Aislinn Clarke - Böcker
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3 produkter
3 produkter
1 284 kr
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Bloody Women traces changing gender dynamics in the horror film industry to explore how women have played a crucial role in defining the genre of horror understood as a scholarly discipline, cultural institution, and site of pleasure. While acknowledging that women in the industry face ongoing challenges, this book focuses on their diverse contributions as creators, consumers, and critics of horror, showing how women have been essential in shaping the goals and methods of the genre. Aimed at both scholarly and general readers, the chapters bring together the expertise of filmmakers, festival programmers, and scholars to argue that women have effected a reimagining of horror. To this end, the volume considers a range of historical and theoretical issues relevant to gender and the genre of horror, broadly conceived. The collection explores, for example, female-directed horror films as a distinctive enterprise, one that is potentially marked by unique cinematic techniques and topical concerns. The book also moves into a more public domain, probing how the cultural experience of horror is transformed when the genre’s major festivals and conventions are developed and directed by women. Together, these essays offer a wide-ranging investigation into the stakes of women’s growing prominence in the horror industry. Most centrally, Bloody Women analyzes how the ethics, investments, and objectives of the genre shift when women deploy horror for their own enjoyment.
461 kr
Skickas inom 10-15 vardagar
Bloody Women traces changing gender dynamics in the horror film industry to explore how women have played a crucial role in defining the genre of horror understood as a scholarly discipline, cultural institution, and site of pleasure. While acknowledging that women in the industry face ongoing challenges, this book focuses on their diverse contributions as creators, consumers, and critics of horror, showing how women have been essential in shaping the goals and methods of the genre. Aimed at both scholarly and general readers, the chapters bring together the expertise of filmmakers, festival programmers, and scholars to argue that women have effected a reimagining of horror. To this end, the volume considers a range of historical and theoretical issues relevant to gender and the genre of horror, broadly conceived. The collection explores, for example, female-directed horror films as a distinctive enterprise, one that is potentially marked by unique cinematic techniques and topical concerns. The book also moves into a more public domain, probing how the cultural experience of horror is transformed when the genre’s major festivals and conventions are developed and directed by women. Together, these essays offer a wide-ranging investigation into the stakes of women’s growing prominence in the horror industry. Most centrally, Bloody Women analyzes how the ethics, investments, and objectives of the genre shift when women deploy horror for their own enjoyment.
208 kr
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I don’t recall if I saw my first gunman in my childhood nightmares or on my childhood streets.There were plenty in both and they looked very much like each other.So begins Reggie Chamberlain-King’s introduction to The Black Dreams, a thrilling and compelling collection of specially commissioned stories that explore the emotional geography of growing up and living in Northern Ireland.The fourteen stories gathered here criss-cross coast, border and city as they map a ‘strange’ territory of in-between states and unstable realities in which understanding is unreliable. Obsessions, death and rebirth, violence, sexuality, retribution and apocalypse are all part of the rich fabric of The Black Dreams.Bringing together some of Northern Ireland’s finest writers, along with some of the best new talents, The Black Dreams celebrates and extends the rich tradition of the weird, surreal and dream-like in Northern Irish writing. It is also a powerful act of imagining and storytelling – a vibrant, vivid and exhilarating exploration of a world we cannot, or choose not, to see.Contributors: Jo Baker, Jan Carson, Reggie Chamberlain-King, Aislínn Clarke, Emma Devlin, Moyra Donaldson, Michelle Gallen, Carlo Gébler, John Patrick Higgins, Ian McDonald, Gerard McKeown, Bernie McGill, Ian Sansom, Sam Thompson