Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic ‘histories’, Millie Taylor and Adam Rush take readers on a series of journeys that include the art form’s European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media inthe 21st century.Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium.Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.

Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic ‘histories’, Millie Taylor and Adam Rush take readers on a series of journeys that include the art form’s European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media inthe 21st century.Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium.Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.

Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic ''histories'', Millie Taylor and Adam Rush take readers on a series of journeys that include the art form''s European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media inthe 21st century.Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium.Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.

Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic ''histories'', Millie Taylor and Adam Rush take readers on a series of journeys that include the art form''s European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media inthe 21st century.Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium.Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.

Short introductory books on significant theories, concepts, forms and elements of musical theatre.Adaptation in Musical Theatre positions musical theatre as part of a broader cultural trend of recycling, referencing, remixing and alluding to existing creative works and texts. Despite critics often dismissing stage adaptations as lazy and safe bet options for producers, this book argues that crafting an adaptation enables creative teams to take fresh and imaginative approaches to a source text, given the multitude of ways in which the structures and styles of two (or more) different media can be combined.From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this lively book addresses several modern musicals, each adapted from a different type of source – including fiction, film and graphic novels – and each offering a different approach to adapting existing work.Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key and ever-evolving forms within musical theatre studies using relevant and contemporary case studies.

Short introductory books on significant theories, concepts, forms and elements of musical theatre. Adaptation in Musical Theatre positions musical theatre as part of a broader cultural trend of recycling, referencing, remixing and alluding to existing creative works and texts. Despite critics often dismissing stage adaptations as lazy and safe bet options for producers, this book argues that crafting an adaptation enables creative teams to take fresh and imaginative approaches to a source text, given the multitude of ways in which the structures and styles of two (or more) different media can be combined. From Les Mis rables to Wicked, by way of Legally Blonde and Fun Home, this lively book addresses several modern musicals, each adapted from a different type of source including fiction, film and graphic novels and each offering a different approach to adapting existing work. Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key and ever-evolving forms within musical theatre studies using relevant and contemporary case studies.

Short introductory books on significant theories, concepts, forms and elements of musical theatre. Adaptation in Musical Theatre positions musical theatre as part of a broader cultural trend of recycling, referencing, remixing and alluding to existing creative works and texts. Despite critics often dismissing stage adaptations as lazy and safe bet options for producers, this book argues that crafting an adaptation enables creative teams to take fresh and imaginative approaches to a source text, given the multitude of ways in which the structures and styles of two (or more) different media can be combined. From Les Mis rables to Wicked, by way of Legally Blonde and Fun Home, this lively book addresses several modern musicals, each adapted from a different type of source including fiction, film and graphic novels and each offering a different approach to adapting existing work. Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key and ever-evolving forms within musical theatre studies using relevant and contemporary case studies.

Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic ‘histories’, Millie Taylor and Adam Rush take readers on a series of journeys that include the art form’s European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media inthe 21st century.Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium.Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.

Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic ‘histories’, Millie Taylor and Adam Rush take readers on a series of journeys that include the art form’s European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media inthe 21st century.Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium.Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.

Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic ''histories'', Millie Taylor and Adam Rush take readers on a series of journeys that include the art form''s European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media inthe 21st century.Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium.Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.

Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic ''histories'', Millie Taylor and Adam Rush take readers on a series of journeys that include the art form''s European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media inthe 21st century.Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium.Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.

Short introductory books on significant theories, concepts, forms and elements of musical theatre.Adaptation in Musical Theatre positions musical theatre as part of a broader cultural trend of recycling, referencing, remixing and alluding to existing creative works and texts. Despite critics often dismissing stage adaptations as lazy and safe bet options for producers, this book argues that crafting an adaptation enables creative teams to take fresh and imaginative approaches to a source text, given the multitude of ways in which the structures and styles of two (or more) different media can be combined.From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this lively book addresses several modern musicals, each adapted from a different type of source – including fiction, film and graphic novels – and each offering a different approach to adapting existing work.Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key and ever-evolving forms within musical theatre studies using relevant and contemporary case studies.

Short introductory books on significant theories, concepts, forms and elements of musical theatre. Adaptation in Musical Theatre positions musical theatre as part of a broader cultural trend of recycling, referencing, remixing and alluding to existing creative works and texts. Despite critics often dismissing stage adaptations as lazy and safe bet options for producers, this book argues that crafting an adaptation enables creative teams to take fresh and imaginative approaches to a source text, given the multitude of ways in which the structures and styles of two (or more) different media can be combined. From Les Mis rables to Wicked, by way of Legally Blonde and Fun Home, this lively book addresses several modern musicals, each adapted from a different type of source including fiction, film and graphic novels and each offering a different approach to adapting existing work. Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key and ever-evolving forms within musical theatre studies using relevant and contemporary case studies.

Short introductory books on significant theories, concepts, forms and elements of musical theatre. Adaptation in Musical Theatre positions musical theatre as part of a broader cultural trend of recycling, referencing, remixing and alluding to existing creative works and texts. Despite critics often dismissing stage adaptations as lazy and safe bet options for producers, this book argues that crafting an adaptation enables creative teams to take fresh and imaginative approaches to a source text, given the multitude of ways in which the structures and styles of two (or more) different media can be combined. From Les Mis rables to Wicked, by way of Legally Blonde and Fun Home, this lively book addresses several modern musicals, each adapted from a different type of source including fiction, film and graphic novels and each offering a different approach to adapting existing work. Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key and ever-evolving forms within musical theatre studies using relevant and contemporary case studies.