Alan Ayckbourn – författare

'What is remarkable about Alan Ayckbourn's comedy is that it contrives to be simultaneously hilarious and harrowing. Literally, it is agonisingly funny'Daily TelegraphIn Three Plays Ayckbourn's perfectly pitched dialogue slices into the soul of suburbia. The settings are simple - a kitchen, a bedroom, a party - but the relationships between the husbands and wives are more complicated. Fraught relationships are exposed with humour, bathos and a sharp understanding of human nature.

Stanley, Hazel, Warren and Rick make the weekly escape from their real life nightmares into a role-playing board game peopled by dragons and monsters. A safe world where the dangers are of their own imagining; where they are free to become heroes of their own devising.But how clear is the dividing line between what they choose to be and what they really are? What would it take for them to lose sight of it altogether?All it requires is Marcie. Loveable, understanding, sympathetic Marcie - destined to become the new demon to haunt their wildest dreams.

The first volume of Alan Ayckbourn's collected work contains his morality plays from the 1980s. It includes the plays A Chorus of Disapproval, A Small Family Business, Henceforward . . ., and Man of the Moment.

How Ms Poopay Dayseer, a twenty-first century Specialist Sexual Consultant, whilst peddling her 'services' to an elderly hotel room client unexpectedly finds herself running for her life. How her flight through a communicating door brings her face to face with her own past and with Ruella who apparently died under suspicious circumstances twenty years earlier. And how Poopay's gradual friendship with that remarkable woman changes the future for both of them...A time-travelling comedy thriller, Communicating Doors was published to coincide with the West End opening in 1995.

A treat to read and a joy to perform, this second collection of Alan Ayckbourn's work is a cornucopia of some of his wonderfully inventive children's plays. From the story of the teenage Lucy in Invisible Friends who revives her childhood imaginary friend when things get difficult at home, onto the storytellers in My Very Own Story and This Is Where We Came In and, finally, to young Ernie who 'illucinates' all sorts of wild and weird happenings with astonishing results.

A gloriously inventive play for children by Alan Ayckbourn, Britain's most popular and most frequently performed playwright.'Something to savour. A historical-futuristic-farcical-grown-up-romantic musical adventure. Far too good to be wasted on adults.' Guardian'Rather brilliant.' The StageWhenever, with music by Dennis King, premièred at the Stephen Joseph Theatre, Scarborough, in December 2000.

With over sixty plays written and premièred at the Stephen Joseph Theatre in Scarborough before going on to play in the West End or the Royal National Theatre, London, or Broadway, Alan Ayckbourn's expertise in writing and directing plays is unsurpassed.For the first time, here in The Crafty Art of Playmaking, he shares all his tricks of the trade. From helpful hints on writing (Where do you start? How do you continue? What is comedy and how do you write it? What is tragedy and how does it work?), to tips on directing (working with actors and technicians, when to listen to the other experts, how to cope with rehearsals), the book provides a complete primer for the tyro and a refresher for the more experienced. Written in an accessible and highly entertaining style, with anecdotes galore to illustrate the how, when, where and why, it's worth the cover price for the jokes alone.'A marvellously useful and enjoyably good-humoured book' Daily Telegraph

I mean, what do you do when you suddenly find you've got a mother who's younger than you are? And a kid brother who turns out to be twenty years older than you? Right. You panic.Yes, eleven-year-old Polly has quite a problem. Now the police are after her as well. Not to mention the Social Services. And a very, very big dog . . . Heeeeeelllllp!The Jollies is another magical tale for children from Britain's most popular and most frequently performed playwright. It premiered at the Stephen Joseph Theatre, Scarborough, in December 2002.

