Alan Jacobs – författare

The White Witch, Aslan, fauns and talking beasts, centaurs and epic battles between good and evil -- these have become a part of our collective imagination through the classic volumes of The Chronicles of Narnia. Yet who was the man who created this world? This audio book attempts to unearth the making of the first Narnian, C. S. Lewis himself.

One of the intellectual giants of the twentieth century and arguably the most influential religious writer of his day, Lewis was also an Oxford don and a scholar of medieval literature who loved to debate philosophy at his local pub. Yet one of the most intriguing aspects of Clive Staples Lewis remains unanswered. How did a bachelor professor, nearly fifty, and living in a wholly adult world, turn to the writing of stories for children -- stories that would become among the most popular and beloved ever written?

Alan Jacobs masterfully tells the story of C. S. Lewis. From his childhood days in Ireland to his horrific experiences in the trenches of the First World War, to his friendship with J. R. R. Tolkein (and other members of the ""Inklings"") and his remarkable late-life marriage to Joy Davidman, Jacobs traces the events and people that shaped Lewis''s philosophy, theology, and fiction. The story of a profound mind and extraordinary imagination, The Narnian is a remarkable tale of a man who knew great loss and great delight, but who knew above all that the world holds far more richness and meaning than the average eye can see.

The White Witch, Aslan, fauns and talking beasts, centaurs and epic battles between good and evil -- all these have become a part of our collective imagination through the classic volumes of The Chronicles of Narnia. Over the past half century, children everywhere have escaped into this world and delighted in its wonders and enchantments. Yet what we do know of the man who created Narnia? This biography sheds new light on the making of the original Narnian, C. S. Lewis himself.

Lewis was one of the intellectual giants of the twentieth century and arguably the most influential religious writer of his day. An Oxford don and scholar of medieval literature, he loved to debate philosophy at his local pub, and his wartime broadcasts on the basics of Christian belief made him a celebrity in his native Britain. Yet one of the most intriguing aspects of Clive Staples Lewis remains a mystery. How did this middle-aged Irish bachelor turn to the writing of stories for children -- stories that would become among the most popular and beloved ever written?

Alan Jacobs masterfully tells the story of the original Narnian. From Lewis''s childhood days in Ireland playing with his brother, Warnie, to his horrific experiences in the trenches during World War I, to his friendship with J. R. R. Tolkien (and other members of the "Inklings"), and his remarkable late-life marriage to Joy Davidman, Jacobs traces the events and people that shaped Lewis''s philosophy, theology, and fiction. The result is much more than a conventional biography of Lewis: Jacobs tells the story of a profound and extraordinary imagination. For those who grew up with Narnia, or for those just discovering it, The Narnian tells a remarkable tale of a man who knew great loss and great delight, but who knew above all that the world holds far more richness and meaning than the average eye can see.

Essayist and biographer Alan Jacobs introduces us to the world of original sin, which he describes as not only a profound idea but a necessary one. As G. K. Chesterton explains, "Only with original sin can we at once pity the beggar and distrust the king."

Do we arrive in this world predisposed to evil? St. Augustine passionately argued that we do; his opponents thought the notion was an insult to a good God. Ever since Augustine, the church has taught the doctrine of original sin, which is the idea that we are not born innocent, but as babes we are corrupt, guilty, and worthy of condemnation. Thus started a debate that has raged for centuries and done much to shape Western civilization.

Perhaps no Christian doctrine is more controversial; perhaps none is more consequential. Blaise Pascal claimed that "but for this mystery, the most incomprehensible of all, we remain incomprehensible to ourselves." Chesterton affirmed it as the only provable Christian doctrine. Modern scholars assail the idea as baleful and pernicious. But whether or not we believe in original sin, the idea has shaped our most fundamental institutions—our political structures, how we teach and raise our young, and, perhaps most pervasively of all, how we understand ourselves. In Original Sin, Alan Jacobs takes readers on a sweeping tour of the idea of original sin, its origins, its history, and its proponents and opponents. And he leaves us better prepared to answer one of the most important questions of all: Are we really, all of us, bad to the bone?

The life and times of Milton’s epic poem about Satan’s revolt against God and humanity’s expulsion from paradiseJohn Milton’s Paradise Lost has secured its place in the pantheon of epic poems, but unlike almost all other works in the pantheon, it is intimately associated with religious doctrine and its implications for how we live our lives. For more than three centuries, it has been a flashpoint for arguments not just about Christianity but also about governance, rebellion and obedience, sexual politics, and what makes poetry great. Alan Jacobs tells the story of Milton’s enduring poem, shedding light on its composition and reception and explaining why it resonates so powerfully with us today.Composed through dictation after Milton went blind in 1652, Paradise Lost centers on an ancient biblical answer to the eternal question of how evil came into the world. It has proved impossible to disentangle the defense or critique of the poem from attitudes toward Christianity itself. Does Christian theology entail monarchy or democracy? Are relations between the sexes thwarted by pompous and tyrannical men or by vain and disobedient women? Jacobs traces how generations of readers have grappled with these and other questions, along the way revealing how Milton’s poem influenced novelists like Mary Shelley and Philip Pullman and has served as the inspiration for paintings, operas, comic books, and video games.An essential companion to Milton’s poetic masterpiece, this book shows why Paradise Lost continues to serve as a mirror reflecting our own complex attitudes about power and authority, justice and revolt, and sin and salvation.

Back in print for the first time in decades, Auden’s National Book Award–winning poetry collection, in a critical edition that introduces it to a new generation of readersThe Shield of Achilles, which won the National Book Award in 1956, may well be W. H. Auden’s most important, intricately designed, and unified book of poetry. In addition to its famous title poem, which reimagines Achilles’s shield for the modern age, when war and heroism have changed beyond recognition, the book also includes two sequences—“Bucolics” and “Horae Canonicae”—that Auden believed to be among his most significant work. Featuring an authoritative text and an introduction and notes by Alan Jacobs, this volume brings Auden’s collection back into print for the first time in decades and offers the only critical edition of the work.As Jacobs writes in the introduction, Auden’s collection “is the boldest and most intellectually assured work of his career, an achievement that has not been sufficiently acknowledged.” Describing the book’s formal qualities and careful structure, Jacobs shows why The Shield of Achilles should be seen as one of Auden’s most central poetic statements—a richly imaginative, beautifully envisioned account of what it means to live, as human beings do, simultaneously in nature and in history.