Alexander Howard – författare
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5 produkter
5 produkter
Häftad, Engelska, 2018
583 kr
Skickas inom 10-15 vardagar
The first American surrealist poet, a prolific literary editor and a seminal influence on the New York School of poetry, Charles Henri Ford was a key figure in the transition from late modernist to postmodern culture in America. Charles Henri Ford: Between Modernism and Postmodernism is the first book-length scholarly study of this important literary figure. Drawing on new archival research – including explorations of Ford’s correspondence with the likes of Ezra Pound, Gertrude Stein, William Carlos Williams, Parker Tyler, and many others – the book explores the full impact of Ford’s contribution to 20th-century American literary culture.
Inbunden, Engelska, 2017
2 243 kr
Skickas inom 10-15 vardagar
The first American surrealist poet, a prolific literary editor and a seminal influence on the New York School of poetry, Charles Henri Ford was a key figure in the transition from late modernist to postmodern culture in America. Charles Henri Ford: Between Modernism and Postmodernism is the first book-length scholarly study of this important literary figure. Drawing on new archival research – including explorations of Ford’s correspondence with the likes of Ezra Pound, Gertrude Stein, William Carlos Williams, Parker Tyler, and many others – the book explores the full impact of Ford’s contribution to 20th-century American literary culture.
E-bok
Engelska, 2017625 kr
Läs direkt efter köp
The first American surrealist poet, a prolific literary editor and a seminal influence on the New York School of poetry, Charles Henri Ford was a key figure in the transition from late modernist to postmodern culture in America. Charles Henri Ford: Between Modernism and Postmodernism is the first book-length scholarly study of this important literary figure. Drawing on new archival research – including explorations of Ford''s correspondence with the likes of Ezra Pound, Gertrude Stein, William Carlos Williams, Parker Tyler, and many others – the book explores the full impact of Ford''s contribution to 20th-century American literary culture.
E-bok
PDF, Engelska, 2017605 kr
Läs direkt efter köp
The first American surrealist poet, a prolific literary editor and a seminal influence on the New York School of poetry, Charles Henri Ford was a key figure in the transition from late modernist to postmodern culture in America. Charles Henri Ford: Between Modernism and Postmodernism is the first book-length scholarly study of this important literary figure. Drawing on new archival research – including explorations of Ford''s correspondence with the likes of Ezra Pound, Gertrude Stein, William Carlos Williams, Parker Tyler, and many others – the book explores the full impact of Ford''s contribution to 20th-century American literary culture.
Del 7 - Clemson University Press: The Ezra Pound Center for Literature Book Series
Readings in the Cantos
Vol. 3
Inbunden, Engelska, 2026
2 139 kr
Skickas inom 5-8 vardagar
This project offers readings of selected individual Cantos from The Cantos of Ezra Pound provided by renowned Poundians. It is designed to be useful for those new to Pound’s epic modernist poem, with each “reading” providing a clear, detailed explanation of Pound’s often complicated poetics and fields of reference. The project will form the most complete resource on The Cantos since Carroll F. Terrell’s A Companion to the Cantos of Ezra Pound, adding developed prose readings to the source-hunting of Terrell’s project. As well as guiding the new reader, however, these essays also offer individual and often original approaches to the poetry in question, providing a wealth of critical material for those already familiar with The Cantos and pursuing the works of Pound in more depth. The variety in approaches and reading methods displayed here offers numerous strategies for readers of Pound and for readers of modernism in general.This is the third volume of three, and describes 21 Cantos in 20 essays, focusing on work published between 1956 and 1969. The first volume addresses work published between 1917 and 1934 while the second looks at Cantos published between 1937 and 1948.