Alex Dimitrov – författare

''It fizzes like a just-opened bottle of soda. It sprints like the Beatles running through a train station. It talks a mile a minute like a person swept away in the druggy lunacy of a serious crush... There have been moments when, for me, its effervescence has failed to rhyme with the despondency of these days. But far more often, Love and Other Poems has felt like a long-awaited remedy'' New York TimesLove and Other Poems is full of praise for the world we live in. Taking time as an overarching structure - specifically, the twelve months of the year - Alex Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is ''our best invention''. Dimitrov never resists joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.

Brought to you by Penguin.At the end of ecstasy / only the memory of ecstasy. / The tongue. The chorus. / The streets of flesh.

In Ecstasy, Alex Dimitrov embraces a life on the edge in New York and the finely wrought poetry that can come out of it. He explores sex, drugs, parties, pleasure, and God in the 2020s, and looks back to a coming-of-age in the 1990s that still informs who his generation is and will be. His unabashed and drivingly musical poems are a call against repression, a rebuke of cultural norms and shame, and a celebration of human authenticity – even if to live under such philosophies is dangerous.In ‘Today I Love Being Alive’, we find the poet naked in his kitchen, eating a banana and obsessed with a new lover, declaring ‘I don''t care about being remembered. / I care about . . . Strong men. Beautiful sentences. Italian leather’; in ‘Poppers’, he stands lightheaded in the bathroom at a bar, ‘thinking of what to do / with the rest of my life’, and issuing a warning to himself and us: ‘Poetry / is not a self-help book.’Dimitrov is an iconographer of contemporary life, able to pin profound and timeless meaning to a fleeting encounter in the street. Ecstasy also engages with the poet’s Christian upbringing, interrogating faith as both an enemy and valve of catharsis, and a bedfellow of what this book celebrates and courts: profound human ecstasy.© Alex Dimitrov 2025 (P) Penguin Audio 2025

“Dimitrov is a vital new energy in American poetry.”—Los Angeles Review of Books

“Truth-telling, raw, fierce with feeling.”—Brenda Shaughnessy

“Dimitrov can sound at once hip and naive, devoted to the sincerities that other sorts of poets reject or obscure.”—Publishers Weekly

Together and by Ourselves, Alex Dimitrov’s second book of poems, takes on broad existential questions and the reality of our current moment: being seemingly connected to one another, yet emotionally alone. Through a collage aesthetic and a multiplicity of voices, these poems take us from coast to coast, New York to LA, and toward uneasy questions about intimacy, love, death, and the human spirit. Dimitrov critiques America’s long-lasting obsessions with money, celebrity, and escapism—whether in our personal, professional, or family lives. What defines a life? Is love ever enough? Who are we when together and who are we by ourselves? These questions echo throughout the poems, which resist easy answers. The voice is both heartfelt and skeptical, bruised yet playful, and always deeply introspective.

from "Water"

What is aging exactly?There are new jobs and peopleand someone dies before noon every day.I am swimming and swimming…in May or an ocean,I don’t see the reason. “But that’s unimportant,” you said.“Just keep doing it over again until one day you can’t.”Spring excites us and we know what it is every time.The minutes in meetings are life’s most undistinguished;that’s obvious. And what’s obvious makes us all foolsthen fast friends.

Alex Dimitrov is the author of Together and by Ourselves (Copper Canyon Press, 2017), Begging for It (Four Way Books, 2013), and the online chapbook American Boys (Floating Wolf Quarterly, 2012). He is the recipient of the Stanley Kunitz Prize from the American Poetry Review and a Pushcart Prize. His poems have been published in Poetry, The Yale Review, Kenyon Review, Slate, Tin House, Boston Review, and the American Poetry Review. He is the Senior Content Editor at the Academy of American Poets where he edits the popular online series Poem-a-Day and American Poets magazine. He has taught creative writing at Rutgers University-New Brunswick, Marymount Manhattan College, Bennington College, and lives in New York City.