Alan Harper – författare

‘Fascinating and elegantly written, Master & Cartographer introduces a largely forgotten naval hero of Stuart England’ – N.A.M. Rodger, author of The Safeguard of the Sea, The Command of the Ocean and The Price of VictoryThis is a book about maps and map-making, about power and class, and about war, seamanship and navigation. It is a study of wealth, patronage and money, in an England riven by religious disorder and toxic politics.Greenvile Collins (1643–94) was a naval warrant officer who caught the attention of a King. His seagoing career took him from Patagonia to the Arctic, into battles against Dutch men of war and Barbary corsairs, and to the slave markets and Silk Road ports of the Mediterranean. A scientific navigator, his professional drive drew him to Shetland, the Scilly Isles and all points in between, as he undertook the most ambitious hydrographic survey of the British coastline yet attempted.Then, even as he laboured to complete his monumental sea atlas, he was summoned yet again to the service of the Crown. The Glorious Revolution was a campaign of crisis for a deeply conflicted Royal Navy, and a crucial test of loyalty for Greenvile Collins and his fellow officers.‘Greenvile Collins emerges as a sympathetic hero, who served three kings while compiling invaluable charts and navigational data for his fellow sailors. Not since Patrick O’Brian’s Aubrey-Maturin novels have I enjoyed such rollicking armchair adventures at sea’ – Dava Sobel, author of Longitude

In the late 1970s and early 1980s, British blues fan Alan Harper became a transatlantic pilgrim to Chicago. "I've come here to listen to the blues," he told an American customs agent at the airport, and listen he did, to the music in its many styles, and to the men and women who lived it in the city's changing blues scene. Harper's eloquent memoir conjures the smoky redoubts of men like harmonica virtuoso Big Walter Horton and pianist Sunnyland Slim. Venturing from stageside to kitchen tables to the shotgun seat of a 1973 Eldorado, Harper listens to performers and others recollect memories of triumphs earned and chances forever lost, of deep wells of pain and soaring flights of inspiration. Harper also chronicles a time of change, as an up-tempo, whites-friendly blues eclipsed what had come before, and old Southern-born black players held court one last time before an all-conquering generation of young guitar aces took center stage.

In the late 1970s and early 1980s, British blues fan Alan Harper became a transatlantic pilgrim to Chicago. "I've come here to listen to the blues," he told an American customs agent at the airport, and listen he did, to the music in its many styles, and to the men and women who lived it in the city's changing blues scene. Harper's eloquent memoir conjures the smoky redoubts of men like harmonica virtuoso Big Walter Horton and pianist Sunnyland Slim. Venturing from stageside to kitchen tables to the shotgun seat of a 1973 Eldorado, Harper listens to performers and others recollect memories of triumphs earned and chances forever lost, of deep wells of pain and soaring flights of inspiration. Harper also chronicles a time of change, as an up-tempo, whites-friendly blues eclipsed what had come before, and old Southern-born black players held court one last time before an all-conquering generation of young guitar aces took center stage.

In the late 1970s and early 1980s, British blues fan Alan Harper became a transatlantic pilgrim to Chicago. "I''ve come here to listen to the blues," he told an American customs agent at the airport, and listen he did, to the music in its many styles, and to the men and women who lived it in the city''s changing blues scene. Harper''s eloquent memoir conjures the smoky redoubts of men like harmonica virtuoso Big Walter Horton and pianist Sunnyland Slim. Venturing from stageside to kitchen tables to the shotgun seat of a 1973 Eldorado, Harper listens to performers and others recollect memories of triumphs earned and chances forever lost, of deep wells of pain and soaring flights of inspiration. Harper also chronicles a time of change, as an up-tempo, whites-friendly blues eclipsed what had come before, and old Southern-born black players held court one last time before an all-conquering generation of young guitar aces took center stage.