Alan Draper - Böcker

The first book-length, scholarly treatment of the subject, this volume examines the AFL-CIO's Committee on Political Education (COPE) from its origins in 1955 to the stunning defeat of COPE-endorsed candidates in the 1966 Congressional elections. In an attempt to determine whether the AFL-CIO is a surrogate for the social democratic party that the American party system lacks, Draper analyzes the strengths and weaknesses of labor's alliance with the Democratic party and the degree to which COPE was successful in mobilizing a coalition of workers and minorities to pursue social democratic goals.

On the basis of extensive archival research, Alan Draper illuminates the role organized labor played in the southern civil rights movement. He documents the substantial support the AFL-CIO and its southern state councils gave to the struggle for black equality, suggesting that labor's political leadership recognized an opportunity in the civil rights movement. Frustrated in their efforts to organize the South, labor leaders understood the potential of newly enfranchised blacks to challenge conservative southern Democrats.At the same time, white union members in the South were more interested in defending their racial privileges than in allying themselves with blacks. An explosive tension developed between labor's political leadership, desperate to create a party system in the South that included blacks, and a rank and file determined to preserve southern Democracy by excluding blacks. This book looks at the ways that tension was expressed and ultimately resolved within the southern labor movement.

On the basis of extensive archival research, Alan Draper illuminates the role organized labor played in the southern civil rights movement. He documents the substantial support the AFL-CIO and its southern state councils gave to the struggle for black equality, suggesting that labor's political leadership recognized an opportunity in the civil rights movement. Frustrated in their efforts to organize the South, labor leaders understood the potential of newly enfranchised blacks to challenge conservative southern Democrats.At the same time, white union members in the South were more interested in defending their racial privileges than in allying themselves with blacks. An explosive tension developed between labor's political leadership, desperate to create a party system in the South that included blacks, and a rank and file determined to preserve southern Democracy by excluding blacks. This book looks at the ways that tension was expressed and ultimately resolved within the southern labor movement.

Combining thematic and country approaches to show students what comparative politics is really about, The Good Society organizes itself around a key question-why are some countries better than others at improving their citizens' lives? This brief survey offers a focused look at political institutions and uses in-depth country studies to compare how different institutional arrangements yield different political results. By concentrating on how politics affects citizens' lives, The Good Society offers a uniquely relevant introduction to comparative politics that goes to the heart of the field and helps students develop a critical point-of-view.

Towards the tail end of the 1980s, Neil Hannon: a talented singer/songwriter from Northern Ireland, formed his first line-up of The Divine Comedy. In 1989, he signed a deal with independent label, Setanta Records, which led to The Divine Comedy becoming the label's most successful chart act of the 1990s. In this book, Alan Draper examines the thirteen original studio albums released under The Divine Comedy banner between 1990 and 2022. This overview includes some interesting additional recordings including single releases and also takes in the pair of albums recorded by offshoot project: The Duckworth Lewis Method, on which Hannon combined forces with fellow Irishman, Thomas Walsh. The sweeping eclecticism on display throughout the recording career of The Divine Comedy is simply breathtaking: from indie roots on the 1990 debut album Fanfare For The Comic Muse; through the groundbreaking hybrid chamber-pop of Liberation and Promenade; to hit singles during the 1990s Britpop era and ambitious orchestral arrangements on later masterworks such as Fin De Siecle and Absent Friends. Through all these changes, Neil Hannon's restless spirit has remained a constant factor at the heart of The Divine Comedy, resulting in the extraordinary and ongoing canon of music explored in this book