Adrian Matejka – författare

Selected for the 2008 National Poetry Series by Kevin Young The poems in Adrian Matejka''s second collection, Mixology, shapeshift through the myriad meanings of "mixing" to explore and explode ideas of race, skin politics, appropriation, and cultural identity. Whether the focus of the individual poems is musical, digital, or historical, the otherness implicit in being of more than one racial background guides Matejka''s work to the inevitable conclusion that all things-no matter how disparate-are parts of the whole.

A finalist for both the Pulitzer Prize and the National Book Award in Poetry—a collection that examines the myth and history of the prizefighter Jack Johnson 

The legendary Jack Johnson (1878–1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka’s third work of poetry, follows the fighter’s journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka’s book is part historic reclamation and part interrogation of Johnson’s complicated legacy, one that often misremembers the magnetic man behind the myth.

On the morning of 4 July 1910, thousands of boxing fans stormed a newly built stadium in Reno, Nevada, to witness an epic showdown. Jack Johnson, the world’s first Black heavyweight champion—and most infamous athlete in the world because of his race—was paired against Jim Jeffries, a former heavyweight champion then heralded as the “great white hope”. It was the height of the Jim Crow era and spectators were eager for Jeffries to restore the racial hierarchy that Johnson had pummelled with his quick fists.Transporting readers directly into the ring, artist Youssef Daoudi and poet Adrian Matejka intersperse dramatic boxing action with vivid flashbacks to reveal how Johnson, the self-educated son of formerly enslaved parents, reached the pinnacle of sport—all while facing down a racist justice system. Through a combination of breathtaking illustrations and striking verse, Last on His Feet honours a contentious civil rights figure who has for more than a century been denied his proper due.

Revered for his “patient, clever, controlled, [and] visionary” (Hanif Abdurraqib) poems, Adrian Matejka has been a mainstay of contemporary American poetry for over two decades. Gathering hits from six extraordinary collections, Be Easy showcases his singular sonics and narrative vision in fresh, dynamic poems that lyrically complicate place, race, and identity.Traversing the Midwest from Indianapolis to Chicago, new poems explore the twitchy unease of unintentional migration and economic instability as the country faces a future every bit as unsettling and circus-like as parking lot carnivals of the poet’s childhood. Selections from Mixology (2008)—“a post-soul tour de force” (Kevin Young)—reverberate with the rhythm of ’80s hip-hop, while “revelatory” (Gabrielle Calvocoressi) odes from Pulitzer Prize and National Book Award finalist The Big Smoke (2013) reimagine the legacy of prizefighter Jack Johnson and transcendent poems from Map to the Stars (2017) brim with cosmic jazz.Matejka’s smooth lyricism flows into a singular, indispensable collection of memories lost and found again. Tracing the continuum of a “rocket-powered” (Campbell McGrath) writer, Be Easy affirms Matejka as one of the most exciting voices of our time.

A resonant new collection of poetry from Adrian Matejka, author of The Big Smoke, a finalist for The Pulitzer Prize and the National Book Award Map to the Stars, the fourth poetry collection from National Book Award and Pulitzer Prize finalist Adrian Matejka, navigates the tensions between race, geography, and poverty in America during the Reagan Era. In the time of space shuttles and the Strategic Defense Initiative, outer space is the only place equality seems possible, even as the stars serve to both guide and obscure the earthly complexities of masculinity and migration. In Matejka''s poems, hope is the link between the convoluted realities of being poor and the inspiring possibilities of transcendence and escape—whether it comes from Star Trek, the dream of being one of the first black astronauts, or Sun Ra''s cosmic jazz.From the Trade Paperback edition.

On the morning of 4 July 1910, thousands of boxing fans stormed a newly built stadium in Reno, Nevada, to witness an epic showdown. Jack Johnson, the world’s first Black heavyweight champion—and most infamous athlete in the world because of his race—was paired against Jim Jeffries, a former heavyweight champion then heralded as the “great white hope.” It was the height of the Jim Crow era, and spectators were eager for Jeffries to restore the racial hierarchy that Johnson had pummelled with his quick fists.Transporting readers directly into the ring, artist Youssef Daoudi and poet Adrian Matejka intersperse dramatic boxing action with vivid flashbacks to reveal how Johnson, the self-educated son of formerly enslaved parents, reached the pinnacle of sport—all while facing down a racist justice system. Through a combination of breathtaking illustrations and striking verse, Last on His Feet honours a contentious civil rights figure who has for more than a century been denied his proper due.

A collaboration of visual art and poetry inspired by Funkadelic’s classic albums Standing on the Verge of Getting It On and Maggot Brain. Adrian Matejka's (Pulitzer Prize finalist in poetry for The Big Smoke) new book Standing On the Verge & Maggot Brain is a chorus of poems and visual art that is psychedelic and bright, full of quarter notes disguised as words. The poems bend like a solo bends the big ideas of Funkadelic’s glitter and unrepentant funk. The colletion also bends the design of books themselves. Standing On the Verge & Maggot Brain is more accurately described as a double-chapbook, featuring two front covers and no back cover. Essentially, it is a two-in-one book. For the Standing On the Verge section of the two chaps, sculptor and artist Kevin Neireiter translates music into stained glass graffiti in honor of the landmark record. For Maggot Brain, Nicholas Galanin’s (also front man of the Sub Pop band Ya Tseen) art creates musical compositions from monochromatics in response to the quintessential album. Matejka's collection of poems is synesthesia for the ear and alchemy for the eyes and heart. Standing On the Verge & Maggot Brain is both a tribute to the iconic band Funkadelic and deep introspection of the contrasts in poet Matejka's celebrant hips and maggot brain. Just as the album Standing on the Verge of Getting It On is a celebration of energy and action, Maggot Brain is a place of deep sorrow. Matejka explores both the light and dark within the original visual art by Kevin Neireiter and Nicholas Galanin, reflecting the poet's radiances and shadows.