Alan Bilton – författare

Contemporary American Fiction introduces the work of a range of American authors, all of whom can be said to engage with postmodernism: Don DeLillo, Paul Auster, Cormac McCarthy, Rolando Hinojosa, E. Annie Proulx, Bret Easton Ellis, Douglas Coupland and Thomas Pynchon. The overarching theme is an exploration of the current vitality and energy of contemporary writing in light of pessimistic proclamations on the state of postmodern American culture, and of the tension between 'realistic' description and linguistic self-consciousness in contemporary fiction.As an introductory text for both American Studies and English Literature students, it assumes no prior knowledge of the authors or the novels discussed. To encourage understanding and aid further study, the following features are included:* glossaries of literary and critical terms* bibliographies for each author* biographies of each author* links between the authors are highlighted* thematic and author indicesKey Features* Each chapter covers one author in depth - ideal for students writing essays, preparing for seminars, etc.* Authors covered have been selected on basis of their popularity on undergraduate courses* Finds a middle ground between literary theory and traditional narrative criticism - engages with both the texts and the relevant conceptual issues

Contemporary American Fiction introduces the work of a range of American authors, all of whom can be said to engage with postmodernism: Don DeLillo, Paul Auster, Cormac McCarthy, Rolando Hinojosa, E. Annie Proulx, Bret Easton Ellis, Douglas Coupland and Thomas Pynchon. The overarching theme is an exploration of the current vitality and energy of contemporary writing in light of pessimistic proclamations on the state of postmodern American culture, and of the tension between 'realistic' description and linguistic self-consciousness in contemporary fiction.As an introductory text for both American Studies and English Literature students, it assumes no prior knowledge of the authors or the novels discussed. To encourage understanding and aid further study, the following features are included:* glossaries of literary and critical terms* bibliographies for each author* biographies of each author* links between the authors are highlighted* thematic and author indicesKey Features* Each chapter covers one author in depth - ideal for students writing essays, preparing for seminars, etc.* Authors covered have been selected on basis of their popularity on undergraduate courses* Finds a middle ground between literary theory and traditional narrative criticism - engages with both the texts and the relevant conceptual issues

Don DeLillo, Paul Auster, Cormac McCarthy, Rolando Hinojosa, E. Annie Proulx, Bret Easton Ellis, Douglas Coupland, and Thomas Pynchon: An Introduction to Contemporary American Fiction introduces the work of a range of key American authors, all of whom can be said to engage with postmodernism. Exploring the vitality and energy of contemporary writing in light of pessimistic proclamations on the state of postmodern American culture, Bilton highlights the tension between "realistic" description and linguistic self-consciousness in contemporary fiction. In addition, by addressing a central problem in literary theory--its neglect of literary discussion and the practice of reading--An Introduction to Contemporary American Fiction is able to present a working model for reading a text theoretically. As an introductory text, it assumes no prior knowledge of the authors of the novels discussed. To encourage understanding and aid further study, the following features are included: * GLOSSARY OF CRITICAL AND LITERARY TERMS * BIBLIOGRAPHY OF EACH AUTHOR'S WORKS * BIOGRAPHY OF EACH AUTHOR * GUIDE TO FURTHER READING * THEMATIC AND AUTHOR INDICES

Don DeLillo, Paul Auster, Cormac McCarthy, Rolando Hinojosa, E. Annie Proulx, Bret Easton Ellis, Douglas Coupland, and Thomas Pynchon: An Introduction to Contemporary American Fiction introduces the work of a range of key American authors, all of whom can be said to engage with postmodernism. Exploring the vitality and energy of contemporary writing in light of pessimistic proclamations on the state of postmodern American culture, Bilton highlights the tension between "realistic" description and linguistic self-consciousness in contemporary fiction. In addition, by addressing a central problem in literary theory--its neglect of literary discussion and the practice of reading--An Introduction to Contemporary American Fiction is able to present a working model for reading a text theoretically. As an introductory text, it assumes no prior knowledge of the authors of the novels discussed. To encourage understanding and aid further study, the following features are included: * GLOSSARY OF CRITICAL AND LITERARY TERMS * BIBLIOGRAPHY OF EACH AUTHOR'S WORKS * BIOGRAPHY OF EACH AUTHOR * GUIDE TO FURTHER READING * THEMATIC AND AUTHOR INDICES

This absorbing study of early 20th Century American Culture interprets the anarchic absurdity of slapstick movies as a form of collective anxiety dream, their fantastical images and illogical gags expressing the unconscious wishes and fears of the modern age, in a way that foreshadows the concerns of our own celebrity-obsessed consumer culture.

This absorbing study of early 20th Century American Culture interprets the anarchic absurdity of slapstick movies as a form of collective anxiety dream, their fantastical images and illogical gags expressing the unconscious wishes and fears of the modern age, in a way that foreshadows the concerns of our own celebrity-obsessed consumer culture.

Sing Sorrow Sorrow is a chilling collection of supernatural myth and otherworldly horror stories from some of Wales' most exciting new and established authors.From the dark waters of the Styx to the circling birds of the Mabinogion, from the lonely house to cities of the mind, the contemporary stories in Sing Sorrow Sorrow grow out of European folk, fable, fairy tale and legend – all tales which belong to the domain of the underworld. There are ghosts, murderesses, blood-soaked enchantment, black humour and stories with the darkest twists of the imagination – perfect for reading at Halloween, or rather the eve of its pagan Celtic predecessor Samhain. Draw the chair nearer the fire and enjoy.