Alberto Manguel - Böcker

This study of the history of reading goes from the earliest examples of the clay tablets and cuneiform of ancient Mesopotamia and Egypt via the invention of printing in the 15th century to the birth of a mass reading public and today's digital revolution. It argues that it is the demands and expectations of the reader, acting alongside the creative will of the writer, that is the evolutionary motor of literary forms and genres. From man's first use of the written word simply as a form of reference, to the emergence of the first holy or devotional texts, and onto the development of fictions, both poetic and novelistic, this work aims to both challenge and enlighten.

An intimate and exhilarating journey through the world of books by the internationally celebrated authorIn this major collection of his essays, Alberto Manguel, whom George Steiner has called “the Casanova of reading,” argues that the activity of reading, in its broadest sense, defines our species. “We come into the world intent on finding narrative in everything,” writes Manguel, “landscape, the skies, the faces of others, the images and words that our species create.” Reading our own lives and those of others, reading the societies we live in and those that lie beyond our borders, reading the worlds that lie between the covers of a book are the essence of A Reader on Reading.The thirty-nine essays in this volume explore the crafts of reading and writing, the identity granted to us by literature, the far-reaching shadow of Jorge Luis Borges, to whom Manguel read as a young man, and the links between politics and books and between books and our bodies. The powers of censorship and intellectual curiosity, the art of translation, and those “numinous memory palaces we call libraries” also figure in this remarkable collection. For Manguel and his readers, words, in spite of everything, lend coherence to the world and offer us “a few safe places, as real as paper and as bracing as ink,” to grant us room and board in our passage.

An exploration of Maimonides, the medieval philosopher, physician, and religious thinker, author of The Guide of the Perplexed, from one of the world’s foremost bibliophiles  Moses ben Maimon, or Maimonides (1138–1204), was born in Córdoba, Spain. The gifted son of a judge and mathematician, Maimonides fled Córdoba with his family when he was thirteen due to Almohad persecution of all non-Islamic faiths. Forced into a long exile, the family spent a decade in Spain before settling in Morocco. From there, Maimonides traveled to Palestine and Egypt, where he died at Saladin’s court.  As a scholar of Jewish law, a physician, and a philosopher, Maimonides was a singular figure. His work in extracting all the commanding precepts of Jewish law from the Hebrew Bible and the Talmud, interpreting and commenting on them, and translating them into terms that would allow students to lead sound Jewish lives became the model for translating God’s word into a language comprehensible by all. His work in medicine—which brought him such fame that he became Saladin’s personal physician—was driven almost entirely by reason and observation.  In this biography, Alberto Manguel examines the question of Maimonides’ universal appeal—he was celebrated by Jews, Arabs, and Christians alike. In our time, when the need for rationality and recognition of the truth is more vital than ever, Maimonides can help us find strategies to survive with dignity in an uncertain world.

An eclectic history of human curiosity, a great feast of ideas, and a memoir of a reading life from an internationally celebrated reader and thinkerCuriosity has been seen through the ages as the impulse that drives our knowledge forward and the temptation that leads us toward dangerous and forbidden waters. The question “Why?” has appeared under a multiplicity of guises and in vastly different contexts throughout the chapters of human history. Why does evil exist? What is beauty? How does language inform us? What defines our identity? What is our responsibility to the world? In Alberto Manguel’s most personal book to date, the author tracks his own life of curiosity through the reading that has mapped his way.Manguel chooses as his guides a selection of writers who sparked his imagination. He dedicates each chapter to a single thinker, scientist, artist, or other figure who demonstrated in a fresh way how to ask “Why?” Leading us through a full gallery of inquisitives, among them Thomas Aquinas, David Hume, Lewis Carroll, Rachel Carson, Socrates, and, most importantly, Dante, Manguel affirms how deeply connected our curiosity is to the readings that most astonish us, and how essential to the soaring of our own imaginations.

