Aleksandra Kaminska – författare
471 kr
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489 kr
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From an Eastern nation on the global periphery to a European neoliberal democracy enmeshed in transnational networks, Poland has experienced a dramatic transformation in the last century. Polish Media Art in an Expanded Field uses the lens, and mirror, of media art to think through the politics of a post-socialist ''New Europe'', where artists are negotiating the tension between global cosmopolitanism and national self-enfranchisement. Situating Polish media art practices in the context of Poland’s aesthetic traditions and political history, Aleksandra Kaminska provides an important contribution to site-specific histories of media art. Polish Media Art in an Expanded Field demonstrates how artists are using and reflecting upon technology as a way of entering into larger civic conversations around the politics of identity, place, citizenship, memory and heritage. Building on close readings of artworks that serve as case studies, as well as interviews with leading artists, scholars and curators, this is the first full-length study of Polish media art.
489 kr
Läs direkt efter köp
From an Eastern nation on the global periphery to a European neoliberal democracy enmeshed in transnational networks, Poland has experienced a dramatic transformation in the last century. Polish Media Art in an Expanded Field uses the lens, and mirror, of media art to think through the politics of a post-socialist ''New Europe'', where artists are negotiating the tension between global cosmopolitanism and national self-enfranchisement. Situating Polish media art practices in the context of Poland’s aesthetic traditions and political history, Aleksandra Kaminska provides an important contribution to site-specific histories of media art. Polish Media Art in an Expanded Field demonstrates how artists are using and reflecting upon technology as a way of entering into larger civic conversations around the politics of identity, place, citizenship, memory and heritage. Building on close readings of artworks that serve as case studies, as well as interviews with leading artists, scholars and curators, this is the first full-length study of Polish media art.
560 kr
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672 kr
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605 kr
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Faces of Crisis in 20th-and 21st-Century Prose. An Anthology of Criticism offers a unique overview of the motif of crisis tackled by 20th-and 21st-century novelists. In one way or another, crisis has always been an inevitable part of our lives and it is still a central aspect of the contemporary world, in which we are constantly inundated with information about economic, environmental, and health threats.The anthology is divided into three parts pertaining to the main themes of the articles. The first section “Selves in Crisis” is concerned with personal and identity crisis. The second part “Bonds in Crisis” is devoted to interpersonal relationships and family ties. The third section “Worlds in Crisis” deals with threats on a global scale, both in the present and in the future. Focused on the main theme, literary scholars from different European universities tackle the problem of crisis from various perspectives, analysing works by authors such as James Joyce, Vita Sackville-West, Charles Hamilton Sorley, Daphne du Maurier, D.H. Lawrence, B.S. Johnson, Ann Quin, Zoë Wicomb, Rachel Seiffert, Sarah Waters, Diane Setterfield, Boualem Sansal, Philip K. Dick, and Suketu Mehta.The anthology opens with the article “Literature as Crisis” written by Dr Richard Brown from the University of Leeds, UK. Other articles are authored by young scholars representing universities both in Poland and abroad.