Aileen Dillane – författare

David Bowie: Critical Perspectives examines in detail the many layers of one of the most intriguing and influential icons in popular culture. This interdisciplinary book brings together established and emerging scholars from a wide variety of backgrounds, including musicology, sociology, art history, literary theory, philosophy, politics, film studies and media studies. Bowie’s complexity as a singer, songwriter, producer, performer, actor and artist demands that any critical engagement with his overall work must be interdisciplinary and wide-ranging in its scope. The chapters are organised around the key themes of ‘textualities’, ‘psychologies’, ‘orientalisms’, ‘art and agency’ and ‘performing and influencing’ in Bowie’s work. This comprehensive book contributes a great deal to the study of popular music, performance, gender, religion, popular media and celebrity.

This collection analyses the remaking of culture and music spaces during the ongoing COVID-19 pandemic. Its central focus is how cultural producers negotiated radically disrupted and uncertain conditions by creating, designing, and curating new objects and events, and through making alternative combinations of practices and spaces.By examining contexts and practices of remaking culture and music, it goes beyond being a chronicle of how the pandemic disrupted cultural life and livelihoods. The book also raises crucial questions about the forms and dynamics of post-pandemic spaces of culture and music. Main themes include the affective and embodied dimensions that shape the experience, organisation, and representation of cultural and musical activity; the restructuring of industries and practices of work and cultural production; the transformation of spaces of cultural expression and community; and the uncertainty and resilience of future culture and music.This collection will be instrumental for researchers, practitioners, and students studying the spatial, material, and affective dimensions of cultural production in the fields of cultural sociology, cultural and creative industries research, festival and event studies, and music studies. Its interdisciplinary nature makes it beneficial reading for anyone interested in what has happened to culture and music during the global pandemic and beyond.

This collection analyses the remaking of culture and music spaces during the ongoing COVID-19 pandemic. Its central focus is how cultural producers negotiated radically disrupted and uncertain conditions by creating, designing, and curating new objects and events, and through making alternative combinations of practices and spaces.By examining contexts and practices of remaking culture and music, it goes beyond being a chronicle of how the pandemic disrupted cultural life and livelihoods. The book also raises crucial questions about the forms and dynamics of post-pandemic spaces of culture and music. Main themes include the affective and embodied dimensions that shape the experience, organisation, and representation of cultural and musical activity; the restructuring of industries and practices of work and cultural production; the transformation of spaces of cultural expression and community; and the uncertainty and resilience of future culture and music.This collection will be instrumental for researchers, practitioners, and students studying the spatial, material, and affective dimensions of cultural production in the fields of cultural sociology, cultural and creative industries research, festival and event studies, and music studies. Its interdisciplinary nature makes it beneficial reading for anyone interested in what has happened to culture and music during the global pandemic and beyond.

David Bowie: Critical Perspectives examines in detail the many layers of one of the most intriguing and influential icons in popular culture. This interdisciplinary book brings together established and emerging scholars from a wide variety of backgrounds, including musicology, sociology, art history, literary theory, philosophy, politics, film studies and media studies. Bowie’s complexity as a singer, songwriter, producer, performer, actor and artist demands that any critical engagement with his overall work must be interdisciplinary and wide-ranging in its scope. The chapters are organised around the key themes of ‘textualities’, ‘psychologies’, ‘orientalisms’, ‘art and agency’ and ‘performing and influencing’ in Bowie’s work. This comprehensive book contributes a great deal to the study of popular music, performance, gender, religion, popular media and celebrity.

Popular, political and media discourses frame the issue of migration and shape how and when it enters the public and political consciousness. These discourses are of crucial importance as they influence both the general public’s perception of migration and the policies which regulate both the act of migration itself and migrant residents.Public and Political Discourses of Migration brings together an interdisciplinary group of established and emerging scholars, whose work interrogates the relationship between discourse and migration. Through the application of a variety of theoretical lenses drawn from the broad canon of discourse studies, each contribution unpicks the productive power of discourse in shaping the reality of migration, migration policy and migrant lives in the twenty-first century. The cases examined emerge, as do their authors, from a wide spectrum of national, political and cultural contexts. They are linked by their fundamental questioning of ‘common sense’ and ahistorical approaches to migration. They address the question of whose interests are served by prevailing discourses and the structures they underpin. Ultimately, they ‘make strange’ accepted ‘truths’ regarding migration in the twenty-first century.

