Alan Rusbridger – författare

In 2010, Alan Rusbridger, the editor of the Guardian, set himself an almost impossible task: to learn, in the space of a year, Chopin’s Ballade No. 1 – a piece that inspires dread in many professional pianists. His timing could have been better. The next twelve months were to witness the Arab Spring, the Japanese tsunami, the English riots, and the Guardian’s breaking of both WikiLeaks and the News of the World hacking scandal. In the midst of this he carved out twenty minutes’ practice a day – even if that meant practising in a Libyan hotel in the middle of a revolution as well as gaining insights and advice from an array of legendary pianists, theorists, historians and neuroscientists, and even occasionally from secretaries of state. But was he able to play the piece in time?

Slap bang in the middle of the coldest Friday of the coldest week of the year, the central heating breaks down at Melton Mowbray Zoo. The system needs a new flange but flanges can't be obtained on Fridays in Melton Mowbray, so Mr Pickles the head keeper asks all the other keepers to take the animal they are in charge of home for the weekend. The results range from disastrous to successful: when the penguin (who 'always hankered after the good life') decides to eat his tea in Mr Pumbles' bed, and the lion succeeds in scaring off Mr Leaf's mother-in-law to such an extent that she doesn't come back to lunch for three years...

The loveable animals and their keepers at Melton Mowbray Zoo are back! Everyone has recovered from the disastrous weekend when the heating broke and Mr Pickles, the zoo director, asked all the keepers to take their animal home for the weekend. In fact, so much so, that a feeling of nonchalence pervades - the animals have been teamed with the same keepers for years and quite frankly it's become rather boring. So. in a bid to liven things up, the keepers decide to swap animals for the day and, as you can imagine this makes for some lively antics!Told in Alan's inimitable dead-pan voice this is another very charming and extremely funny story brought to life by Ben Cort's hugely imaginative illustrations.

We are living in a modern world where falsehood regularly seems to overwhelm truth. The ability of billions of people to publish has created a vast amount of unreliable and false news which now competes with and sometimes drowns more established forms of journalism. So where can we look for reliable, verifiable sources of news and information? What does all this mean for democracy? And what will the future hold?Reflecting on his twenty years as editor of the Guardian at a time of unprecedented digital disruption; and his experience of breaking some of the most significant news stories of our time, Alan Rusbridger answers these questions and offers a stirring defence of why quality journalism matters now more than ever.