gorgeous figure, and a presence that exudes Ivy League breeding and old money. She has it all…or does she? Only Alix knows that the image she presents to the world is a carefully constructed mirage that veils an embarrassing truth. A brilliant, once-promising art student, the daughter of a prominent New York art conservator, her world was left in ruins when her father went to prison for art forgery. Now a Harvard dropout with an emptied bank account, she is languishing in a career that has produced little more than a lucky house-sitting gig. But all of that changes when Alix meets Christine Lemay, a novice art collector with money to burn and a hot tip on a recently discovered painting by American master Georgia O’Keeffe. Chris hires Alix to perform the authentication, an assignment that finally could launch Alix into the big leagues. But soon after her arrival in Santa Fe, she finds herself tangled up in a web of forgery, deceit—and murder. Anxious to avoid becoming the next victim, she teams up with FBI Special Agent Ted Ellesworth—and gets a little unlikely help from her roguish father—to uncover the truth behind the painting and those who would kill to have it. Sharp, witty, and devilishly fun, A Dangerous Talent offers an insider’s look into the surprisingly treacherous contemporary art world.

This should be the cushiest job Alix London’s ever had.

The second Alix London mystery finds the art restorer in a world brimming with idle luxury, spectacular locations, and deadly intrigue.

Surrounded by art and wealth and the sun-drenched Greek isles, she’s aboard a sumptuous mega-yacht with no responsibilities save the occasional lecture to the guests of her temporary employer, Panos Papadakis, one of the world’s richest men. But there’s a catch: Papadakis has long been suspected of being at the center of a multi-million dollar Ponzi scheme and Alix is actually there as an undercover operative of FBI special agent Ted Ellesworth, a member of the Bureau’s Art Crime Team. They hope Alix can gather the inside information they need to finally put the cagey Papadakis away.

Alix’s exposure to the enormous wealth of high-end collectors and the shadier aspects of the art trade—the avarice, naked greed, and ingenious scams—somehow brings her closer to her charming, “reformed” rogue of a father, and helps crystalize in her own mind just where she fits into the mix.

Moguls, murders, a forged Manet, and the Albanian mafia all play a role and send this pleasure cruise into brutally dangerous waters.

Set on the Aegean—Homer’s fabled “wine-dark sea”—with stops at enchanted islands where ancient legends still live, A Cruise to Die For delivers a witty blend of suspense and mystery, as well as an insider’s take on the contemporary art world and its eccentric characters. It’s all served up with the style and sophistication with which Charlotte and Aaron Elkins have rewarded mystery readers for the past 30 years.

Lee Ofsted has been hired to teach golf to the executives of a local salvage company on the bucolic Block Island. The setting is lovely, and the $1,000 a day salary will go a long way toward covering her expenses during her third year on the pro tour. But will it be compensation enough for solving a murder?

After a bizarre, botched kidnapping of his sexy wife, the owner of the salvage company turns up dead on the beach. Lee soon discovers that nearly every manager at the company has a motive for murder. Plunging into the case, she asks her boyfriend, Graham Sheldon, a former cop, for his expert help. Before long, the two of them are involved in a tale of greed and ambition that stretches back in time almost two hundred years, to a sunken treasure ship that went down in these very waters.

When art conservator Alix London spots a forgery, she knows trouble will follow. So she’s understandably apprehensive when her connoisseur’s eye spots something off about a multimillion-dollar Jackson Pollock painting at Palm Springs’s Brethwaite Museum—her current employer.

Alix is already under fire, the object of a vicious online smear campaign. Now the Brethwaite’s despicable senior curator, obsessed with the “maximization of monetized eyeballs,” angrily refuses to decommission the celebrated Pollock piece. But it’s only when a hooded intruder attacks Alix in her hotel room that the real trouble begins. And when FBI Special Agent Ted Ellesworth—with whom Alix had inadvertently, but thoroughly, botched a budding relationship just a year prior—turns up to investigate the Pollock, Alix knows she’s about to have her hands full.

In her third mystery, Alix London must see through mirages in the desert to uncover the knotted history of the painting—and save herself in the process.

