Afaa Michael Weaver – författare

"Weaver's life studies and lyrics are imbued with a vivid sense of language, a vivid sense of the world, a vivid sense of their inseparability. And his tonal range—from unabashed passion to the subtlest velleity—is impressive indeed. This is a singular talent."—Henry Louis Gates, Jr.

Winner of the 2008 Paterson Award for Literary Excellence"Weaver has crafted a virtual planet in this book with plenty of alternate geographies for readers of all flavors and stripes. Marvelous. Huge. Prodigious.”—North American Review

This is the second volume of a trilogy (the first was The Plum Flower Dance) in which Weaver analyzes his life, striving to become the ideal poet. In The Government of Nature, Afaa Michael Weaver explores the trauma of his childhood—including sexual abuse—using a "cartography and thematic structure drawn from Chinese spiritualism." Weaver is a practitioner of Daoism, and this collection deals directly with the abuse in the context of Daoist renderings of nature as metaphor for the human body.

Winner of the 2015 Phillis Wheatley Book Award (poetry category)This is the final book in the Plum Flower Trilogy by Afaa Michael Weaver, published by the University of Pittsburgh Press. The two earlier books, The Plum Flower Dance: Poems 1985 to 2005 and The Government of Nature, reveal similar themes that address the author's personal experience with childhood abuse through the context of Daoist renderings of nature as a metaphor for the human body, with an eye to recovery and forgiveness in a very eclectic spiritual life. City of Eternal Spring chronicles Weaver's travels abroad in Taiwan and China, as well as showing the limits of cultural influence.

In Spirit Boxing, Weaver revisits his working class core. The veteran of fifteen years as a factory worker in his native Baltimore, he mines his own experience to build a wellspring of craft in poems that extend from his life to the lives that inhabit the whole landscape of the American working class. He writes with an intimacy that is unique in American poetry, and echoes previous comparisons of his oeuvre to that of Walt Whitman. The singularity of his voice resonates here through the prism of his realization of self through a lifelong project of the integration of American and Chinese culture. The work is Daoist in influence and structure as it echoes both a harmonic realization of context and the intuitive and transcendent dance of body, mind, and spirit.

A generous, retrospective edition of this African-American poet.

The poems of Multitudes comprise an African-American opera of towering ambition and scope: there are arias and recitatives, whispers and shouts, growls and coos, formal interludes and symphonic improvisation, all set within a revelatory social and cultural context.It is difficult to speak of a poet like Weaver, whose gift is large, lush, and expansive. The difficulty is multiplied when considering a Selected Poems, where the magnitude and range of the poet's accomplishments are fully displayed. One could spend a good deal of time merely on the works of lyrical intensity, such as Weaver's series of poems "Lamentations" which explores the painful permutations of a father's illness and a mother's death. One could marvel over the compressed emotion this series somehow manages to contain and, in the end, to release in the reader.But this would be to ignore the sharply etched portrait poems, such as "Sub Shop Girl," "Bootleg Whiskey," and "Walnut Cinema." It would not fully explain the straightforward narrative power of poems like "The Robe," in which a young boy is cruelly shown his place in the sexual hierarchy of grown women. And it would give no hint of the poet's ability to compose such recent, experimentally daring poems as "Mojo Momba," "Piggly Wiggly," and the breathtakingly associative "A Composition for White Critics . . . " which, among its many effects, brilliantly satirizes "postmodern" literary ethos.And to speak of any individual poems would not capture the extent of Weaver's operatic accomplishment in Multitudes. Weaver is a poet of rare grace, power, and honesty. His work will be read simply because the poetry is superb.Finally, this is a book that embodies the fraught matter of African-American masculinity, in a way that a thousand essays could not begin to match. Multitudes is a clear window into the soul of the African-American male. In this sense it possesses an ambitious, manifest social value that contemporary poetry can rarely claim. Weaver's Selected will be read for the pleasures of its poetry, yes. But it will also be valued for the urgent illumination it provides into one of the central issues of our country and our time.Afaa Michael Weaver (b. Michael S. Weav