Alex Evans – författare

Why, with absolutely no idea what Brexit actually meant, did the UK vote for Brexit?Why, rather than vote for the best-qualified candidate ever to stand as US President, did voters opt for a reality TV star with no political experience?In both cases, the winning side promised change and offered hope. They told a story voters longed to hear. And in the absence of greater, more unifying narratives, then true or not, voters plumped for the best story available.Once upon a time our society was rich in stories. They brought us together and helped us to understand the world and ourselves. We called them myths. Today, we have a myth gap – a vacuum that Alex Evans argues powerfully and persuasively is both dangerous and an opportunity. In this time of global crisis and transition– mass migration, inequality, resource scarcity, and climate change - It is stories, rather than facts and pie-charts,that will animate us and bring us together. It is by finding new myths, those that speak to us of renewal and restoration, that we will navigate our way to a better future. Drawing on his first-hand experience as a political adviser within British government and at the United Nations, and examining the history of climate change campaigning and recent contests such as Brexit and the US presidential election, Alex Evans explores: *how tomorrow’s activists are using narratives for change, * how modern stories have been used and abused, * where we might find the right myths that will take us forward

Why, with absolutely no idea what Brexit actually meant, did the UK vote for Brexit?Why, rather than vote for the best-qualified candidate ever to stand as US President, did voters opt for a reality TV star with no political experience?In both cases, the winning side promised change and offered hope. They told a story voters longed to hear. And in the absence of greater, more unifying narratives, then true or not, voters plumped for the best story available.Once upon a time our society was rich in stories. They brought us together and helped us to understand the world and ourselves. We called them myths. Today, we have a myth gap – a vacuum that Alex Evans argues powerfully and persuasively is both dangerous and an opportunity. In this time of global crisis and transition– mass migration, inequality, resource scarcity, and climate change - It is stories, rather than facts and pie-charts,that will animate us and bring us together. It is by finding new myths, those that speak to us of renewal and restoration, that we will navigate our way to a better future. Drawing on his first-hand experience as a political adviser within British government and at the United Nations, and examining the history of climate change campaigning and recent contests such as Brexit and the US presidential election, Alex Evans explores: *how tomorrow’s activists are using narratives for change, * how modern stories have been used and abused, * where we might find the right myths that will take us forward

In the free port city of Barramar, the only law is the law of money. Here, the dingy taverns and the opulent teahouses alike thrum with the whispers of dark dealings. It's a place for the ruthless — spies and smugglers, or the desperate—refugees running from war, opression and poverty. Trust is a rare currency and alliances, as fluid as water. After spending their youth on opposing sides of a brutal war, Tanit Murali and Padma Amrithar are as different as night and day. One is a former spy, a rogue with a serious taste for violence, brandy and handsome men. The other is a compassionate surgeon and devoted family mother. They share but one thing: their rare magic gift. Forming an unlikely partnership, they run together an occult business.  Their enterprise is thriving until two peculiar cases land on their doorstep: a murderous vampire ensnared by a hex and a string of deadly mishaps in a notorious factory operated by zombies. Pursuing the truth leads them to the city's influential high priest of the god of wealth. Soon, they uncover a web of intrigue and realize that humans are far more dangerous than magic creatures. A special note for readers: this book contains a lot of different characters and a lot of worldbuilding. If you prefer your settings conventional and your story focused on a few heroes and villains, you probably won't enjoy this novel.

Magic has returned to the modern world, and Clara Dumaine wants nothing to do with it.Unemployed, broke, and attending her ex's funeral in Scotland wasn't how she planned to spend Christmas. Meeting Scott MacIntyre, handsome, mysterious, and clearly keeping secrets, wasn't part of the plan either.But when masked attackers target her, Scott offers protection and an impossible explanation: her ex stole something magic and dangerous, and now killers think she knows where it is. The problem? She has no idea what they're talking about. Pulled into Edinburgh's supernatural underworld, Clara finds herself hunting for the stolen artifact, running from people who want her dead, and navigating a hidden society of creatures that shouldn't exist.Soon, the body count rises and Scott's carefully controlled facade begins to crack. Clara realizes she's caught between wanting answers and wanting him. But in a world where magic is real and demands a price, the truth might be far more dangerous than she thought.