Adam Gopnik – författare

Inte sedan 1900-talets början har liberalismen varit så hårt angripen från både höger och vänster som i dag. Vår tids förtroendekris för liberala idéer och institutioner har skapat en kris för hela det demokratiska systemet.

Tusen små framsteg är ett manifest som hämtar kraft ur de röster som skapade och utvecklade den liberala tanketraditionen, från Montaigne och Mill till medborgarrättsrörelsen. Mot bakgrund av detta framhäver Adam Gopnik att liberalismen inte är någon form av medelväg. Vad den vill åstadkomma – och i praktiken har åstadkommit – är radikala förändringar med humana medel. Det gör den till ett av mänsklighetens största moraliska äventyr. I detta auktoritära tidevarv hänger vår frihet att forma våra egna liv på dess fortlevnad.

Med ett förord av Bengt Westerberg.

Our modern society is very particular about what constitutes good food: local, seasonal, organic produce that doesn''t overly impact on the environment. But throughout history every generation has believed that it alone knows the true value of food, and looked with distaste on the culinary practices of its predecessors. Not so long ago eating food from around the world was the mark of the cultural sophisticate. In The Table Comes First Adam Gopnik envisions a new ''physiology of taste'' which will enable us to dispense with this moralising attitude and concentrate on the pleasure principle: food is to be enjoyed, and to help us enjoy life in turn. Above all the dining table should be the heart of the family, the place where all real family begins. To show this we are taken through the courses, from starters to desserts, from the establishment of the first restaurants in Paris in the early 19th century to the green movement of the present day, in a witty and erudite narrative interspersed with delightful anecdotes, ranging from making soufflés for Derrida (hint: the perfect soufflé is determined by the ineffable ''zone'' between peaks and troughs) to hunting the lost recipe for ''Steack Boston''.

''WITTY, HUMANE, LEARNED'' NEW YORK TIMESThe New York Times-bestselling author offers a stirring defence of liberalism against the dogmatisms of our timeNot since the early twentieth century has liberalism, and liberals, been under such relentless attack, from both right and left. The crisis of democracy in our era has produced a crisis of faith in liberal institutions and, even worse, in liberal thought.A Thousand Small Sanities is a manifesto rooted in the lives of people who invented and extended the liberal tradition. Taking us from Montaigne to Mill, and from Middlemarch to the civil rights movement, Adam Gopnik argues that liberalism is not a form of centrism, nor simply another word for free markets, nor merely a term denoting a set of rights. It is something far more ambitious: the search for radical change by humane measures. Gopnik shows us why liberalism is one of the great moral adventures in human history--and why, in an age of autocracy, our lives may depend on its continuation.

Bestselling author and New Yorker writer Adam Gopnik embarks on a wildly creative inquiry into perhaps the oldest question: how do we learn a new skill? For decades, Adam Gopnik has been one of our most beloved writers, a brilliantly perceptive critic of art, food, France, and more. But recently, he became obsessed by a fundamental matter: how did the people he was writing about learn their outlandish skill, whether it was drawing a nude or baking a sourdough loaf? In The Real Work-the term magicians use for the accumulated craft that makes for a great trick-Gopnik apprentices himself to an artist, a dancer, a boxer, and even a driving instructor (from the DMV), among others, trying his late-middle-age hand at things he assumed were beyond him. He finds that mastering a skill is a process of methodically breaking down and building up, piece by piece-and that true mastery, in any field, requires mastering other people''s minds. Exuberant and profound, The Real Work is ultimately about why we relentlessly seek to better ourselves in the first place.

Winter takes us on an intimate tour of the artists, poets, composers, writers, explorers, scientists and thinkers who helped shape a new and modern idea of winter. We learn how literature heralds the arrival of the middle class; how snow science leads to existential questions of God and our place in the world; how the race to the poles marks the human drive to imprint meaning on a blank space. Offering a kaleidoscopic take on the season, Winter is a homage to an idea of a season and a journey through the modern imagination.

''A dazzling talent'' Malcolm GladwellWhen Adam Gopnik and his soon-to-be-wife, Martha, left the comforts of home in Montreal for New York, the city then, much like today, was a pilgrimage site for the young, the arty, and the ambitious. But it was also becoming a city of greed, where both life''s consolations and its necessities were increasingly going to the highest bidder. At the Strangers'' Gate builds a portrait of this particular moment in New York through the story of this couple''s journey--from their excited arrival as aspiring artists to their eventual growth into a New York family. Gopnik transports us to his tiny basement room on the Upper East Side, and later to SoHo, where he captures a unicorn: an affordable New York loft. He takes us through his professional meanderings, from graduate student-cum-library-clerk to the corridors of Conde Nast and the galleries of MoMA. Between tender and humorous reminiscences, including affectionate portraits of Richard Avedon, Robert Hughes, and Jeff Koons, among many others, Gopnik discusses the ethics of ambition, the economy of creative capital, and the peculiar anthropology of art and aspiration in New York, then and now.

''Engaging, witty, thoughtful, clever, casual, ebullient, erudite and thoroughly modern'' Spectator''A dazzling talent - hilarious, winning and deft'' Malcolm Gladwell In Mid-Air is a collection of short essays by the acclaimed writer and speaker, Adam Gopnik. Known for his ability to perceive ''the whole world in a grain of sand'', he uses this format to take a dizzying range of subjects and intricately explore their meaning to our lives - as people, as citizens and as families. From how he works so that his daughter can have holes in her clothes, to why appropriation is more empowering than oppressing; from French sex to binge-watching TV, from the secret of a happy marriage to why we should mention the war ­­- each topic is illuminated by his erudition and wit. As in their original form on the radio, Gopnik''s essays - each one a pleasure garden of wry confessions, self-deprecating asides, wordplay and striking insights - feel like the most intimate of conversations between writer and reader; yet at the same time they capture a public forum of pithy debate and tender persuasion. Above all, In Mid-Air initiates a sense of wonder in the ordinary that yearns to be shared.