Alan Barnes – författare

As the Soviet threat to North America evolved in the early Cold War, the world was watching. What was the view from Ottawa? Watching the Bear begins to tell that story. Alan Barnes, a twenty-five-year veteran of the Canadian intelligence community, draws on recently declassified archival sources to offer a wholly new perspective on Canada's policies for the defence of North America from 1946 to 1964.After the Second World War, Canada created an independent capacity to produce strategic intelligence assessments, and Canadian analysts worked with their American counterparts to prepare joint appraisals of the looming Soviet menace. Canadian and American conclusions often differed significantly, but Canada's success in negotiating the ensuing tensions was instrumental in ensuring that the two countries developed a common basis for defence planning.By bringing little-known intelligence documentation to light, Watching the Bear makes a groundbreaking contribution to the history of Canadian intelligence, defence, and foreign relations.

The only authorised history of Hammer Films draws on exclusive access to the company's archive of stills and paperwork to give the complete history of the company and its leading figures, a film-by-film analysis of its horror and fantasy titles, and the most complete Hammer filmography ever published. Established in 1934, Hammer Films is one of the most renowned and prolific independent production companies in the world. Hammer's productions encompass almost every genre, but it remains best known for the groundbreaking reinvention of cinematic horror that was a phenomenon on both sides of the Atlantic in the 1950s. The unique formula that became known as Hammer Horror was perfected in such classics as The Curse of Frankenstein (1957), Dracula (1958) and The Mummy (1959). Over the next 20 years numerous sequels and similarly acclaimed films such as The Devil Rides Out (1968) made Hammer one of the most recognisable filmmaking brands in the world. The Hammer Story is the only authorised history of the company and was compiled with unlimited access to its archive. The book is lavishly illustrated with rare promotional material and previously unpublished photographs. Now with an additional 32 pages continuing the story of Hammer as it came back from the dead in 2007 and began producing new horror films for a modern audience, including: * Wake Wood (2009) - Hammer Films' first theatrical release for 30 years* Let Me In (2010) - directed by Matt Reeves* The Resident (2011) - starring Oscar-winner Hilary Swank and Hammer legend Sir Christopher Lee* The Woman in Black (2012) - starring Daniel Radcliffe* The Quiet Ones (2014) - starring Jared Harris* The Woman in Black: Angel of Death (2015) - starring Helen McCrory* The Lodge (2019) - directed by Veronika Franz and Severin Fiala

Picking up from where the previous Doctor Who TV series left off, Liberation of the Daleks is the 14th Doctor's first official adventure. A new regeneration, but a familiar face, this exclusive comic strip collection, sees the return of the Doctor's deadliest enemies - the Daleks! Taken from the pages of Doctor Who Magazine, this 13-part tale bridges the gap between recent episodes, tying directly into the new TV series continuity.

Collected from the pages of Doctor Who Magazine, join the Fifteenth Doctor and Ruby Sunday as they continue their amazing adventures across time and space! Manchester, the year 2424 A.D., Ruby and the Doctor discover the corruption that lies beneath the city's surface, and a club so good no one can ever leave. Next, a trip to 1850s Copenhagen where they meet none other than author Hans Christian Andersen - but things take a sharp turn when Ruby is taken prisoner by a villainous ice queen! Then, Ruby and the Doctor land in a seemingly quaint town that is invaded by monsters over and over again... Also includes a full behind-the-scenes commentary section on the making of these amazing stories.