Adam Shear – författare

Judah Halevi's Book of the Kuzari is a defense of Judaism that has enjoyed an almost continuous transmission since its composition in the twelfth century. By surveying the activities of readers, commentators, copyists and printers for more than 700 years, Adam Shear examines the ways that the Kuzari became a classic of Jewish thought. Today, the Kuzari is usually understood as the major statement of an anti-rationalist and ethnocentric approach to Judaism and is often contrasted with the rationalism and universalism of Maimonides's Guide for the Perplexed. But this conception must be seen as a modern construction, and the reception history of the Kuzari demonstrates that many earlier readers of the work understood it as offering a way toward reconciling reason and faith and of negotiating between particularism and universalism.

The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology-and the relatively rapid embrace of it among early modern Jews-certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books.Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture.Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.

The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology-and the relatively rapid embrace of it among early modern Jews-certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books.Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture.Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.

A collection of essays that bring new insight into Jewish culture as it is intertwined in Jewish, European, Ottoman, and American history.