A.B. Yehoshua – författare

“An old-fashioned book, free of cynicism, encroaching technology and intricate plotting, but imbued with a heartfelt and optimistic view of humanity—in other words, a book filled with feeling and moral values.”—New York Times Book Review

From the internationally acclaimed, award-winning Israeli author, a stunning novel that brilliantly illuminates a young girl’s crisis of faith and coming-of-age in Italy.

Rachele Luzzato is twelve years old when she learns that her father is gravely ill. While her family plans for her upcoming bat mitzvah, Rachele finds herself cast as the Madonna in her school’s Christmas play. Caught between spiritual poles, struggling to cope with her father’s mortality, Rachele feels as if the threads of her everyday life are unraveling.

A diverse circle of adults is there to guide Rachele as she faces the difficult passing of childhood, including her charismatic Jewish grandfather, her maternal Catholic grandparents, and even an old teacher who believes the young girl might find solace in a nineteenth-century novel. These spiritual tributaries ultimately converge in Rachele’s imagination, creating a fantasy that transcends the microcosm of her daily life with one simple hope: an end to the loneliness felt by an only daughter.

In this wondrous story A. B. Yehoshua paints a warm and subtle portrait of a young girl at the cusp of her journey into adulthood.

“An old-fashioned book, free of cynicism, encroaching technology and intricate plotting, but imbued with a heartfelt and optimistic view of humanity—in other words, a book filled with feeling and moral values.”—New York Times Book Review

From the internationally acclaimed, award-winning Israeli author, a stunning novel that brilliantly illuminates a young girl’s crisis of faith and coming-of-age in Italy.

Rachele Luzzato is twelve years old when she learns that her father is gravely ill. While her family plans for her upcoming bat mitzvah, Rachele finds herself cast as the Madonna in her school’s Christmas play. Caught between spiritual poles, struggling to cope with her father’s mortality, Rachele feels as if the threads of her everyday life are unraveling.

A diverse circle of adults is there to guide Rachele as she faces the difficult passing of childhood, including her charismatic Jewish grandfather, her maternal Catholic grandparents, and even an old teacher who believes the young girl might find solace in a nineteenth-century novel. These spiritual tributaries ultimately converge in Rachele’s imagination, creating a fantasy that transcends the microcosm of her daily life with one simple hope: an end to the loneliness felt by an only daughter.

In this wondrous story A. B. Yehoshua paints a warm and subtle portrait of a young girl at the cusp of her journey into adulthood.

Sailing from the North African port of Tangier to a small, distant town called Paris are a Jewish merchant, Ben Attar, his two beloved wives and his Arab partner, Abu Lutfi. They have come for a meeting with their third partner the widower, Raphael Abulafia who has been forced to turn his back on their previous trading partnership because of his new wife's distrust of the dual marriage of Ben Attar. The latter turns this annual trading voyage into a personal quest to legitimise his second wife, restore his honour, and, equally important, to show others the richness and humanity in his way of life.A.B. Yehoshua has imaginatively recreated a medieval world (from North Africa to Paris, from Spain to Germany) with its merchant trade in great depth and sensuous detail. His evocation of one man's love is lyrical, erotic even.

Professor Yohanan Rivlin has two obsessions, the first and most ambitious, is to understand the Arab mind - no mean feat in itself though perhaps made easier by the fact that he lives and works with Israeli Arabs. The second - and more personal, though equally hard to grasp - is to understand the failure of his elder son's marriage. Rivlin's two quests lead him to extraordinary - and at times highly entertaining - encounters with very disparate people, where the personal becomes intertwined with the political, as he searches out the truth both in politics and life.

A husband seeks his wife's lover who is lost in the turbulence of Israel's Yom Kippur War. As the story of his quest unfolds and grows in intensity, the main protagonists are drawn into the search and are transformed by it: through the different perspectives of husband, wife, teenage daughter, and young Arab emerges a complex picture of the uneasy present, the tension between generations, between Israel's past and future, between Jews and Arabs. 'We see an Arab and an Israeli locked into a debate of proximity, alikeness, mental hatred, that Yehoshua's superb ability to render both presences relieves of all sentimentality. What I value most in The Lover is a gift for equidistance - between characters, even between the feelings on both sides.'Alfred Kazin, New York Review of Books

Yehuda Kaminka, a retired teacher, returns to Israel from the U.S. to divorce his estranged wife who is in a mental asylum, having tried to kill him a few years earlier. The impending divorce of their parents throws into turmoil the lives of the couple's three children and grandson, revealing the complexity of their relationships. Yehuda's nine days, leading up to Passover, are remembered by different members of the family: A.B. Yehoshua's brilliance reveals itself in these different voices, each a minor masterpiece.A picture slowly emerges of what happened as memories are revived, hopes expressed and dreams articulated. The narrative gathers pace as Yehuda's visit draws to an end and he changes his mind about the divorce agreement.