A best-selling author and world-renowned bibliophile meditates on his vast personal library and champions the vital role of all libraries.“The author brings a fresh hopefulness to the enterprise of books and reading. Vintage Manguel—a pleasure for his many readers and admirers.”—Kirkus ReviewsIn June 2015 Alberto Manguel prepared to leave his centuries-old village home in France’s Loire Valley and reestablish himself in a one-bedroom apartment on Manhattan’s Upper West Side. Packing up his enormous, 35,000‑volume personal library, choosing which books to keep, store, or cast out, Manguel found himself in deep reverie on the nature of relationships between books and readers, books and collectors, order and disorder, memory and reading. In this poignant and personal reevaluation of his life as a reader, the author illuminates the highly personal art of reading and affirms the vital role of public libraries.  Manguel’s musings range widely, from delightful reflections on the idiosyncrasies of book lovers to deeper analyses of historic and catastrophic book events, including the burning of ancient Alexandria’s library and contemporary library lootings at the hands of ISIS. With insight and passion, the author underscores the universal centrality of books and their unique importance to a democratic, civilized, and engaged society.

“In art and words, a book lover honors the characters he can’t forget.”—New York Times Book ReviewAn original look at how literary characters can transcend their books to guide our lives, by one of the world's most eminent bibliophilesAlberto Manguel, in a style both charming and erudite, examines how literary characters live with us from childhood on. Throughout the years, they change their identities and emerge from behind their stories to teach us about the complexities of love, loss, and the world itself. Manguel’s favorite characters include Jim from Huckleberry Finn, Phoebe from The Catcher in the Rye, Job and Jonah from the Bible, Little Red Riding Hood and Captain Nemo, Hamlet’s mother, and Dr. Frankenstein’s maligned Monster. Sharing his unique powers as a reader, Manguel encourages us to establish our own literary relationships. An intimate preface and Manguel’s own “doodles” complete this delightful and magical book.

A worldwide exploration of the history, purpose, and inescapable influence of the Iliad and the Odyssey that will inspire readers to think anew about Homer’s work  No one knows whether Homer was a real person, but there is no doubt that the epic poems assembled under his name are foundations of Western literature. The Iliad and the Odyssey—with their tales of the Trojan War, Achilles, Odysseus and Penelope, the Cyclops, the beautiful Helen of Troy, and the petulant gods—have inspired us for over two and a half millennia and influenced writers from Plato to Virgil, Pope to Joyce, and Dante to Margaret Atwood.   In this graceful and sweeping book, Alberto Manguel traces the lineage of Homer’s poems. He examines their original purpose, either as allegory or record of history; surveys the challenges the pagan poems presented to the early Christian world; and looks at their reception after the Reformation through the present day. In this revised and expanded edition, Manguel ignites new ways of thinking about these classic works.

A passionate tribute to literature and writing as beacons of clarity and truthCan a society compel its inhabitants to admit the evidence of facts? Can literature help us see the world as it really is? Why do censors fear books and the possibility of a dialogue between reader and writer? How does a writer resist and bear witness?In this searching essay, Alberto Manguel reflects on his life’s work and on the relationship of writing to what is true. Drawing on a rich array of sources, from ancient philosophy and Dante’s Divine Comedy to contemporary political thought and diverse views on AI, Manguel explores the illuminative power of the written word. “Perhaps, in this sense, literature is nothing more than affirmation, an ongoing act of resistance,” he writes. “Perhaps that is enough.”

From ancient Greece to the close of the second millennium, the keen scientific eye has been translated over and over into graceful and meaningful texts in which not only the world observed but the act of observation itself is set down for the common reader. By the Light of the Glow-Worm Lamp represents the best of the nature-writing genre in over three dozen works from the past three centuries.

In these essays, Alberto Manguel discusses the nature of books and literature as a moral imperative and explores the consequences of society's betrayal of its readers and writers. He covers writers such as Jorge Luis Borges, Julio Cortazar and G.K. Chesterton, as well as Che Guevara and Goethe.

As far as one can tell, human beings are the only species for which the world seems made up of stories, Alberto Manguel writes. We read the book of the world in many guises: we may be travelers, advancing through its pages like pilgrims heading toward enlightenment. We may be recluses, withdrawing through our reading into our own ivory towers. Or we may devour our books like burrowing worms, not to benefit from the wisdom they contain but merely to stuff ourselves with countless words.With consummate grace and extraordinary breadth, the best-selling author of A History of Reading and The Library at Night considers the chain of metaphors that have described readers and their relationships to the text-that-is-the-world over a span of four millennia. In figures as familiar and diverse as the book-addled Don Quixote and the pilgrim Dante who carries us through the depths of hell up to the brilliance of heaven, as well as Prince Hamlet paralyzed by his learning, and Emma Bovary who mistakes what she has read for the life she might one day lead, Manguel charts the ways in which literary characters and their interpretations reflect both shifting attitudes toward readers and reading, and certain recurrent notions on the role of the intellectual: "We are reading creatures. We ingest words, we are made of words. . . . It is through words that we identify our reality and by means of words that we ourselves are identified."

