Adam Nemmers – författare

In March of 1861 Texas seceded from the Union, and the Love brothers of Limestone County - Cyrus, Samuel, James, and John - enlisted to fight for the Confederate cause. For the next four years, the brothers travelled the war-torn South as cavalry in Terry's Texas Rangers, seeing action in some of the fiercest battles in the Western Theater, yet faithfully sending letters home to their expectant family.Complete with a scholarly introduction shedding insight into the Love family, their travels, and their family communication network, this volume collects, transcribes, and annotates 78 letters by eight authors spanning the entire Civil War. In addition to soldiers' correspondence, the collection also contains letters written to and from their female relatives on the domestic front.Yours in Filial Regards: The Civil War Letters of a Texas Family offers a fascinating inside perspective of the Civil War from both the Confederate battle lines and the home front.

American Modern(ist) Epic argues that during the 1920s and ‘30s a cadre of minority novelists revitalized the classic epic form in an effort to recast the United States according to modern, diverse, and pluralistic grounds. Rather than adhere to the reification of static culture (as did ancient verse epic), in their prose epics Gertrude Stein and John Dos Passos utilized recursion, bricolage, and polyphony to represent the multifarious immediacy and movement of the modern world. Meanwhile, H. T. Tsiang and Richard Wright created absurd and insipid anti-heroes for their epics, contesting the hegemony of Anglo and capitalist dominance in the United States. In all, I posit, these modern(ist) epic novels undermined and revised the foundational ideology of the United States, contesting notions of individualism, progress, and racial hegemony while modernizing the epic form in an effort to refound the nation. The marriage of this classical form to modernist principles produced transcendent literature and offered a strenuous challenge to the interwar status quo, yet ultimately proved a failure: longstanding American ideology was simply too fixed and widespread to be entirely dislodged.

ClÉante Desgraves Valcin (1891-1956) was a poet, writer, and feminist-most prominently Haiti’s first published female novelist, who employed her sentimental fiction to explore matters of race, gender, nationalism, and sovereignty. A contemporary of Harlem Renaissance writers such as Nella Larsen and Zora Neale Hurston, Valcin emerged as an influential writer and political figure among the Black Atlantic diaspora.  Now, for the first time, her two acclaimed novels are available in English translation.   Cruel Destiny (1929) tells the tragic love story of Armand and Adeline, drawn together by a magnetic attraction, yet kept apart by a dark family secret. Depicting the heavy expectations placed upon women in Haiti’s elite society, it also explores the troubled and twisted relationships between the Haitians and their former colonial masters, the French.   In The White Negress (1934), a Frenchwoman moves to Haiti and is torn between two very different men, a Black Haitian lawyer, and a white American carpetbagger. Putting a fresh spin on the tired tragic mulatta trope, Valcin reveals the racial prejudices, class tensions, and anti-colonial resentments of an island under American occupation.   Together, these two novels expand our understanding of Caribbean literature, as well as the political struggles and artistic triumphs of Black women in the Americas.