The chorus of gods set out to relate the tale of the Great Ulmar, legendary warrior and champion of Sollistis. But their narrative suffers a major technical hitch when Orvin, Ulmar's hopeless squire, oversleeps on the eve of battle. What follows proves a challenge even to such seasoned storytellers as the gods themselves as they vainly attempt to re-write history with only the help of Orvin, the unlikeliest, most reluctant of last minute replacement champions.With a cast of 40, this is the perfect entertainment for those in search of musical fun, thrills and spectacle.Written and directed by Alan Ayckbourn, with music composed by Denis King, Orvin: Champion of Champions was first co-produced by the Stephen Joseph Theatre and the National Youth Music Theatre and presented at the SJT, Scarborough in August 2003.

This third volume of Alan Ayckbourn plays includes Haunting Julia, Sugar Daddies, Drowning on Dry Land and Private Fears in Public Places, with an introduction by the author.Haunting Julia'A play for today. It touches on the failures of education and parenting, on media pressure and overdoses. Kurt Cobain comes to mind. More universally, Haunting Julia mourns how in adolescence and adulthood, we do our loves wrong.' Financial TimesSugar Daddies'A timely warning about the dangers of role-playing and pretence . . . But the real fascination lies in watching Ayckbourn's own transformation from social observer to impassioned moralist.' GuardianDrowning on Dry Land'Ayckbourn at the top of his game.' Guardian'A coruscatingly acid and funny play.' The TimesPrivate Fears in Public Places'Ayckbourn's construction has a masterly clarity; his writing combines ruthless observation with mature tolerance. Nobody else writing today can create a sense of a complicated little world in 90 minutes, or make banal lives seem so unforgivably interesting. Listen: it's a master's voice.' Sunday Times

Now we don't want to start Christmas like this, do we?Cheating at snakes and ladders, fighting over comic books, a bungled infidelity beneath the tree. Christmas has arrived in the Bunker household along with family and friends. But as the children lurk just out of sight, it's the adults who are letting the side down. I couldn't. Not in our sitting-room. Not in front of the television. Somewhere else. Presiding over the festivities are two warring uncles, one a kindly, incompetent doctor with an interminable puppet show to perform; the other a bullying retired security guard who dominates the TV, brings toy guns for his nieces and determines there's a thief in their midst. Alan Ayckbourn's masterly Season's Greetings offers a seriously entertaining look at the misery and high jinks of an average family Christmas. The play opens at the National Theatre, London, in December 2010.Three times I caught him at it. Ripping open presents, helping himself to the contents.

Snake in the GrassA terrific piece - brilliant, bizarre and yet totally believable . . . In fact, it's more than classic; it's close to the top of its class. Yorkshire Post If I Were YouA blissfully funny comedy that's also filled with sadness, a devilishly simple theatrical idea that spins out all kinds of complex truths about human nature. Daily Telegraph Life and BethA wise, humane, funny play about the inevitability of death and the continuity of life. GuardianMy Wonderful DayA transformation happens as magical as the most magnificent pantomime transformation anyone could ever imagine . . . the playwright dissolves the paraphernalia of our adult selves and uncovers that space inside each of us that is still the child we once were. ObserverLife of RileyAs perceptive as ever . . . Ayckbourn has once again achieved a satisfyingly rich, tragi-comic complexity. Daily Telegraph

The Revengers' ComediesA hugely entertaining pitch that recalls the old movies to which it frequently pays homage - Strangers on a Train, Rebecca, Kind Hearts and Coronets - and expands after intermission to reveal an immensely disturbing vision of contemporary middle-class England poisoned by the rise of economic ruthlessness and the collapse of ethics. New York Times Things We Do for LoveLloyds Private Banking Playwright of the Year AwardOne of his best, his most shockingly and uproariously funny: a cruel and hilarious masterpiece of tragic comedy and comic tragedy. Sunday TimesHouse & GardenThe triumph of his ingenuity lies in the fact that you have to see both plays . . . A second time round, in whichever order you take them, characters will deepen, while those you know become the background. It is a superb Ayckbourn joke that a comedy about non-communication should depend on the sharpest communication skills. Sunday Times