Alix London has a promising career as an art consultant, a sumptuous condo in Seattle’s toniest neighborhood, a gorgeous figure, and a presence that exudes Ivy League breeding and old money. She has it all…or does she? Only Alix knows that the image she presents to the world is a carefully constructed mirage that veils an embarrassing truth. A brilliant, once-promising art student, the daughter of a prominent New York art conservator, her world was left in ruins when her father went to prison for art forgery. Now a Harvard dropout with an emptied bank account, she is languishing in a career that has produced little more than a lucky house-sitting gig. But all of that changes when Alix meets Christine Lemay, a novice art collector with money to burn and a hot tip on a recently discovered painting by American master Georgia O’Keeffe. Chris hires Alix to perform the authentication, an assignment that finally could launch Alix into the big leagues. But soon after her arrival in Santa Fe, she finds herself tangled up in a web of forgery, deceit—and murder. Anxious to avoid becoming the next victim, she teams up with FBI Special Agent Ted Ellesworth—and gets a little unlikely help from her roguish father—to uncover the truth behind the painting and those who would kill to have it. Sharp, witty, and devilishly fun, A Dangerous Talent offers an insider’s look into the surprisingly treacherous contemporary art world.

This should be the cushiest job Alix London’s ever had.

The second Alix London mystery finds the art restorer in a world brimming with idle luxury, spectacular locations, and deadly intrigue.

Surrounded by art and wealth and the sun-drenched Greek isles, she’s aboard a sumptuous mega-yacht with no responsibilities save the occasional lecture to the guests of her temporary employer, Panos Papadakis, one of the world’s richest men. But there’s a catch: Papadakis has long been suspected of being at the center of a multi-million dollar Ponzi scheme and Alix is actually there as an undercover operative of FBI special agent Ted Ellesworth, a member of the Bureau’s Art Crime Team. They hope Alix can gather the inside information they need to finally put the cagey Papadakis away.

Alix’s exposure to the enormous wealth of high-end collectors and the shadier aspects of the art trade—the avarice, naked greed, and ingenious scams—somehow brings her closer to her charming, “reformed” rogue of a father, and helps crystalize in her own mind just where she fits into the mix.

Moguls, murders, a forged Manet, and the Albanian mafia all play a role and send this pleasure cruise into brutally dangerous waters.

Set on the Aegean—Homer’s fabled “wine-dark sea”—with stops at enchanted islands where ancient legends still live, A Cruise to Die For delivers a witty blend of suspense and mystery, as well as an insider’s take on the contemporary art world and its eccentric characters. It’s all served up with the style and sophistication with which Charlotte and Aaron Elkins have rewarded mystery readers for the past 30 years.

Lee Ofsted has been hired to teach golf to the executives of a local salvage company on the bucolic Block Island. The setting is lovely, and the $1,000 a day salary will go a long way toward covering her expenses during her third year on the pro tour. But will it be compensation enough for solving a murder?

After a bizarre, botched kidnapping of his sexy wife, the owner of the salvage company turns up dead on the beach. Lee soon discovers that nearly every manager at the company has a motive for murder. Plunging into the case, she asks her boyfriend, Graham Sheldon, a former cop, for his expert help. Before long, the two of them are involved in a tale of greed and ambition that stretches back in time almost two hundred years, to a sunken treasure ship that went down in these very waters.

When art conservator Alix London spots a forgery, she knows trouble will follow. So she’s understandably apprehensive when her connoisseur’s eye spots something off about a multimillion-dollar Jackson Pollock painting at Palm Springs’s Brethwaite Museum—her current employer.

Alix is already under fire, the object of a vicious online smear campaign. Now the Brethwaite’s despicable senior curator, obsessed with the “maximization of monetized eyeballs,” angrily refuses to decommission the celebrated Pollock piece. But it’s only when a hooded intruder attacks Alix in her hotel room that the real trouble begins. And when FBI Special Agent Ted Ellesworth—with whom Alix had inadvertently, but thoroughly, botched a budding relationship just a year prior—turns up to investigate the Pollock, Alix knows she’s about to have her hands full.

In her third mystery, Alix London must see through mirages in the desert to uncover the knotted history of the painting—and save herself in the process.