Popular, political and media discourses frame the issue of migration and shape how and when it enters the public and political consciousness. These discourses are of crucial importance as they influence both the general public’s perception of migration and the policies which regulate both the act of migration itself and migrant residents.Public and Political Discourses of Migration brings together an interdisciplinary group of established and emerging scholars, whose work interrogates the relationship between discourse and migration. Through the application of a variety of theoretical lenses drawn from the broad canon of discourse studies, each contribution unpicks the productive power of discourse in shaping the reality of migration, migration policy and migrant lives in the twenty-first century. The cases examined emerge, as do their authors, from a wide spectrum of national, political and cultural contexts. They are linked by their fundamental questioning of ‘common sense’ and ahistorical approaches to migration. They address the question of whose interests are served by prevailing discourses and the structures they underpin. Ultimately, they ‘make strange’ accepted ‘truths’ regarding migration in the twenty-first century.

Songs of Social Protest is a comprehensive companion guide to music and social protest globally. Bringing together scholars from a range of fields, it explores a wide range of examples of, and contexts for, songs and their performance that have been deployed as part of local, regional and global social protest movements, both in historical and contemporary times. Topics covered include:AestheticsAuthenticityAfrican American MusicAnti-capitalismCommunity & Collective MovementsCounter-hegemonic Discourses Critical PedagogyFolk MusicIdentityMemoryPerformancePopular CultureBy placing historical approaches alongside cutting-edge ethnography, philosophical excursions alongside socio-political and economic perspectives, and cultural context alongside detailed, musicological, textual, and performance analysis, Songs of Social Protest offers a dynamic resource for scholars and students exploring song and singing as a form of protest.

Songs of Social Protest is a comprehensive companion guide to music and social protest globally. Bringing together scholars from a range of fields, it explores a wide range of examples of, and contexts for, songs and their performance that have been deployed as part of local, regional and global social protest movements, both in historical and contemporary times. Topics covered include:AestheticsAuthenticityAfrican American MusicAnti-capitalismCommunity & Collective MovementsCounter-hegemonic Discourses Critical PedagogyFolk MusicIdentityMemoryPerformancePopular CultureBy placing historical approaches alongside cutting-edge ethnography, philosophical excursions alongside socio-political and economic perspectives, and cultural context alongside detailed, musicological, textual, and performance analysis, Songs of Social Protest offers a dynamic resource for scholars and students exploring song and singing as a form of protest.

Led by the iconic Ian Curtis, Joy Division remains one of the most influential bands to emerge in the British Post-Punk Scene. In spite of Joy Division’s relatively short existence, their unique sound and distinct iconography have had a lasting impact on music fans and performers alike. This book disassembles the band’s contribution to rock music. Based on up-to-date original research, Heart And Soul brings together established and newly emerging scholars who provide detailed examinations the many layers of this multi-faceted and influential band and their singer, the late Ian Curtis, in particular. Given Joy Division’s complexities, the book draws upon a wide range of academic disciplines and approaches in order to make sense of this influential band.

Led by the iconic Ian Curtis, Joy Division remains one of the most influential bands to emerge in the British Post-Punk Scene. In spite of Joy Division’s relatively short existence, their unique sound and distinct iconography have had a lasting impact on music fans and performers alike. This book disassembles the band’s contribution to rock music. Based on up-to-date original research, Heart And Soul brings together established and newly emerging scholars who provide detailed examinations the many layers of this multi-faceted and influential band and their singer, the late Ian Curtis, in particular. Given Joy Division’s complexities, the book draws upon a wide range of academic disciplines and approaches in order to make sense of this influential band.

Known for his outspoken and often controversial views on class, ethnicity and sexuality, Morrissey has remained an anti-establishment figure who continues to provoke argument, debate and devotion amongst critics and his many fans. Focusing exclusively on Morrissey’s solo career, the collected essays in this important book make for a rich reading of Morrissey and his highly influential creative output. Working across a range of academic disciplines and approaches (including musicology; ethnography; sociology and cultural studies) these essays seek to make sense of the many complexities of this global icon.