Love stories yet to happen, in a future filled with surprises.Who is the amorous stranger, Titus, who materialises in young Grace's bedroom? Can she believe he is who he says he is? For her parents, Franklin and Martha, does love everlasting still hold true if death is postponed indefinitely? Can lawyer Lorraine, who prides herself on her infallibility, have finally discovered the ideal partner, one who is also never wrong? Will lonely secretary Sylvia, after unhappy affairs with everyone from deep sea divers to space shuttle pilots, ever find her Mr Right?A comedy with its head in the future and its heart in the past, Alan Ayckbourn's Surprises premiered in July 2012 at the Stephen Joseph Theatre, Scarborough, in a co-production with Chichester Festival Theatre.

Well, that's one down, isn't it? Nine to go. Next! Thou shalt not kill. What about that then? Let's have a crack at that one next, shall we?Jack McCracken is a man of principle until, moments after taking over his father-in-law's business, he discovers his extended family to be thieves and adulterers, operating a network of racketeering from their suburban homes. Rampant self-interest and comic hysteria take over as Jack succumbs.A Small Family Business premiered at the National Theatre, London, 1987, and won the Evening Standard Award for Best Play.'This play offers a devastating assault on the way the entrepreneurial values we were taught to admire in the eighties lead ultimately to fraud, theft, self-deceit, even homicide. It is the modern equivalent of An Inspector Calls - only, being Ayckbourn, far funnier. It argues just as passionately as the work of more overtly political writers that there is such a thing as society.' Guardian

Well, that's one down, isn't it. Nine to go. Next! Thou shalt not kill. What about that then? Let's have a crack at that one next, shall we?Jack McCracken: a man of principle in a corrupt world. But not for long. Moments after taking over his father-in-law's business he's approached by a private detective armed with some compromising information.Jack's integrity fades away as he discovers his extended family to be thieves and adulterers, looting the business from their suburban homes. Rampant self-interest takes over and comic hysteria builds to a macabre climax.A riotous exposure of entrepreneurial greed, Alan Ayckbourn's A Small Family Business, premiered at the National Theatre in 1987 and returned there in April 2014.

The central character of Alan Ayckbourn's new play is Susan, a parson's wife, 'one of the most moving and devastating that he has created...'Robin Thornber reviewing the first production in Scarborough in the Guardian.

The first volume of Alan Ayckbourn's collected work contains his morality plays from the 1980s. It includes the plays A Chorus of Disapproval, A Small Family Business, Henceforward . . ., and Man of the Moment.

How Ms Poopay Dayseer, a twenty-first century Specialist Sexual Consultant, whilst peddling her 'services' to an elderly hotel room client unexpectedly finds herself running for her life. How her flight through a communicating door brings her face to face with her own past and with Ruella who apparently died under suspicious circumstances twenty years earlier. And how Poopay's gradual friendship with that remarkable woman changes the future for both of them...A time-travelling comedy thriller, Communicating Doors was published to coincide with the West End opening in 1995.

A treat to read and a joy to perform, this second collection of Alan Ayckbourn's work is a cornucopia of some of his wonderfully inventive children's plays. From the story of the teenage Lucy in Invisible Friends who revives her childhood imaginary friend when things get difficult at home, onto the storytellers in My Very Own Story and This Is Where We Came In and, finally, to young Ernie who 'illucinates' all sorts of wild and weird happenings with astonishing results.

Rockfist Slim's enemies have just plunged him into yet another desperate situation when Kevin has to close his detective book and go to sleep. But his own adventure is only just beginning. Fast-moving, fun and full of special effects, Ayckbourn's wonderfully inventive play for children brings alive several well-known children's books as Kevin and Rockfist Slim escape the baddies and plunge into many different worlds.The Boy Who Fell into a Book premiered at the Stephen Joseph Theatre, Scarborough, in December 1998.