Rich with literary awards and honours, Alberto Manguel extends his literary genius to address and complete a thoughtfully crafted extrapolation on a paper left unfinished by Northrop Frye in 1943. The result is a succinct yet densely multilayered examination of how various readings of Homer throughout the annals of history cast light upon the human tendency towards war rather than peace and asks what roles writing and reading play to bring the world into better equilibrium. Central to this lecture is the concept of re-binding, a word drawn from the Latin roots for the word religion, which Manguel posits is the essential definition of poetry. Homer’s writings, the point of origin of all written verse, are also the first written instance of the binding of imagined, written, and read realities. The semantics of Homer’s name and the literal and figurative ramifications of his blindness are investigated as Manguel builds the scaffold for unveiling our own blindness through our desire to read Homer in our own image. We are left to examine our own assumptions.Comblé de prix littéraires et d’honneurs, Alberto Manguel prête son génie littéraire à l’étude et au parachèvement d’une extrapolation songée que Northrop Frye avait laissée en plan en 1943. Il en résulte une analyse succincte mais en replis serrés des multiples lectures d’Homère léguées par les siècles, qui révèle comment ces interprétations éclairent la propension humaine à la guerre plutôt qu’à la paix, ce qui le mène à s’interroger sur le rôle que jouent l’écriture et la lecture quand il s’agit de créer un monde plus équilibré. La notion de re-lier, un mot dont les racines latines sont les mêmes que le mot religion, est au coeur de cette conférence, et Manguel en fait la définition essentielle de la poésie. Les écrits d’Homère, point d’origine de toute la poésie écrite, fournissent aussi la première occurrence d’un lien entre les réalités imaginées, écrites et lues. La valeur sémantique du nom d’Homère et les répercussions concrètes et figurées de sa cécité font partie des éléments que Manguel scrute pour fonder son évocation de notre aveuglement à nous quand nous insistons pour lire Homère à notre propre image. Nous n’avons plus qu’à remettre nos hypothèses.

We get to share in his personal discoveries through the humour and good fellowship of the road, full of entertaining misadventures. But there is never any doubt that there is an ultimate purpose to these journeys: a passionate need to bear witness to the truth about the past, after centuries of persecution by an alien ruling class. So through the dense clouds of historical tragedy, Wright exchavates hope that a revival of pride and dignity in Andean culture is possible.

In Buenos Aires, 1964, a blind writer in his sixties approaches a sixteen-year-old bookstore clerk and asking if he would be interested in a part-time job reading aloud. The writer was Jorge Luis Borges, one of the world's finest literary minds; the boy was Alberto Manguel, who was later to become an internationally acclaimed author and editor and bibliophile. The young Manguel spent several years reading aloud and transcribing for the enigmatic Borges. Here he recalls this time with integrity and warmth, offering us an intimate and moving portrait of one of the great literary luminaries.

Från lertavla till hypertext Alberto Manguel tar oss med på en resa genom läsandets märkliga och lidelsefyllda historia. En historia som sträcker sig över 6000 år. Det blir en färd med många stopp, omvägar och avstickare. En historia om läsning är en lärd och lysten bok som man läser som en äventyrsroman. Det handlar om bibliotek och bokskatter, om tillåten och förbjuden läsning, om boktjuvar och bokbrännare och om egendomliga läsmaskiner. Vårt sätt att läsa är nyckeln till hur vi uppfattar världen omkring oss. På ett mer privat plan ser vi hur de böcker som blivit verkligt betydelsefulla för oss speglar vår egen livshistoria. Alberto Manguel, bosatt utanför Paris, föddes i Buenos Aires där han i ungdomen läste högt för den blinde Jorge Luis Borges. På svenska har han också givit ut Läsa bilder. »Den är en av dessa vidunderliga böcker, svävande och vackra, och fyllda med en sådan fantasi och lärdom att man blir alldeles mjuk i hela kroppen. Tänk om man hade haft en sån svensklärare när man gick i skolan.« Anders Paulrud, Aftonbladet FÖRFATTAREN: Alberto Manguel är kanadensisk författare, översättare och redaktör med argentinskt ursprung, bosatt i Frankrike. 2002 utkom hans Läsa bilder. En historia om kärlek och hat.