Alan Ingram – författare

Drawing on critical geopolitics and related strands of social theory, this book combines new case studies with theoretical and methodological reflections on the geographical analysis of security and insecurity. It brings together a mixture of early career and more established scholars and interprets security and the war on terror across a number of domains, including: international law, religion, migration, development, diaspora, art, nature and social movements. At a time when powerful projects of globalization and security continue to extend their reach over an increasingly wide circle of people and places, the book demonstrates the relevance of critical geographical imaginations to an interrogation of the present.

An original exploration of the 2003 Iraq war and geopolitics more broadly through the prism of art. Offers a reappraisal of one of the most contentious and consequential events of the early twenty-first centuryAdvances an original perspective on Britain’s role in the 2003 invasion and subsequent occupation of IraqMaps out new ways of thinking about geopolitical events through artExamines the work of artists, curators and activists in light of Britain’s role as a colonial power in Iraq and the importance of oilReflects on the significance, limits and dilemmas of art as a form of critical interventionQuestions the implications of art in colonialism and modernity

An original exploration of the 2003 Iraq war and geopolitics more broadly through the prism of art.

Offers a reappraisal of one of the most contentious and consequential events of the early twenty-first century Advances an original perspective on Britain’s role in the 2003 invasion and subsequent occupation of Iraq Maps out new ways of thinking about geopolitical events through art Examines the work of artists, curators and activists in light of Britain’s role as a colonial power in Iraq and the importance of oil Reflects on the significance, limits and dilemmas of art as a form of critical intervention Questions the implications of art in colonialism and modernity

An original exploration of the 2003 Iraq war and geopolitics more broadly through the prism of art.

Offers a reappraisal of one of the most contentious and consequential events of the early twenty-first century Advances an original perspective on Britain’s role in the 2003 invasion and subsequent occupation of Iraq Maps out new ways of thinking about geopolitical events through art Examines the work of artists, curators and activists in light of Britain’s role as a colonial power in Iraq and the importance of oil Reflects on the significance, limits and dilemmas of art as a form of critical intervention Questions the implications of art in colonialism and modernity

An original exploration of the 2003 Iraq war and geopolitics more broadly through the prism of art. Offers a reappraisal of one of the most contentious and consequential events of the early twenty-first centuryAdvances an original perspective on Britain’s role in the 2003 invasion and subsequent occupation of IraqMaps out new ways of thinking about geopolitical events through artExamines the work of artists, curators and activists in light of Britain’s role as a colonial power in Iraq and the importance of oilReflects on the significance, limits and dilemmas of art as a form of critical interventionQuestions the implications of art in colonialism and modernity

Drawing on critical geopolitics and related strands of social theory, this book combines new case studies with theoretical and methodological reflections on the geographical analysis of security and insecurity. It brings together a mixture of early career and more established scholars and interprets security and the war on terror across a number of domains, including: international law, religion, migration, development, diaspora, art, nature and social movements. At a time when powerful projects of globalization and security continue to extend their reach over an increasingly wide circle of people and places, the book demonstrates the relevance of critical geographical imaginations to an interrogation of the present.

Drawing on critical geopolitics and related strands of social theory, this book combines new case studies with theoretical and methodological reflections on the geographical analysis of security and insecurity. It brings together a mixture of early career and more established scholars and interprets security and the war on terror across a number of domains, including: international law, religion, migration, development, diaspora, art, nature and social movements. At a time when powerful projects of globalization and security continue to extend their reach over an increasingly wide circle of people and places, the book demonstrates the relevance of critical geographical imaginations to an interrogation of the present.

Drawing on critical geopolitics and related strands of social theory, this book combines new case studies with theoretical and methodological reflections on the geographical analysis of security and insecurity. It brings together a mixture of early career and more established scholars and interprets security and the war on terror across a number of domains, including: international law, religion, migration, development, diaspora, art, nature and social movements. At a time when powerful projects of globalization and security continue to extend their reach over an increasingly wide circle of people and places, the book demonstrates the relevance of critical geographical imaginations to an interrogation of the present.