Alex Adams – författare

From Batman Begins to Tom Clancy, How to Justify Torture shows how contemporary culture creates simplified narratives about good guy torturers and bad guy victims, how dangerous this is politically, and what we can do to challenge it.

The ticking bomb scenario is a thought experiment designed to demonstrate that torture can be justified in emergency conditions. If there was a bomb hidden somewhere in a major city, would it be justified to torture a captured informant in order to obtain the critical information that could prevent a devastating terrorist attack?

In How to Justify Torture, cultural critic Alex Adams examines this thought experiment in depth by exploring the wide range of cultural productions—from military thrillers, through superhero movies, to home-invasion narratives—which repeatedly ask us this question about torture. By critiquing the argument step by step, this short, provocative book reminds us why torture can never be justified.

Political Torture in Popular Culture argues that the literary, filmic, and popular cultural representation of political torture has been one of the defining dimensions of the torture debate that has taken place in the course of the post-9/11 global war on terrorism. The book argues that cultural representations provide a vital arena in which political meaning is generated, negotiated, and contested.

Adams explores whether liberal democracies can ever legitimately perpetrate torture, contrasting assertions that torture can function as a legitimate counterterrorism measure with human rights-based arguments that torture is never morally permissible. He examines the philosophical foundations of pro- and anti-torture positions, looking at their manifestations in a range of literary, filmic and popular cultural texts, and assesses the material effects of these representations. Literary novels, televisual texts, films, and critical theoretical discourse are all covered, focusing on the ways that aesthetic and textual strategies are mobilised to create specific political effects.

This book is the first sustained analysis of the torture debate and the role that cultural narratives and representations play within it. It will be of great use to scholars interested in the emerging canon of post-9/11 cultural texts about torture, as well as scholars and students working in politics, history, geography, human rights, international relations, and terrorism studies, literary studies, cultural studies, and film studies.

Political Torture in Popular Culture argues that the literary, filmic, and popular cultural representation of political torture has been one of the defining dimensions of the torture debate that has taken place in the course of the post-9/11 global war on terrorism. The book argues that cultural representations provide a vital arena in which political meaning is generated, negotiated, and contested.

Adams explores whether liberal democracies can ever legitimately perpetrate torture, contrasting assertions that torture can function as a legitimate counterterrorism measure with human rights-based arguments that torture is never morally permissible. He examines the philosophical foundations of pro- and anti-torture positions, looking at their manifestations in a range of literary, filmic and popular cultural texts, and assesses the material effects of these representations. Literary novels, televisual texts, films, and critical theoretical discourse are all covered, focusing on the ways that aesthetic and textual strategies are mobilised to create specific political effects.

This book is the first sustained analysis of the torture debate and the role that cultural narratives and representations play within it. It will be of great use to scholars interested in the emerging canon of post-9/11 cultural texts about torture, as well as scholars and students working in politics, history, geography, human rights, international relations, and terrorism studies, literary studies, cultural studies, and film studies.

Liberty and character play vital roles in the functioning of free societies, but we often overlook both.

Alex Adams gives them the attention they deserve in this memoir, highlighting his adventures and missteps in seeking to promote liberty and justice. His insights will particularly resonate with his fellow scientists and engineers, who may recognize themselves in various parts of the story—or see alternate ways to deal with problems.

The author’s intent is to highlight the good, the bad, and the ugly aspects of human behavior to come to conclusions about how we’ve arrived at our current state, where we are likely headed, and how we should think about our lives.

Throughout the book, he promotes the value of freedom even while recognizing that many have difficulty managing it. Even so, he cautions everyone against authoritarian government as it stunts personal growth and inevitably leads to corruption.

Join the author as he shares the lessons he’s learned over a long career and urges everyone to reject party politics in Freedom Is Not Free.