Alex Danchev – författare

In this one-of-a-kind volume, indispensable for students of art, architecture and film,Alex Danchev presents 100 Artists' Manifestos, each reproduced with an introduction on the author and the associated movement, in Penguin Modern Classics.This remarkable collection of 100 manifestos from the last 100 years is cacophony of voices from such diverse movements as Futurism, Dadaism, Surrealism, Feminism, Communism, Destructivism, Vorticism, Stridentism, Cannibalism and Stuckism, taking in along the way film, architecture, fashion, and cookery.Artists' manifestos are nothing if not revolutionary. They are outlandish, outrageous, and frequently offensive. They combine wit, wisdom, and world-shaking demands. This collection gathers together an international array of artists of every stripe, including Kandinsky, Mayakovsky, Rodchenko, Le Corbusier, Picabia, Dalí, Oldenburg, Vertov, Baselitz, Kitaj, Murakami, Gilbert and George, together with their allies and collaborators - such figures as Marinetti, Apollinaire, Breton, Trotsky, Guy Debord and Rem Koolhaas.Editor Alex Danchev is the author of an acclaimed biography of artist Georges Braque and is Professor of International Relations at the University of Nottingham. His other works include Alanbrooke War Diaries: Field Marshall Lord Alanbrooke, The Iraq War and Democratic Politics and On Art and War and Terror.If you enjoyed 100 Artists' Manifestos, you might like John Berger's Ways of Seeing, also available in Penguin Modern Classics.'The Manifesto is remarkable for its imaginative power ... it is the first great modernist work of art' Marshall Berman

This is a collection of important new work on the Falklands Conflict by the leading authorities in the field, British and Argentine. Contributors include Peter Beck, Peter Calvert, Lawrence Freedman, Virginia Gamba-Stonehouse, Guillermo Makin and Paul Rogers.

International Perspectives on the Gulf Conflict is a collection of important new work on the conflict by the leading authorities in the field. Unusually, this is an international investigation of an international conflict.

International Perspectives on the Yugoslav Conflict is a collection of important new work by the leading authorities in the field. Unusually, this is an international investigation of an international conflict. The result is both profound and provocative - the most stimulating and the most far-reaching exploration of the subject yet to appear.

The Iraq War and Democratic Politics contains the work of leading scholars concerned with the political implications of the Iraq War and its relationship to and significance for democracy. The book shuns simplistic analysis and provides a nuanced and critical overview of this key moment in global politics. Subjects covered include:* the underlying moral and political issues raised by the war* US foreign policy and the Middle East* the fundamental dilemmas and contradictions of democratic intervention* how the war was perceived in the UK, EU and US* the challenges of creating democracy inside Iraq* the influential role of NGOs* the legitimacy of the war within international law* the relationship between democratic government and intelligence.

The Iraq War and Democratic Politics contains the work of leading scholars concerned with the political implications of the Iraq War and its relationship to and significance for democracy. The book shuns simplistic analysis and provides a nuanced and critical overview of this key moment in global politics. Subjects covered include:* the underlying moral and political issues raised by the war* US foreign policy and the Middle East* the fundamental dilemmas and contradictions of democratic intervention* how the war was perceived in the UK, EU and US* the challenges of creating democracy inside Iraq* the influential role of NGOs* the legitimacy of the war within international law* the relationship between democratic government and intelligence.

A singular thinker and an uncompromising seeker after artistic truth, Cézanne channelled a large part of his wide-ranging intellect and ferocious wit into his letters. This translation by Alex Danchev is based on a thorough re-examination of Cézanne’s correspondence with family, friends and major figures from the literary and art worlds. Danchev’s great achievement is to allow readers in English to hear Cézanne’s voice for the first time in his own idiomatic, idiosyncratic style. And he sounds rather different from the Cézanne we thought we knew – richer, wittier, wiser, more philosophical, more irascible, above all more fully human. The letters offer fresh perspectives on his artistic vision, politics, friendships, psychology, philosophy, literary tastes and classical frame of reference. They provide an intimate insight into the preoccupations and personality of a legend.

For most of the Second World War, General Sir Alan Brooke (1883-1963), later Field Marshal Lord Alanbrooke, was Britain's Chief of the Imperial General Staff (CIGS) and Winston Churchill's principal military adviser, and antagonist, in the inner councils of war. He is commonly considered the greatest CIGS in the history of the British Army. His diaries--published here for the first time in complete and unexpurgated form--are one of the most important and the most controversial military diaries of the modern era. The last great chronicle of the Second World War, they provide a riveting blow-by-blow account of how the war was waged and eventually won--including the controversies over the Second Front and the desperate search for a strategy, the Allied bomber offensive, the Italian campaign, the D-day landings, the race for Berlin, the divisions of Yalta, and the postwar settlement. Beginning in September 1939, the diaries were written up each night in the strictest secrecy and against all regulations.Alanbrooke's mask of command was legendary but these diaries tell us what he really saw and felt: moments of triumph and exhilaration, but also frustration, depression, betrayal, and doubt. They expose the gulf between the military and the politicians of the War Cabinet, and how often military strategy was misguided and nearly derailed by political prejudices. They also reveal the incredible strain on Alanbrooke of the Allied conferences in Washington, Moscow, Casablanca, Quebec, and Tehran, as he tried after intense and exhausting argument (not least with Churchill) to match Allied strategy with the reality of British military power and the fragility of the British Empire. These diaries demonstrate the true depth of Alanbrooke's rage and despair at Churchill's failure to grasp overall strategy. This was particularly acute in the winter of 1943-44 when Churchill, fueled by medicine and alcohol, no longer seemed master of himself.

