Alexander Silbiger – författare

Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe.  Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.

First published in 1988. The Libro di fra Gioseffo da Ravenna is one of the largest early anthologies of Italian keyboard music: it covers a wide range of styles and genres from the final decades of the sixteenth century to the middle decades of the seventeenth.

First published in 1988. The Libro di fra Gioseffo da Ravenna is one of the largest early anthologies of Italian keyboard music: it covers a wide range of styles and genres from the final decades of the sixteenth century to the middle decades of the seventeenth.

Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe.  Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.

Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe.  Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.

Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe.  Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.

First Published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.