Adam Szymkowicz – författare

Drama / Characters: 3m, 4f Pretty Theft is a play about ballerinas, boxes and the dangers of beauty. After losing her father, Allegra falls under the wing of bad girl Suzy, only to find an unexpected friendship with Joe, an autistic savant. When things take a violent turn, Allegra and Suzy escape cross country and befriend Marco, a mysterious thief who claims he cannot be caught. "Disturbing but touching...Mr. Szymkowicz writes quirky plays about contemporary topics like online dating and gender roles, but there always seems to be something - a knife, a rope, a dead body - in an unexpected place. In Pretty Theft, the undercurrent of danger goes beyond quirkiness; it's more subtle and ultimately more horrifying. The play takes place in a terrifying world where reckless people get hurt, and so do more or less innocent bystanders." -The New York Times "Szymkowicz has not only taken the notion of theft and flipped it on its head - he's taken a story about human beings at their worst and shown how we can claw our way back from the brink by finding the good within ourselves." -The Villager "Adam Szymkowicz has written a play full of interesting people...The dialogue and humor in this play are excellent...It runs a lean, intermission-less 90 minutes and is very satisfying...This would be good theater for young women not only to see but also to perform." -NYTheatre.com

A gender-bending patriarchy-smashing hilarious new take on the classic tale. Robin Hood is (and has always been) Maid Marian in disguise and leads a motley group of Merry Men (few of whom are actually men) against the greedy Prince John. As the poor get poorer and the rich get richer who will stand for the vulnerable if not Robin? What is the cost of revealing your true self in a time of trouble? Modern concerns and romantic entanglements clash on the battlefield and on the ramparts of Notti

Welcome to Colchester a small town where everybody knows each other and the pace of life allows the pursuit of love to take up as much space as it needs. Our tour guide is Suzanne the town photographer who lets us peek into her neighbors' lives to catch glimpses of romance in all its stages of development. A play about love nostalgia the seasons and how we learn to say goodbye.

A gender-bending patriarchy-smashing hilarious new take on the classic tale adapted for performance by teen actors for family audiences. Robin Hood is (and has always been) Maid Marian in disguise and leads a motley group of Merry Men (few of whom are actually men) against the greedy Prince John. As the poor get poorer and the rich get richer who will stand for the vulnerable if not Robin? What is the cost of revealing your true self in a time of trouble?Modern concerns and romantic entanglements clash on the battlefield and on the ramparts of Nottingham Castle in this play about selfishness selflessness love deferred and the fight. Always the fight. The fight must go on.

There's been a murder at the Clown Bar. It's a place where underground clown crime syndicates battle for top billing and a gunshot ends in a bleeding stream of confetti. The rules are strict the jokes are dark and the best way to serve a cocktail is to "make it funny."It's a year later and the Clown Bar is in disrepair. Happy has gone missing. Has he been offed by clown cowboy Brigham Bill or was it an inside job? Two cops who knew Happy when he was on the force go undercover as clowns in the Clown Bar to find out what happened.Knowledge of the preceding show is not required to enjoy this sequel. In the words of the playwright "look if you didn't see/read the original Clown Bar that's fine. You'll still understand the play."

The clowns have all come home for the holidays!Set before the events of Clown Bar, Clown Bar Christmas tells the story of clowns... in a bar... at Christmas. There's more to it, but you'll have to venture into the seedy underbelly of clown crime to see for yourself. (This play is not appropriate for children.)

One minute: that’s all the time an actor needs to make a scorching impression—to pull in an audience, make them care, laugh, cry, remind them that life is worth living, or help them forget that life is hard.Small Explosions collects more than ninety entirely new monologues from acclaimed playwright Adam Szymkowicz (Hearts Like Fists, Clown Bar, Pretty Theft). Short, punchy, and thoroughly memorable, they traverse the extremes of heartbreak and joy, epiphany, and bewilderment, across a range of moods and voices. Perfect as audition pieces or training exercises, they hit hard, make their mark, and just as quickly get out of the way, leaving an indelible impression.

One minute: that’s all the time an actor needs to make a scorching impression—to pull in an audience, make them care, laugh, cry, remind them that life is worth living, or help them forget that life is hard.Small Explosions collects more than ninety entirely new monologues from acclaimed playwright Adam Szymkowicz (Hearts Like Fists, Clown Bar, Pretty Theft). Short, punchy, and thoroughly memorable, they traverse the extremes of heartbreak and joy, epiphany, and bewilderment, across a range of moods and voices. Perfect as audition pieces or training exercises, they hit hard, make their mark, and just as quickly get out of the way, leaving an indelible impression.

Adam Szymkowicz is that rarest of things: a full-time playwright. In an era when the business of live theatre seems perpetually on the verge of implosion, most dramatists survive only through soul-sucking day jobs, the largesse of patrons or their own families, or writing for television. Szymkowicz has carved out a distinctive niche for himself without relying on big institutions or the brass ring of a mega-hit Broadway production. Each year, his body of work—over thirty sharp, funny, pop-culture-inflected plays animated by an unabashed romanticism—is staged everywhere from big-city theatres to colleges and high schools.In Letters to a Young Playwright, Szymkowicz dispenses hard-earned, unsentimental, and entertaining advice to early-career dramatists. Modeled on Rilke’s Letters to a Young Poet, it covers topics like writer’s block, self-promotion, and the pluses and minuses of pivoting to Hollywood in insightful and digestible short essays. Perfect for beginning playwrights as well as mid-career writers looking to reinvigorate their craft and career, it contains endlessly useful advice and reflections from one of the most-produced living playwrights in America.

Adam Szymkowicz is that rarest of things: a full-time playwright. In an era when the business of live theatre seems perpetually on the verge of implosion, most dramatists survive only through soul-sucking day jobs, the largesse of patrons or their own families, or writing for television. Szymkowicz has carved out a distinctive niche for himself without relying on big institutions or the brass ring of a mega-hit Broadway production. Each year, his body of work-over thirty sharp, funny, pop-culture-inflected plays animated by an unabashed romanticism-is staged everywhere from big-city theatres to colleges and high schools.In Letters to a Young Playwright, Szymkowicz dispenses hard-earned, unsentimental, and entertaining advice to early-career dramatists. Modeled on Rilke''s Letters to a Young Poet, it covers topics like writer''s block, self-promotion, and the pluses and minuses of pivoting to Hollywood in insightful and digestible short essays. Perfect for beginning playwrights as well as mid-career writers looking to reinvigorate their craft and career, it contains endlessly useful advice and reflections from one of the most-produced living playwrights in America.