This book, a collection of Alex Danchev's essays on the theme of art, war and terror, offers a sustained demonstration of the way in which works of art can help us to explore the most difficult ethical and political issues of our time: war, terror, extermination, torture and abuse.It takes seriously the idea of the artist as moral witness to this realm, considering war photography, for example, as a form of humanitarian intervention. War poetry, war films and war diaries are also considered in a broad view of art, and of war. Kafka is drawn upon to address torture and abuse in the war on terror; Homer is utilised to analyse current talk of 'barbarisation'. The paintings of Gerhard Richter are used to investigate the terrorists of the Baader-Meinhof group, while the photographs of Don McCullin and the writings of Vassily Grossman and Primo Levi allow the author to propose an ethics of small acts of altruism.This book examines the nature of war over the last century, from the Great War to a particular focus on the current 'Global War on Terror'. It investigates what it means to be human in war, the cost it exacts and the ways of coping. Several of the essays therefore have a biographical focus.

This book, a collection of Alex Danchev's essays on the theme of art, war and terror, newly available in paperback, offers a sustained demonstration of the way in which works of art can help us to explore the most difficult ethical and political issues of our time: war, terror, extermination, torture and abuse.It takes seriously the idea of the artist as moral witness to this realm, considering war photography, for example, as a form of humanitarian intervention. War poetry, war films and war diaries are also considered in a broad view of art, and of war. Kafka is drawn upon to address torture and abuse in the war on terror; Homer is utilised to analyse current talk of 'barbarisation'. The paintings of Gerhard Richter are used to investigate the terrorists of the Baader-Meinhof group, while the photographs of Don McCullin and the writings of Vassily Grossman and Primo Levi allow the author to propose an ethics of small acts of altruism.This book examines the nature of war over the last century, from the Great War to a particular focus on the current 'Global War on Terror'. It investigates what it means to be human in war, the cost it exacts and the ways of coping. Several of the essays therefore have a biographical focus.

This is a collection of important new work on the Falklands Conflict by the leading authorities in the field, British and Argentine. The themes of the volume are defence and diplomacy, and the problematic relationship between them. The authors investigate aspects of the conflict from the relevance of Falklands/Malvinas past, through the diplomatic and military crisis of 1982, to shifts in public opinion in both countries. Contributors include Peter Beck, Peter Calvert, Lawrence Freedman, Virginia Gamba-Stonehouse, Guillermo Makin and Paul Rogers.

Bringing together specialists from the fields of international relations, history and politics, this work attempts to answer three main questions regarding the 20th century. It considers what the century's salient characteristics have been, what else is ending as the century ends, and whether Churchill was right in calling it a "disappointing century". As the contributors address these issues, they also discuss whether it has been an American century or a "nuclear" century, and whether it marks the "end of history", the triumph of Western liberalism, or merely the end of the Cold War.

'These are almost certainly the last secrets to be unlocked about the British high command in World War II' DAILY MAIL'Superb' SPECTATOR'A fascinating daily snapshot of the direction of the greatest war in history by one of the key decision makers' SUNDAY TIMESAlanbrooke was CIGS - Chief of the Imperial General Staff - for the greater part of the Second World War. He acted as mentor to Montgomery and military adviser to Churchill, with whom he clashed. As chairman of the Chiefs of Staff committee he also led for the British side in the bargaining and the brokering of the Grand Alliance, notably during the great conferences with Roosevelt and Stalin and their retinue at Casablanca, Teheran, Malta and elsewhere. As CIGS Alanbrooke was indispensable to the British and the Allied war effort. The diaries were sanitised by Arthur Bryant for his two books he wrote with Alanbrooke. Unexpurgated, they are explosive.

How can works of the imagination help us to understand good and evil in the modern world? In this new collection of essays, Alex Danchev treats the artist as a crucial moral witness of our troubled times, and puts art to work in the service of political and ethical inquiry. He takes inspiration from Seamus Heaney’s dictum: ‘the imaginative transformation of human life is the means by which we can most truly grasp and comprehend it’. This is a book of blasphemers, world menders, troublemakers, torturers and turbulent priests of every persuasion.

A SUNDAY TIMES BOOK OF THE YEAR'The first significant biography of the artist' Michael Prodger, The Times' 'Best art books of 2021''Exemplary ... a scintillating read' Alastair Sooke, Daily Telegraph'For those who love Magritte and those who do not, Danchev's biography will come as a revelation' Literary ReviewRené Magritte's surreal sensibility, deadpan melodrama, and fine-tuned outrageousness have all become inescapably part of our times. But these groundbreaking subversions all came from a middle-class Belgian gent, who kept a modest house in a Brussels suburb and whose first one-man show sold absolutely nothing. Through a deep examination of Magritte's friendships and his artistic development, Alex Danchev explores the path of an highly unconventional artist who posed profound questions about the relationship between image and reality, challenged the very nature of authenticity and whose influence can be seen in the work of everyone from Jasper Johns to Beyoncé.

A SUNDAY TIMES BOOK OF THE YEAR'The first significant biography of the artist' Michael Prodger, The Times' 'Best art books of 2021''Exemplary ... a scintillating read' Alastair Sooke, Daily Telegraph'For those who love Magritte and those who do not, Danchev's biography will come as a revelation' Literary ReviewRené Magritte's surreal sensibility, deadpan melodrama, and fine-tuned outrageousness have all become inescapably part of our times. But these groundbreaking subversions all came from a middle-class Belgian gent, who kept a modest house in a Brussels suburb and whose first one-man show sold absolutely nothing. Through a deep examination of Magritte's friendships and his artistic development, Alex Danchev explores the path of an highly unconventional artist who posed profound questions about the relationship between image and reality, challenged the very nature of authenticity and whose influence can be seen in the work of everyone from Jasper Johns to Beyoncé.