Alex Hughes – författare

China has long been an object of fascination for the French, who celebrated theirannee de la Chine in 2004. Symptomatic of that fascination are the movements into China made by groups as diverse as the Jesuits, who arrived inL'Empire du Milieu in the late seventeenth century, and theTel Quel intellectuals, whose will to political pilgrimage took them to the People's Republic in 1974. Symptomatic, too, are the narrative and visual representations of China offered by such as Pierre Loti, Victor Segalen, Paul Claudel, Michel Leiris, Simone de Beauvoir, Andre Malraux, Henri Cartier-Bresson, and Marc Riboud. In this penetrating study, Alex Hughes explores models of intercultural encounter between France and China elaborated in the modern French.

More than 700 alphabetically organized entries by an international team of contributors provide a fascinating survey of French culture post 1945. Entries include:* advertising * Beur cinema * Coco Chanel * decolonization * écriture feminine * football * francophone press * gay activism * Seuil * youth cultureEntries range from short factual/biographical pieces to longer overview articles. All are extensively cross-referenced and longer entries are 'facts-fronted' so important information is clear at a glance. It includes a thematic contents list, extensive index and suggestions for further reading.The Encyclopedia will provide hours of enjoyable browsing for all francophiles, and essential cultural context for students of French, Modern History, Comparative European Studies and Cultural Studies.

With over 700 entries from an international team of contributors, this wide-ranging work crosses the traditional boundaries between disciplines in the humanities and social sciences and defines French culture in its broadest sense.Areas covered include:* economy* education* film* food and wine* gender and sexuality* society* visual arts.Entries range from shorter, factual contributions to longer overview essays, and provide an essential context for anyone studying French, as well as for readers with an interest in critical theory and those pursuing comparative studies in European culture. To assist readers with their research a classified contents list identifies relevant entries within a particular field. The articles are extensively cross-referenced to provide links between subjects and conclude with annotated suggestions for further reading.

Individuals, consumer groups, nation states and supra-national bodies increasingly have interrogated the ethics of particular production and consumption relations such as GM foods. Flowing from and bound up with these political concerns is the growing interest in the mutual dependence of sites of (for example) production, distribution, retailing, design, advertising, marketing and final consumption.This timely volume draws together contributions concerned with the production, circulation and consumption of commodities. Not only do these case study examples seek to transcend older understandings of production and consumption, but they also explicitly tap into wider public debate about the meanings, origins and biographies of commodities.Taking a geographical approach to the analysis of links between producers and consumers, the book focuses upon the ways in which these ties increasingly are stretched across spaces and places. Critical engagements with the ways in which these spaces and places affect the economies, cultures and politics of the connections between producers and consumers are skilfully threaded through each section.

Individuals, consumer groups, nation states and supra-national bodies increasingly have interrogated the ethics of particular production and consumption relations such as GM foods. Flowing from and bound up with these political concerns is the growing interest in the mutual dependence of sites of (for example) production, distribution, retailing, design, advertising, marketing and final consumption.This timely volume draws together contributions concerned with the production, circulation and consumption of commodities. Not only do these case study examples seek to transcend older understandings of production and consumption, but they also explicitly tap into wider public debate about the meanings, origins and biographies of commodities.Taking a geographical approach to the analysis of links between producers and consumers, the book focuses upon the ways in which these ties increasingly are stretched across spaces and places. Critical engagements with the ways in which these spaces and places affect the economies, cultures and politics of the connections between producers and consumers are skilfully threaded through each section.

This book investigates the current and potential roles of food consumption to address sustainability challenges in China.Focusing on the megacity of Guangzhou, it looks at sustainability and food from the perspectives of government, commercial, and third sector actors, and through the lived experiences of consumers. It charts the rapidly transforming landscapes of retail across urban China and the ways they are shaping and are shaped by everyday food consumption practices. Using a multi-method research approach of quantitative and ethnographic data, it provides readers with a rich and comprehensive understanding of the relationships and tensions between contemporary practices of food consumption and pressing sustainability challenges. It unpacks the complex foodscape in contemporary Chinese cities, from traditional wet markets to online deliveries, from supermarkets to farmers markets and alternative food providers, to understand the values and practices promoting and hindering sustainability in food consumption.The book is intended for academics from advanced undergraduate level through to Masters, postgraduates and scholars across key social science disciplines including Geography, Sociology, Anthropology, and Business, and internationally given the global interest in the focus on China.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC BY-NC-ND)] 4.0 license.

