Alan Draper – författare

Soft-spoken yet magnetic, Bob Moses became revered within the civil rights movement for his humility, courage, and unparalleled organizing talents. Moses's organizing skills produced results that retained the commitment of embattled local people and sustained Student Nonviolent Coordinating Committee staff morale. But this came at the expense of developing local leadership. Challenging entrenched accounts, Alan Draper reveals that Moses could pursue either "Freedom Now" or develop local leaders, but not both. Rich with new details, Dignity follows Bob Moses from his early years through his death in 2021, presenting a clear-eyed view of his personality and achievements. Draper describes how Moses pursued Black voter registration in Mississippi and then in a second career devoted himself to math education. Just as dignity for Blacks in the twentieth century required voting rights, so did Moses believe that dignity for Blacks in the next century required math skills.

Soft-spoken yet magnetic, Bob Moses became revered within the civil rights movement for his humility, courage, and unparalleled organizing talents. Moses's organizing skills produced results that retained the commitment of embattled local people and sustained Student Nonviolent Coordinating Committee staff morale. But this came at the expense of developing local leadership.Challenging entrenched accounts, Alan Draper reveals that Moses could pursue either "Freedom Now" or develop local leaders, but not both. Rich with new details, Dignity follows Bob Moses from his early years through his death in 2021, presenting a clear-eyed view of his personality and achievements. Draper describes how Moses pursued Black voter registration in Mississippi and then in a second career devoted himself to math education. Just as dignity for Blacks in the twentieth century required voting rights, so did Moses believe that dignity for Blacks in the next century required math skills.

The first book-length, scholarly treatment of the subject, this volume examines the AFL-CIO's Committee on Political Education (COPE) from its origins in 1955 to the stunning defeat of COPE-endorsed candidates in the 1966 Congressional elections. In an attempt to determine whether the AFL-CIO is a surrogate for the social democratic party that the American party system lacks, Draper analyzes the strengths and weaknesses of labor's alliance with the Democratic party and the degree to which COPE was successful in mobilizing a coalition of workers and minorities to pursue social democratic goals.

On the basis of extensive archival research, Alan Draper illuminates the role organized labor played in the southern civil rights movement. He documents the substantial support the AFL-CIO and its southern state councils gave to the struggle for black equality, suggesting that labor's political leadership recognized an opportunity in the civil rights movement. Frustrated in their efforts to organize the South, labor leaders understood the potential of newly enfranchised blacks to challenge conservative southern Democrats.At the same time, white union members in the South were more interested in defending their racial privileges than in allying themselves with blacks. An explosive tension developed between labor's political leadership, desperate to create a party system in the South that included blacks, and a rank and file determined to preserve southern Democracy by excluding blacks. This book looks at the ways that tension was expressed and ultimately resolved within the southern labor movement.

On the basis of extensive archival research, Alan Draper illuminates the role organized labor played in the southern civil rights movement. He documents the substantial support the AFL-CIO and its southern state councils gave to the struggle for black equality, suggesting that labor's political leadership recognized an opportunity in the civil rights movement. Frustrated in their efforts to organize the South, labor leaders understood the potential of newly enfranchised blacks to challenge conservative southern Democrats.At the same time, white union members in the South were more interested in defending their racial privileges than in allying themselves with blacks. An explosive tension developed between labor's political leadership, desperate to create a party system in the South that included blacks, and a rank and file determined to preserve southern Democracy by excluding blacks. This book looks at the ways that tension was expressed and ultimately resolved within the southern labor movement.

Combining thematic and country approaches to show students what comparative politics is really about, The Good Society organizes itself around a key question-why are some countries better than others at improving their citizens' lives? This brief survey offers a focused look at political institutions and uses in-depth country studies to compare how different institutional arrangements yield different political results. By concentrating on how politics affects citizens' lives, The Good Society offers a uniquely relevant introduction to comparative politics that goes to the heart of the field and helps students develop a critical point-of-view.

