Adam Day – författare

Today's vision of world order is founded upon the concept of strong, well-functioning states, in contrast to the destabilizing potential of failed or fragile states. This worldview has dominated international interventions over the past 30 years as enormous resources have been devoted to developing and extending the governance capacity of weak or failing states, hoping to transform them into reliable nodes in the global order. But with very few exceptions, this project has not delivered on its promise: countries like Somalia, Afghanistan, South Sudan, and the Democratic Republic of the Congo (DRC) remain mired in conflict despite decades of international interventions.States of Disorder addresses the question, 'Why has UN state-building so consistently failed to meet its objectives?'. It proposes an explanation based on the application of complexity theory to UN interventions in South Sudan and DRC, where the UN has been tasked to implement massive stabilization and state-building missions. Far from being ''ungoverned spaces," these settings present complex, dynamical systems of governance with emergent properties that allow them to adapt and resist attempts to change them. UN interventions, based upon assumptions that gradual increases in institutional capacity will lead to improved governance, fail to reflect how change occurs in these systems and may in fact contribute to underlying patterns of exclusion and violence. Based on more than a decade of the author's work in peacekeeping, this book offers a systemic mapping of how governance systems work, and indeed work against, UN interventions. Pursuing a complexity-driven approach instead helps to avoid unintentional consequences, identifies meaningful points of leverage, and opens the possibility of transforming societies from within.

Adam Day's Left-Handed Wolf offers short lyrical meditations and narratives that wrestle with contemporary issues of the environment, spirituality, and the social. These compact, imagistic poems welcome space and silence as a way of addressing both the commonality and complexity of people and experience. Day's poems- influenced by meditation practice, as well as by classical Japanese and Chinese verse- are serious and bawdy, reverential and impertinent, accessible and eclectic, yet unified in their tone, atmosphere, and sensibility.

This book is an introduction to complex systems thinking at the global governance level. It offers concepts, tools, and ways of thinking about how systems change that can be applied to the most wicked problems facing the world today.More than an abstract argument for complexity theory, the book offers a targeted critique of today’s highest-profile proposals for improving the governance of our environment, security, finance, health, and digital space. It suggests that we should spend less effort and resources on upgrading existing institutions, and more on understanding how they (and we) relate to each other.The volume will be essential reading for public policymakers, NGOs and think tanks, foreign policy experts, government officials, and global decision-makers.

This book is an introduction to complex systems thinking at the global governance level. It offers concepts, tools, and ways of thinking about how systems change that can be applied to the most wicked problems facing the world today.More than an abstract argument for complexity theory, the book offers a targeted critique of today’s highest-profile proposals for improving the governance of our environment, security, finance, health, and digital space. It suggests that we should spend less effort and resources on upgrading existing institutions, and more on understanding how they (and we) relate to each other.The volume will be essential reading for public policymakers, NGOs and think tanks, foreign policy experts, government officials, and global decision-makers.

Men carry a mattress retrievedfrom a dumpster past the floodedfoundations of an unfinishedhigh-rise, an old woman catchesa pigeon in the folds of her dressthe dead smile and rise from swimmingpools or stand at attentionon stamps. The landscape can't believeit's real—there is no groundbeneath it, like what mirrors do.Adam Day is the recipient of fellowships from the Poetry Society of America and Kentucky Arts Council, and a PEN Emerging Writers Award. His work has appeared in Boston Review, the Kenyon Review, American Poetry Review, AGNI, the Iowa Review, and others.