Aditi Machado – författare

In Emporium, Aditi Machado investigates transnationalism and translation in poems that follow a merchant woman as she travels a twenty-first century “silk route.” As on the original silk route, this merchant is engaged in economic transactions but also cultural exchanges, un-monetizeable reciprocities, the sensory excesses of the marketplace: coins moving from hand to hand, the smell of food and sweat infusing the air, the “noise” of translation and multilingualism. Is this tradeswoman in control of her “destiny”/business or is she a commodity of impenetrable global forces? Her investigative, digressive travel seems a way to interrogate history and money and her own entanglement in such irresistible threads.

A series of meditative long poems that ritualize perception as a way of maintaining kinship with the non-human world.In Material Witness, the poet as human subject keeps vigil over the material world as the quotidian unfolds. The line between observer and observed blurs as non-human agency reveals itself, its own kind of witnessing. In her long poem “Concerning Matters Culinary” inspired by the first Latin cookbook, Machado activates the living matter of gustatory life with wry humor and subtle critique. Encouraging us to eschew nostalgia for deep presence, Machado’s poems remind us that “experience is phenomenal in its segues.”

Here the “beheaded” poet displaces her mind into the landscape, exploring territories as disparate as India’s Western Ghats and the cinematic Mojave Desert, as absurd as insomnia and dream. Some Beheadings asks three questions: “How does thinking happen?” “What does thinking feel like?” “How do I think about the future?” The second question takes primacy over the others, reflecting on what poets and critics have called “the sensuous intellect,” what needs to be felt in language, the contours of questions touched in sound and syntax.