Adrienne Munich - Böcker

'This solitude, the romance and wild loveliness of everything here . . . all make beloved Scotland the proudest, finest country in the world.'Queen Victoria (1819-1901) wrote a diary nearly every day of her life. Originally intended for private circulation, later expanded to appeal to a wider public, these published diary entries cover not only the family holidays at Balmoral Castle in the Scottish Highlands which the Queen and Prince Albert enjoyed up until his death in 1861, but also the Queen's journeys - as sovereign and as "Royal Tourist" - around Scotland, Ireland, and other regions within the British Isles. The books offer intimate views of the most important woman of her time as she shares her love of her family and of the Highlands, and demonstrates her intense interest in all corners of her realm and in the lives of individuals from all classes of society.Queen Victoria's writings about her life and travels in Scotland and the British Isles are fascinating and entertaining to read. Extremely popular when they first appeared, they shaped Victoria's image in the nineteenth century, and their impact on public perceptions of the monarchy continues to this day. This volume includes complete and authoritative texts of the two journals; an introduction and explanatory endnotes providing historical and cultural contexts and new information about the Queen's work as author and editor; maps of the Queen's travels; a Cast of Characters briefly identifying many of the individuals the Queen meets or mentions; a Glossary of unfamiliar terms; and Suggestions for Further Reading.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'This solitude, the romance and wild loveliness of everything here . . . all make beloved Scotland the proudest, finest country in the world.'Queen Victoria (1819-1901) wrote a diary nearly every day of her life. Originally intended for private circulation, later expanded to appeal to a wider public, these published diary entries cover not only the family holidays at Balmoral Castle in the Scottish Highlands which the Queen and Prince Albert enjoyed up until his death in 1861, but also the Queen's journeys - as sovereign and as "Royal Tourist" - around Scotland, Ireland, and other regions within the British Isles. The books offer intimate views of the most important woman of her time as she shares her love of her family and of the Highlands, and demonstrates her intense interest in all corners of her realm and in the lives of individuals from all classes of society.Queen Victoria's writings about her life and travels in Scotland and the British Isles are fascinating and entertaining to read. Extremely popular when they first appeared, they shaped Victoria's image in the nineteenth century, and their impact on public perceptions of the monarchy continues to this day. This volume includes complete and authoritative texts of the two journals; an introduction and explanatory endnotes providing historical and cultural contexts and new information about the Queen's work as author and editor; maps of the Queen's travels; a Cast of Characters briefly identifying many of the individuals the Queen meets or mentions; a Glossary of unfamiliar terms; and Suggestions for Further Reading.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This study explores the passion with which Victorian male writers and artists gave meaning to the myth of Perseus and Andromeda and its medieval analogue, the legend of St George and the dragon. It demonstrates how men used the myth to exert their own gender on Victorian culture.

Exploring the influence of Victoria on England's cultural history, this book adopts many different approaches to explore the various incarnations of the queen in the minds of her people. Topics covered centre on those of importance to Victorian women and include fashion, marriage and menopause.

Drawing upon feminist, anthropological, and postcolonial approaches, Munich searches out the myriad, often contradictory incarnations of Queen Victoria in the minds of her subjects.

The vital synergy between dress and the cinema has been in place since the advent of film. Broaching topics such as vampires, noir, and Marie Antoinette looks, Fashion in Film uncovers the way in which the alliance of these two powerhouse industries use myriad cultural influences—shaping narrative, national identity, and all points in between. Contributor essays address international films from early cinema to the present, drawing on the classic and the innovative. This abundantly illustrated collection reveals that fashion in conjunction with film must be understood in a different way from fashion tout simple.

Queen Victoria's central importance to the era defined by her reign is self-evident, and yet it has been surprisingly overlooked in the study of Victorian culture. This collection of essays goes beyond the facts of biography and official history to explore the diverse, and sometimes conflicting, meanings she held for her subjects around the world and even for those outside her empire, who made of her a multifaceted icon serving their social and economic needs. In her paradoxical position as neither consort nor king, she baffled expectations throughout her reign. She was a model of wifely decorum and solid middle-class values, but she also became the focus of anxieties about powerful women, and - increasingly - of anger about Britain's imperial aims. Each essay analyses a different aspect of this complex and fascinating figure. Contributors include noted scholars in the field of literature, cultural studies, art history, and women's studies.

Queen Victoria's central importance to the era defined by her reign is self-evident, and yet it has been surprisingly overlooked in the study of Victorian culture. This collection of essays goes beyond the facts of biography and official history to explore the diverse, and sometimes conflicting, meanings she held for her subjects around the world and even for those outside her empire, who made of her a multifaceted icon serving their social and economic needs. In her paradoxical position as neither consort nor king, she baffled expectations throughout her reign. She was a model of wifely decorum and solid middle-class values, but she also became the focus of anxieties about powerful women, and - increasingly - of anger about Britain's imperial aims. Each essay analyses a different aspect of this complex and fascinating figure. Contributors include noted scholars in the field of literature, cultural studies, art history, and women's studies.

Amy Lowell (1874–1925), American poet and critic, was one of the most influential and best-known writers of her era. Within a thirteen-year period, she produced six volumes of poetry, two volumes of criticism, a two-volume biography of John Keats, and countless articles and reviews that appeared in many popular periodicals. As a herald of the New Poetry, Lowell saw herself and her kind of work as a part of a newly forged, diverse, American people that registered its consciousness in different tonalities but all in a native idiom. She helped build the road leading to the later works of Allen Ginsberg, May Sarton, Sylvia Plath, and beyond. Except for the few poems that invariably appear in American literature anthologies, most of her writings are out of print. This will be the first volume of her work to appear in decades, and the depth, range, and surprising sensuality of her poems will be a revelation.The poetry is organized according to Lowell’s characteristic forms, from traditional to experimental. In each section the works appear in chronological order. Section one contains sonnets and other traditional verse forms. The next section covers her translations and adaptations of Chinese and Japanese poetry, whereby she beautifully renders the spirit of these works. Also included here are several of Lowell’s own Asian-influenced poems. Lowell’s free, or cadenced verse appears in the third part. The last section provides samples of Lowell’s polyphonic prose, an ambitious and vigorous art form that employs all of the resources of poetry.The release of The Selected Poems of Amy Lowell will be a major event for readers who have not been able to find a representative sampling of work from this vigorous, courageous poet who gave voice to an erotic, thoroughly American sensibility.