THE SUNDAY TIMES BESTSELLING WEIGHT LOSS COOKBOOKMaximum flavour. Minimum calories.Low-calorie food doesn't have to be boring . . . it can be banging! From hugely popular online recipe creator Alex Hughes comes a collection of totally delicious, quick and easy slimming recipes that will help you reach your weight-loss goals while still enjoying what you eat.Discover low-calorie 'kitchen bangers' like:Hot Caesar Chicken TacosCrispy Sweet Chilli Beef NoodlesMarry Me LinguineMillion-Dollar Mac and CheeseChocolate French Toast StackWith 100 recipes included, Alex is here with the slimming recipes that'll make you do a little dance when you eat them – they're that good.Sunday Times Bestseller July 2025

Hit your calorie deficit goals with these delicious low-calorie meals, ready in just 20 minutes! It can feel like there's never enough time to eat well, let alone cook for yourself. But it is possible! Bestselling author Alex Hughes returns with 100 brand-new slimming recipes that are all under 600 calories and can be made in only 20 minutes.Perfect for anyone looking to lose weight but short on time, these are quick and easy recipes you'll keep coming back to. Discover your new favourite recipe:Loaded Egg and Chorizo Hash BrownsBacon Cheeseburger BowlsSweet Chilli Glazed Chicken BitesCrunchy Garlic Butter Salmon with CouscousCreamy Peppercorn Steak Potatoes

Postcolonial approaches to understanding economies are of increasing academic and political significance as questions about the nature of globalisation, transnational flows of capital and workers and the making and re-making of territorial borders assume centre stage in debates about contemporary economies and policy.Despite the growing academic and political urgency in understanding how 'other' cultures encounter 'the west', economics-oriented approaches within social sciences have been slow to engage with the ideas and challenges posed by postcolonial critiques. In turn, postcolonial approaches have been criticised for their simplistic treatment of 'the economic' and for not engaging with existing economic analyses of poverty and wealth creation.Utilising examples drawn from India to Latin America, and bringing together scholars from a range of disciplines, including Geography, Economics, Development Studies, History and Women's Studies, Postcolonial Economies breaks new ground in providing a space for nascent debates about postcolonialism and its treatment of 'the economic'.

Postcolonial approaches to understanding economies are of increasing academic and political significance as questions about the nature of globalisation, transnational flows of capital and workers and the making and re-making of territorial borders assume centre stage in debates about contemporary economies and policy.Despite the growing academic and political urgency in understanding how 'other' cultures encounter 'the west', economics-oriented approaches within social sciences have been slow to engage with the ideas and challenges posed by postcolonial critiques. In turn, postcolonial approaches have been criticised for their simplistic treatment of 'the economic' and for not engaging with existing economic analyses of poverty and wealth creation.Utilising examples drawn from India to Latin America, and bringing together scholars from a range of disciplines, including Geography, Economics, Development Studies, History and Women's Studies, Postcolonial Economies breaks new ground in providing a space for nascent debates about postcolonialism and its treatment of 'the economic'.

This fascinating study explores the pleasures and torments of love and sexuality as depicted in the works of six important French women writers: Rachilde, Colette, Leduc, Wittig, Cixous and Duras. Historically, erotic literature has been dominated by male writers. Feminist critics have argued that its central motifs of voyeurism, sadomasochism, incest and violence to women's bodies are governed by the unconscious fantasies and prejudices of a patriarchal sociocultural order.The contributors question how this sociocultural order has affected the erotic writing of the women writers studied. They explore the opportunities for, and constraints on, women's erotic writing in the early to mid-twentieth century through the works of Rachilde, Colette and Leduc. This is contrasted with the writing of prominent contemporary authors -- Wittig, Cixous and Duras -- to reveal new developments and diversification within the genre. The focus throughout is on how these writers deal with erotic language and rhetoric, their treatment of traditional themes of eroticism, and -- most vital to recent feminist criticism and theory -- their vision of the female body and women's sexual pleasure.The book provides key insights into the development of women's erotic discourse throughout this century and the diversity that characterizes it.

