Alain Locke – författare

'We have to-morrowBright before usLike a flame'The New Negro: An Interpretation is a multidisciplinary anthology of poetry, fiction, essays, criticism, art, and philosophy woven together into a seamless statement of Black agency in the arts and humanities that became, upon its publication in 1925, an instant publishing success. Edited by Alain Locke, a man known as the father of the Harlem Renaissance, the text is a powerful, provocative, and affecting anthology of writers who shaped the Harlem Renaissance movement and who help us to consider the evolution of the African American in society. With works by Black voices such as Zora Neale Hurston, Countee Cullen, and W. E. B. DuBois, Locke constructed a vivid look at the changing African American, finding their place in the ever shifting sociocultural landscape that was 1920s America. With an introduction from Jeffrey C. Stewart, leading biographer of Locke, this collection explores the literary strength as well as the historical context of a monumental and fascinating time in the history of America.

From the man known as the father of the Harlem Renaissance comes a powerful, provocative, and affecting anthology of writers who shaped the Harlem Renaissance movement and who help us to consider the evolution of the African American in society.With stunning works by seminal black voices such as Zora Neale Hurston, Countee Cullen, and W.E.B. DuBois, Locke has constructed a vivid look at the new negro, the changing African American finding his place in the ever shifting sociocultural landscape that was 1920s America. With poetry, prose, and nonfiction essays, this collection is widely praised for its literary strength as well as its historical coverage of a monumental and fascinating time in the history of America.

A portrait of the vibrant world of 1920s Harlem, with writings by Langston Hughes, W. E. B. Du Bois, Zora Neale Hurston, Claude McKay, Walter White, and more. The Harlem Renaissance was a landmark period in African American history—a time when black poets, musicians, intellectuals, civil rights activists, and others changed the social and cultural landscape in enduring ways. Its influence went far beyond the confines of uptown New York City, as it incorporated voices from the Great Migration, in which African Americans moved north in vast numbers; and elevated artists and thinkers who would become iconic figures in not only Black history, but also American history. Now considered the definitive work of the Harlem Renaissance, The New Negro features fiction, poetry, and essays that shaped the era.   “A book of unusual interest and value.” —The New York Times   “[Locke was] the godfather of the Harlem Renaissance.” —Publishers Weekly   “Alain Locke is a critical—and complex—figure in any discussion of African-American intellectual history.” —Kirkus Reviews

The New Negro (1925) is an anthology by Alain Locke. Expanded from a March issue of Survey Graphic magazine, The New Negro compiles writing from such figures as Countee Cullen, Langston Hughes, Zora Neale Hurston, Jean Toomer, and Locke himself. Recognized as a foundational text of the Harlem Renaissance, the collection is organized around Locke’s writing on the function of art in reorganizing the conception of African American life and culture. Through self-understanding, creation, and independence, Locke’s New Negro came to represent a break from an inhumane past, a means toward meaningful change for a people held down for far too long.

“[F]or generations in the mind of America, the Negro has been more of a formula than a human being—a something to be argued about, condemned or defended, to be ‘kept down,’ or ‘in his place,’ or ‘helped up,’ to be worried with or worried over, harassed or patronized, a social bogey or a social burden.” Identifying the representation of black Americans in the national imaginary as oppressive in nature, Locke suggests a way forward through his theory of the New Negro, who “wishes to be known for what he is, even in his faults and shortcomings, and scorns a craven and precarious survival at the price of seeming to be what he is not.” Throughout The New Negro, leading artists and intellectuals of the Harlem Renaissance offer their unique visions of who and what they are; voicing their concerns, portraying injustice, and illuminating the black experience, they provide a holistic vision of self-expression in all of its colors and forms.

This edition of Alain Locke’s The New Negro is a classic of African American literature reimagined for modern readers.

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