This is a trilogy of plays by the most performed playwright in the world, all set in a flat in Docklands. Lynette's teenage daughter comes up with a surprising way to save the family finances. A night of passion takes a mysterious and dangerous turn. An important family occasion is thrown into chaos by the arrival of some uninvited guests.

With over sixty plays written and premièred at the Stephen Joseph Theatre in Scarborough before going on to play in the West End or the Royal National Theatre, London, or Broadway, Alan Ayckbourn's expertise in writing and directing plays is unsurpassed.For the first time, here in The Crafty Art of Playmaking, he shares all his tricks of the trade. From helpful hints on writing (Where do you start? How do you continue? What is comedy and how do you write it? What is tragedy and how does it work?), to tips on directing (working with actors and technicians, when to listen to the other experts, how to cope with rehearsals), the book provides a complete primer for the tyro and a refresher for the more experienced. Written in an accessible and highly entertaining style, with anecdotes galore to illustrate the how, when, where and why, it's worth the cover price for the jokes alone.'A marvellously useful and enjoyably good-humoured book' Daily Telegraph

This third volume of Alan Ayckbourn plays includes Haunting Julia, Sugar Daddies, Drowning on Dry Land and Private Fears in Public Places, with an introduction by the author.Haunting Julia'A play for today. It touches on the failures of education and parenting, on media pressure and overdoses. Kurt Cobain comes to mind. More universally, Haunting Julia mourns how in adolescence and adulthood, we do our loves wrong.' Financial TimesSugar Daddies'A timely warning about the dangers of role-playing and pretence . . . But the real fascination lies in watching Ayckbourn's own transformation from social observer to impassioned moralist.' GuardianDrowning on Dry Land'Ayckbourn at the top of his game.' Guardian'A coruscatingly acid and funny play.' The TimesPrivate Fears in Public Places'Ayckbourn's construction has a masterly clarity; his writing combines ruthless observation with mature tolerance. Nobody else writing today can create a sense of a complicated little world in 90 minutes, or make banal lives seem so unforgivably interesting. Listen: it's a master's voice.' Sunday Times

Alan Ayckbourn's play is about a very ordinary teenager called Lucy. With her father glued to the cowboys on the telly, her mother preoccupied with neighbourly gossip and her brother enclosed in his ear-phones, no one wants to know about her place in the school swimming team. So Lucy revives her childhood fantasy friend, Zara, setting a place for her at the very ordinary tea table. This time Zara materializes, bringing with her an idealized father and brother, and showing Lucy how to make her real family vanish. The moral of this cautionary tale is carefully spelt out - that when you get what you want it's not what you wanted - as Lucy's dream family turns out to be a nightmare. The play is supposedly for children of seven upwards, but there's a message here for parents, too, about listening to kids.

With an Introduction by the author.'The prolific master of suburban mayhem has still got his mojo.' Evening StandardTime of My Life'One of Mr. Ayckbourn's most virtuosic experiments in postmodern narrative.' Wall Street JournalNeighbourhood Watch'Ayckbourn's tartly topical, pitch-black comedy, a startling evocation of the panic induced by nightmarish notions of "broken Britain"... An arresting, nastily comic cautionary tale.' The TimesArrivals and Departures'Ayckbourn's genius lies in his ability to write what you might call 'sad comedies,' uproariously funny farces that are at second glance deeply serious, at times despairing portraits of modern middle-class life and its discontents. On occasion, as in Arrivals & Departures, he puts the despair at centre stage, and what results is a play that at bottom can no longer be called a comedy at all.' Wall Street JournalHero's Welcome 'Alan Ayckbourn is the poet laureate of missed connections. In play after pensive, droll and acid play, Ayckbourn anatomizes how we fail to understand and trust our lovers and friends.' GuardianA Brief History of Women'As A Brief History of Women follows Spates at twenty year intervals through the next sixty years, it becomes progressively more funny, more tender, more Ayckbourn. Ayckbourn knows that moments of real connection between people are hard-won and hard to forget.' The Times