Al Miner – författare

Contemporary art is a vast and complex field representing artists, ideas, and trends from every imaginable cultural and geographical background. This book introduces the art of our times by taking the reader through a tour of some seventy examples from the collections of the Museum of Fine Arts, Boston. Thematic chapters present artistic categories, concepts, and propositions that have been prevalent since the mid-1950s and offer a path toward understanding the different subjects, forms, styles, purposes, and techniques of contemporary art. Some, such as `portrait’, are long-standing notions in the history of art; others, such as `site’ or `borrowed’, raise provocative questions and may be less immediately obvious. But it is the works of art themselves – brilliantly conceived by some of the most creative minds of our times – that make the case for embracing contemporary media in all its diversity.

Artists from some of Asia’s largest megacities explore issues of migration, consumption, sustainability and cultural heritage raised by the region’s rapid urbanization.

The first comprehensive survey of the photographs, films, and videos of Ori Gersht, this richly illustrated book presents the best of Gersht's achingly beautiful work and explores how he intertwines spectacles of painterly and narrative imagery with personal and collective memory, metaphysical journeys, contextualized spaces, and the history of art and photography. Pushing the camera to the limits of what it can record, Gersht engages an aesthetic that reflects both a highly researched and instinctive approach to his chosen media. Be it the scars left on the sunlit yet war-torn interiors of buildings in Sarajevo, the white noise of a modern-day train journey to Auschwitz, or the clearing of trees in a forest that once stood witness to mass murder in the Ukraine, Gersht's vision bridges a history that is full of violent horror and a world of emergent, transcendent beauty. Ori Gersht was born in Israel in 1967 and is currently based in London. A conduit between the past and present, his large-scale photographs and videos wed old masters to new technologies, quoting from such sources as Spanish and Dutch still- life painting and the Hudson River Valley School. Gersht's interest in history also goes beyond the visual arts, encompassing the political history that has shaped his personal identity and that of all of us scarred by violence in our contemporary world. His work has been acquired and commissioned by major art institutions such as the Museum of Fine Arts, Boston, the San Francisco Museum of Modern Art, the Tate, London, the Tel Aviv Museum of Art, and the Victoria and Albert Museum.