Alastair Lockhart – författare

A unique historical study of the personal nature of religion, spirituality, and healing in the twentieth century based on the letters of ordinary people from around the world.The Panacea Society was a small religious community of women that was established in England in the early twentieth century. They followed the early nineteenth-century mystic Joanna Southcott, as well other emerging spiritual movements of the day, and developed a remarkable spiritual healing practice that spread around the world. Based on the thousands of letters held in the Society's healing archive, which were sent by ordinary people from around the world, Alastair Lockhart offers a detailed study of the religious ideas of religious seekers from the 1920s to the 1970s. Focusing on Great Britain, Finland, Jamaica, and the US, Lockhart provides unique insight into the personal nature of spirituality in recent times and how ancient and modern spiritual strands were harnessed to the needs of late-modern spiritual seekers. This book addresses debates about the complexity and meaning of the rise or decline of religion in the twentieth century and the processes involved in the formation of popular nontraditional spiritualities. It informs our understanding of global and transnational religions and recent forms of spiritual healing.

Video games are a global phenomenon, international in their scope and democratic in their appeal. This is the first volume dedicated to the subject of apocalyptic video games. Its two dozen papers engage the subject comprehensively, from game design to player experience, and from the perspectives of content, theme, sound, ludic textures, and social function. The volume offers scholars, students, and general readers a thorough overview of this unique expression of the apocalyptic imagination in popular culture, and novel insights into an important facet of contemporary digital society.

Video games are a global phenomenon, international in their scope and democratic in their appeal. This is the first volume dedicated to the subject of apocalyptic video games. Its two dozen papers engage the subject comprehensively, from game design to player experience, and from the perspectives of content, theme, sound, ludic textures, and social function. The volume offers scholars, students, and general readers a thorough overview of this unique expression of the apocalyptic imagination in popular culture, and novel insights into an important facet of contemporary digital society.

Video games are a global phenomenon, international in their scope and democratic in their appeal. This is the first volume dedicated to the subject of apocalyptic video games. Its two dozen papers engage the subject comprehensively, from game design to player experience, and from the perspectives of content, theme, sound, ludic textures, and social function. The volume offers scholars, students, and general readers a thorough overview of this unique expression of the apocalyptic imagination in popular culture, and novel insights into an important facet of contemporary digital society.