Alejandro Herrero-Olaizola – författare

This book traverses the cultural landscape of Colombia through in-depth analyses of displacement, local and global cultures, human rights abuses, and literary and media production. Through an exploration of the cultural processes that perpetuate the "darker side" of Latin America for global consumption, it investigates the "condition" that has led writers, filmmakers, and artists to embrace (purposefully or not) the incessant violence in Colombian society as the object of their own creative endeavors. In this examination of mass-marketed cultural products such as narco-stories, captivity memoirs, gritty travel narratives, and films, Herrero-Olaizola seeks to offer a hemispheric approach to the role played by Colombia in cultural production across the continent where the illicit drug trade has made significant inroads. To this end, he identifies the "Colombian condition" within the parameters of the global economy while concentrating on the commodification of Latin America’s violence for cultural consumption.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

This book traverses the cultural landscape of Colombia through in-depth analyses of displacement, local and global cultures, human rights abuses, and literary and media production. Through an exploration of the cultural processes that perpetuate the "darker side" of Latin America for global consumption, it investigates the "condition" that has led writers, filmmakers, and artists to embrace (purposefully or not) the incessant violence in Colombian society as the object of their own creative endeavors. In this examination of mass-marketed cultural products such as narco-stories, captivity memoirs, gritty travel narratives, and films, Herrero-Olaizola seeks to offer a hemispheric approach to the role played by Colombia in cultural production across the continent where the illicit drug trade has made significant inroads. To this end, he identifies the "Colombian condition" within the parameters of the global economy while concentrating on the commodification of Latin America’s violence for cultural consumption.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

This interdisciplinary volume investigates the cultural and political landscapes of Colombia through citizenship, displacement, local and global cultures, grass-root movements, political activism, human rights, environmentalism, and media productions.Territories of Conflict offers a comprehensive view of the cultural and political landscapes of Colombia through in-depth analyses of citizenship, displacement, local and global cultures, grassroots movements, political activism, human rights, environmentalism, and media production. The volume investigates conflict as a creative force but one that is not devoid of its destructive meaning for Colombia. It is precisely through conflict that the nation's social and cultural fabric is being mapped out, thus resulting in territories -- understood in both a literal and a metaphorical sense -- that paradoxically coexist in discordance. Contributors to this interdisciplinary volumeinclude historians, sociologists, political scientists, musicologists, and environmentalists, as well as literary, media, and cultural studies specialists from the United States, Colombia, and Europe.CONTRIBUTORS: Maurizio Alì, Ingrid Johanna Bolívar Ramírez, Margarita Cuéllar Barona, Andrea Fanta Castro, Héctor Fernández L'Hoeste, Joaquín Llorca Franco, David Fernando García, Felipe Gómez Gutiérrez, Álvaro Diego Hro-Olaizola, Stacey Hunt, Camilo Alberto Jiménez Alfonso, Gregory J. Lobo, Tatjana Louis, Felipe Martínez-Pinzón, María Ospina, Kate Paarlberg-Kvam, Diana Pardo Pedraza, Aldona Bialowas Pobutsky, Chloe Rutter-Jensen, Claudia Salamanca Sánchez, Sven Schuster, Silvia Serrano,Andrea Fanta Castro is Assistant Professor of Spanish at Florida International University; Alejandro Herrero-OIaizola is the Arthur F. Thurnau Professor of Spanish & Latin American Studies at the University of Michigan; and Chloe Rutter-Jensen is Associate Professor of Cultural Studies at the Universidad de los Andes, Bogotá, Colombia.

In the decade from the early 1960s to the early 1970s, Latin American authors found themselves writing for a new audience in both Latin America and Spain and in an ideologically charged climate as the Cold War found another focus in the Cuban Revolution. The writers who emerged in this energized cultural moment—among others, Julio Cortázar (Argentina), Guillermo Cabrera Infante (Cuba), José Donoso (Chile), Carlos Fuentes (Mexico), Gabriel García Márquez (Colombia), Manuel Puig (Argentina), and Mario Vargas Llosa (Peru)—experimented with narrative forms that sometimes bore a vexed relation to the changing political situations of Latin America.This volume provides a wide range of options for teaching the complexities of the Boom, explores the influence of Boom works and authors, presents different frameworks for thinking about the Boom, proposes ways to approach it in the classroom, and provides resources for selecting materials for courses

La condición colombiana examina el panorama cultural de Colombia mediante un análisis en profundidad del desplazamiento, las culturas locales y globales, las violaciones de los derechos humanos y la producción literaria y mediática. Por medio de una exploración de los procesos culturales que perpetúan el "lado oscuro" de América Latina para el consumo global, este libro investiga la "condición" que ha llevado a escritores, cineastas y artistas a adoptar (intencionalmente o no) la incesante violencia de la sociedad colombiana como objeto de su actividad creativa. Al estudiar productos culturales de divulgación masiva (como narcohistorias, memorias de cautiverio, narrativas de viajes y películas), Herrero-Olaizola ofrece un enfoque hemisférico del papel que desempeña Colombia en la producción cultural de un continente asediado por el tráfico ilegal de drogas. Con este fin, el autor posiciona la "condición colombiana" dentro de los parámetros de la economía global, a la vez que se centra en la mercantilización de la violencia en América Latina para el consumo cultural mundial.

La condición colombiana examina el panorama cultural de Colombia mediante un análisis en profundidad del desplazamiento, las culturas locales y globales, las violaciones de los derechos humanos y la producción literaria y mediática. Por medio de una exploración de los procesos culturales que perpetúan el "lado oscuro" de América Latina para el consumo global, este libro investiga la "condición" que ha llevado a escritores, cineastas y artistas a adoptar (intencionalmente o no) la incesante violencia de la sociedad colombiana como objeto de su actividad creativa. Al estudiar productos culturales de divulgación masiva (como narcohistorias, memorias de cautiverio, narrativas de viajes y películas), Herrero-Olaizola ofrece un enfoque hemisférico del papel que desempeña Colombia en la producción cultural de un continente asediado por el tráfico ilegal de drogas. Con este fin, el autor posiciona la "condición colombiana" dentro de los parámetros de la economía global, a la vez que se centra en la mercantilización de la violencia en América Latina para el consumo cultural mundial.

Investigates the role played by censorship in the Spanish-language publishing industry, which led to the Latin American Boom literature of the 1960s and 1970s.Drawing on extensive research in the Spanish National Archive, Alejandro Herrero-Olaizola examines the role played by the censorship apparatus of Franco's Spain in bringing about the Latin American literary Boom of the 1960s and 1970s. He reveals the negotiations and behind-the-scenes maneuvering among those involved in the Spanish publishing industry. Converging interests made strange bedfellows of the often left-wing authors and the staid officials appointed to stand guard over Francoist morality and to defend the supposed purity of Castilian Spanish. Between these two uneasily allied groups circulated larger-than-life real-world characters like the Barcelona publisher Carlos Barral and the all-powerful literary agent Carmen Balcells. The author details the fascinating story of how novels by Mario Vargas Llosa, Guillermo Cabrera Infante, Gabriel García Márquez, and Manuel Puig achieved publication in Spain, and in doing so reached a worldwide market. This colorful account underpins a compelling claim that even the most innovative and aesthetically challenging literature has its roots in the economics of the book trade, as well as the institutions of government and the exigencies of everyday politics and ideology.