Towards the tail end of the 1980s, Neil Hannon: a talented singer/songwriter from Northern Ireland, formed his first line-up of The Divine Comedy. In 1989, he signed a deal with independent label, Setanta Records, which led to The Divine Comedy becoming the label's most successful chart act of the 1990s. In this book, Alan Draper examines the thirteen original studio albums released under The Divine Comedy banner between 1990 and 2022. This overview includes some interesting additional recordings including single releases and also takes in the pair of albums recorded by offshoot project: The Duckworth Lewis Method, on which Hannon combined forces with fellow Irishman, Thomas Walsh. The sweeping eclecticism on display throughout the recording career of The Divine Comedy is simply breathtaking: from indie roots on the 1990 debut album Fanfare For The Comic Muse; through the groundbreaking hybrid chamber-pop of Liberation and Promenade; to hit singles during the 1990s Britpop era and ambitious orchestral arrangements on later masterworks such as Fin De Siecle and Absent Friends. Through all these changes, Neil Hannon's restless spirit has remained a constant factor at the heart of The Divine Comedy, resulting in the extraordinary and ongoing canon of music explored in this book

In themid-1960s, two notable bands emerged from the rarified cloisters ofCharterhouse Public School in rural Surrey: The Anon, with guitarists AnthonyPhillips and Mike Rutherford and The Garden Wall, a unit driven by the duo ofPeter Gabriel and Tony Banks. Following the 1966 end-of-term school concert,these two bands merged, leading to the first lineup of Genesis. Phillipsremained with Genesis until July 1970, when stage fright and ill health forcedhim to quit. He embarked on a long course of musical self-improvement thatwould eventually lead to an impressive technique on both guitar and keyboards,leading to a flourishing solo career, commencing with his first solo album TheGeese & The Ghost in 1977.In this book, Alan Draper looks at AnthonyPhillips' solo output, from his 1977 debut album through to his most successfullong-form work, Slow Dance, in 1990. Also included are the two ArchiveCollection albums, released after this date, as they contain previouslyunreleased material from the pre-1990 period. In the 21st century, Phillips'albums have become widely available via rereleased and beautifully packaged boxsets, providing the perfect opportunity to explore his impressive body of workonce again.

Towards the tail end of the 1980s, Neil Hannon: a talented singer/songwriter from Northern Ireland, formed his first line-up of The Divine Comedy. In 1989, he signed a deal with independent label, Setanta Records, which led to the band becoming the label's most successful chart act of the 1990s. In this book, Alan Draper examines the thirteen original studio albums released under The Divine Comedy banner between 1990 and 2022. This overview includes some interesting additional recordings including single releases and also takes in the pair of albums recorded by offshoot project: The Duckworth Lewis Method, on which Hannon combined forces with fellow Irishman Thomas Walsh. The sweeping eclecticism on display throughout the recording career of The Divine Comedy is simply breathtaking: from indie roots on the 1990 debut album Fanfare For The Comic Muse; through the groundbreaking hybrid chamber-pop of Liberation and Promenade; to hit singles during the 1990s Britpop era and ambitious orchestral arrangements on later masterworks such as Fin De Siecle and Absent Friends. Through all these changes, Neil Hannon's restless spirit has remained a constant factor at the heart of The Divine Comedy, resulting in the extraordinary and ongoing canon of music explored in this book.Alan Draper is a writer and musician living in Fareham, Hampshire, UK, with his wife Radiance. Starting his musical career as guitarist with The Alsatians in 1978, he wrote both sides of their 1980 single: Teen Romance / Our Man In Marrakesh . His song Complications featured on the album Rocking With The Renees by The Gymslips, a top twenty hit on the independent chart in 1983. His first solo album Earth Magic appeared in 1989, followed by Ascension Day in 1999, both displaying folk, classical and progressive rock influences. His first book Stackridge On Track, was published by Sonicbond in 2022.