A suicide bomb explodes in a Jerusalem market. One of the victims is a migrant worker without any papers, only a salary slip from the bakery where she worked as a night cleaner. As her body lies unclaimed in the morgue, her employers are labelled unfeeling and inhuman by a local journalist. The manager of human resources is given the task of discovering who she was and why she had come to Jerusalem.As the image of this once-beautiful dead woman begins to obsess him, the manager turns this duty into a personal mission - he is no longer just saving his company's reputation by trying to discover her identity and assure her of a dignified funeral. He is now restoring her not only to her family and country but also to common humanity - whilst at the same time conquering the hardness of his own heart."There are human riches here. The manager moves from a man who has given up on love to one who opens himself to it. And there are strange and powerful scenes - of the morgue, of the coffin, of the Soviet base where the manager passes through the purging of body and soul."Carole Angier, The Independent

An ageing film director named Yair Moses has been invited to the Spanish pilgrim city of Santiago de Campostela for a retrospective of his early work. As he and Ruth, his leading actress and longtime muse, settle into their hotel, Moses notices the painting over his bed depicting a classical legend of an old prisoner nursing at the breast of a young woman. For the first time in decades, he recalls the infamous scene from one of his early films which led to his estrangement from his difficult but brilliant screenwriter, Trigano, who was also Ruth's former lover.Throughout the retrospective, Moses is unsettled, straddling the past and the present, and upon his return to Israel, he decides to find the elusive Trigano and propose a new collaboration. But the screenwriter demands a price for such a reconciliation, one that will have strange and lasting consequences.Searching, intellectual, and original, The Retrospective is a probing meditation on mortality, the limits of memory, and the struggle of artistic creation by one of the world's most esteemed writers.

An experiment is under way in Tel Aviv and Jerusalem: a woman, recently widowed, is starting a trial period in assisted living, mainly to placate her over-anxious son, whilst in Jerusalem her daughter Noga, a young harpist, returns from her job with a Dutch orchestra to look after the family apartment.To enliven her stay, Noga's brother finds work for her - playing roles as an extra in film, TV, and in the opera Carmen. The random roles Noga is thrust into resonate strangely with her own life which she begins to re-evaluate. Central to her past is the fact that she refused to have children, resulting in the break-up of her marriage. No-one in her family understood her motives for not wanting children and everyone has a different explanation for it. Now, a chance encounter with her former husband reveals his continuing powerful, love as well as a shocking deed she committed during their marriage. But Noga is a free spirit neither tied to the past nor defined by it, and always keen to push boundaries. She lives for her music and is willing to go wherever it takes her. The three-month experiment proves as much of a test for her as for her mother and both are radically transformed by the end.A.B. Yehoshua is as creative, humorous and provocative as ever in The Extra, exploring themes familiar to him of love, family relationships and artistic ambitions, set mainly in an ever-changing Jerusalem.

Zvi Luria has begun to lose his memory. At the beginning he only makes small mistakes, forgetting first names and taking home the wrong child from his grandson's kindergarten, but he knows that things will only get worse.He's 73 and a retired road engineer. His neurologist hints at the path his illness might take and suggests ways of comabtting it, with the help of his wife Dina.Dina, a respected paediatrician, is keen for him to return to meaningful activity, and suggests he volunteers to work with his old colleagues at the Israel Roads Authority. This is how Luria finds himself at the Ramon Crater in the Negev desert planning a secret road for the army with the son of his former colleague. But there's a mystery about a certain hill on the route of this road. Who are the people living there and why are they trapped? And should the hill be flattened and the family evicted, or should a tunnel beneath it be built?With humour and great tenderness, A.B. Yehoshua depicts the love between Luria and his wife as they confront the challenges of his illness. Just when Luria's sense of identity becomes more compromised, then does he find himself, enabling a rich meditation on the entwined identities of Israeli Jews and Palestinians and on the nature of memory itself.Yehoshua weaves a masterful story about a long and loving marriage, interlaced with biting social commentary and caustic humour.