Agnes Andeweg – författare

Although the preoccupation of Gothic storytelling with the family has often been observed, it invites a more systematic exploration. Gothic kinship brings together case studies of Gothic kinship ties in film and literature and offers a synthesis and theorisation of the different appearances of the Gothic family.Writers discussed include early British Gothic writers such as Eleanor Sleath and Louisa Sidney Stanhope as well as a range of later authors writing in English, including Elizabeth Gaskell, William March, Stephen King, Poppy Z. Brite, Patricia Duncker, J. K. Rowling and Audrey Niffenegger. There are also essays on Dutch authors (Louis Couperus and Renate Dorrestein) and on the film directors Wes Craven and Steven Sheil.Arranged chronologically, the various contributions show that both early and contemporary Gothic display very diverse kinship ties, ranging from metaphorical to triangular, from queer to nuclear-patriarchal. Gothic proves to be a rich source of expressing both subversive and conservative notions of the family.Gothic kinship will be of interest to academics and students of European and American Gothic in literature and film, gender studies and cultural studies.

Although the preoccupation of Gothic storytelling with the family has often been observed, it invites a more systematic exploration. Gothic kinship brings together case studies of Gothic kinship ties in film and literature and offers a synthesis and theorisation of the different appearances of the Gothic family.Writers discussed include early British Gothic writers such as Eleanor Sleath and Louisa Sidney Stanhope as well as a range of later authors writing in English, including Elizabeth Gaskell, William March, Stephen King, Poppy Z. Brite, Patricia Duncker, J. K. Rowling and Audrey Niffenegger. There are also essays on Dutch authors (Louis Couperus and Renate Dorrestein) and on the film directors Wes Craven and Steven Sheil.Arranged chronologically, the various contributions show that both early and contemporary Gothic display very diverse kinship ties, ranging from metaphorical to triangular, from queer to nuclear-patriarchal. Gothic proves to be a rich source of expressing both subversive and conservative notions of the family.Gothic kinship will be of interest to academics and students of European and American Gothic in literature and film, gender studies and cultural studies.

This edited collection aims to look beyond established narratives of feminist history, by focusing on non-English speaking European countries. Recent scholarship on the history of the women’s liberation movement in individual countries has enhanced our understanding of the importance of transnational influences in the history of European feminism, and problematised the periodisation of feminisms. Additionally, the translation of feminist practices and texts have received interest during the past years. Despite this work, the United States, and to a lesser extent the United Kingdom, are still the main points of reference in histories of post-war feminism. This book asks what happens to the picture if we place non-English speaking European countries in the centre. Using Lucy Delap’s concept of ‘mosaic feminism’, its contributors emphasise the variety of patterns that women’s feminist organising showed in different cultural contexts despite similarities in their ideological corner stones.