Within the domain of French literary analysis, gender criticism has until now focused primarily on women's writing and has drawn largely on the writings of French feminist theorists, even though male-authored texts provide an equally revealing window through which to analyze gender. Except by mainly male critics working predominantly in the field of gay and queer studies, the issue of how 'maleness' informs the construction of the self and the creative act more broadly has been virtually ignored. Further, even though much more work has been done on women, it can be argued that the construction of 'femaleness' is most profitably illuminated by an approach that allows for a comparison between the sexes. This book starts with the premise that sex and gender are fundamental components of the autobiographical writing of both sexes. This is demonstrated through close readings of works by a number of twentieth-century authors who are paired, one male with one female.In tackling, amongst other things, colonial and postcolonial writing, Aids writing, the question of photography and fetishism, queer politics and culture in writings by Sartre, Beauvoir, Gide, Duras, Guibert, Cardinal, Leduc and Doubrovsky, this book provides an excellent model for analyzing gender and the autobiographical act more broadly.Winner of the R. H. Gapper Prize 2000

This book opens up the history of twentieth-century French cinema from the silent era to the present day by exploring the key role of gender and sexual politics. A much-needed sequel to Berg's bestselling Gender and German Cinema, the volume tackles such questions as:? What role did the female voice play when sound cinema was first developed?? How have film genres and movements been shaped by gender and sexual politics? ? How does gender intersect with factors of race, class, ethnic and national identity? The contributors also throw into relief broad issues such as the evolution of film in the context of 20C French social, political and cultural history.Bringing together original essays by French, British and American scholars, the collection fully covers the development of French cinema. It addresses the work of individual auteurs, the French star system, and film genres and movements such as Dada and Surrealism, the New Wave and the New New Wave. It also focuses on film narratives in which issues of gender are particularly pertinent.The volume, which features illustrations, a filmography and bibliography, will be one of the standard handbooks in French cultural/film studies for some time to come.

This interdisciplinary book responds to the explosion of gay and lesbian creativity on modern-day France. Rather than attempting to formalize a specifically 'gay' or 'lesbian' style or identity, the authors seek to open up new 'homotextualities,' understood here as ongoing constructions and deconstructions of both homosexuality and its environments. They investigate the work of (among others) Violette Leduc, Tony Duvert, Renaud Camus, and Guy Hocquenghem; the cinema of Josiane Balasko and Cyril Collard; the theoretical writings of Leo Bersani, Luce Irigaray, and Monique Wittig. Employing a range of methods, authors re-evaluate and contest both the literary and theoretical canon and establish new convergences between French and Gay Studies - in particular, queer theory. This book provides the first proper assessment of the usefulness of this approach when dealing with a literary and cultural tradition notoriously discreet about the very concept of a gay writer.

This interdisciplinary book responds to the explosion of gay and lesbian creativity on modern-day France. Rather than attempting to formalize a specifically 'gay' or 'lesbian' style or identity, the authors seek to open up new 'homotextualities,' understood here as ongoing constructions and deconstructions of both homosexuality and its environments. They investigate the work of (among others) Violette Leduc, Tony Duvert, Renaud Camus, and Guy Hocquenghem; the cinema of Josiane Balasko and Cyril Collard; the theoretical writings of Leo Bersani, Luce Irigaray, and Monique Wittig. Employing a range of methods, authors re-evaluate and contest both the literary and theoretical canon and establish new convergences between French and Gay Studies - in particular, queer theory. This book provides the first proper assessment of the usefulness of this approach when dealing with a literary and cultural tradition notoriously discreet about the very concept of a gay writer.