Alex Temblador – författare

A practical guide to help authors authentically write and edit a character whose identity is different than their own.Do you have the tools to authentically write and edit a character whose identity is different than your own? It’s not a subject that’s generally taught in creative writing programs, and there are so few craft books and online resources on the subject. Even if you can take a seminar, class, or workshop, there’s nothing like having an easy-to-understand book on hand to provide guidance and insight every time you craft characters with historically marginalized identities.In Writing an Identity Not Your Own, award-winning author Alex Temblador discusses one of the most contentious topics in creative writing: crafting a character whose identity is historically marginalized. What is “identity,” and how do unconscious biases and bias blocks impact and influence what we write? What is intersectionality? You’ll learn about identity terms, stereotypes, and tropes, and receive genre-specific advice related to various identities to consider when writing different races and ethnicities, sexual and romantic orientations, gender identities, disabilities, nationalities, and more. Through writing strategies, exercises, and literary excerpts, writers will gain a clearer understanding on how misrepresentations and harmful portrayals can appear in storylines, dialogue, and characterization. Alex will guide writers from the brainstorming phase through the editing process so they can gain a full understanding of the complexities of writing other identities and why it’s important to get them right.

Looking for the missing half of herself, a woman goes on one last ride with the motorcycle club that raised her, and gets more than she bargained for.

After the tragic death of her parents when she was just four years old, Raqi is sent to live with her uncle Dodge in Escondido, California. Taking after her Mexican father, Raqi immediately faces hostility from the members of Dodge’s all-white, 1 percenter motorcycle club, the Lawless, and from her uncle himself. Being raised by a drug addict is no picnic, and Raqi must quickly learn how to survive. She manages to form a few friendships. Still, as soon as she can, she leaves the violence and bigotry behind and doesn’t look back.

Years later, Raqi is a successful partner at a law firm in Los Angeles. She gets a call from Billy, the leader of the Lawless. Dodge is dead, and Billy wants her to go on the Grieving Ride, a special ride taken for all deceased members, and one that strictly follows the deceased’s wishes. There is no way Raqi would ever attend, except for one thing: Billy promises to give her the address of her grandfather if she goes on the ride. It’s the address of her father’s father, her Mexican grandfather. Learning for the first time that she has other family and desperate to connect, she agrees. But this will be no ordinary Grieving Ride. Raqi is reacquainted with her old bike and with the various club members. During the cross-country trek, she will learn more about her uncle, and about herself, than she ever imagined possible.

Alternating between Raqi’s childhood and a present 90s setting, and accented by moments of magical realism, Half Outlaw is the story of one woman’s quest to find a better future while still wrestling with a tumultuous past. In her first adult novel, Alex Temblador gives readers an immersive look into a dangerous subculture at the end of an era, and a powerful and heartfelt story that explores self-knowledge, acceptance, and the meaning of family.

Sixteen-year-old Martha and her mother move constantly, never staying anywhere for long. So she knows better than to ask if they’ve been evicted again when her mom says they’re going on a “vacation” to meet the grandmother Martha didn’t know existed.

Laredo, Texas, is like no other city she has seen. Driving past businesses with Spanish names and colorfully painted houses with burnt lawns, Martha can’t imagine her mother living somewhere so … Mexican. At her grandmother’s pink house, she’s shocked and hurt when her mom abandons her, even though a part of her had been expecting it.

Suddenly Martha must deal with a way of life that is completely foreign. Her grandmother doesn’t speak English, so communication is difficult, and she’s not the typical, sweet grandma who dotes on her grandchildren. Even weirder, it turns out that her grandmother is revered as a healer, or curandera. And there are tons of cousins, aunts, and uncles all ready to embrace her!

At her new school, Martha can’t be anonymous like before because everyone knows she’s Doña González’s granddaughter. Meanwhile, a girl who has it out for her makes things unpleasant. As Martha struggles to adjust to her new life, she can’t help but wonder why her mother left Laredo. No one is willing to discuss it, so she’ll have to unravel the secrets herself.