Alexandra Green – författare

A new take on Southeast Asia’s complex history, expertly told through art objects and cultural artefacts dating from the Neolithic Age to the present. Southeast Asia is home to numerous world heritage sites. Through engaging texts and expertly curated objects from the British Museum collection, arranged chronologically and thematically into seven chapters, this volume offers a new approach to one of the most complex and diverse areas of the world. Every object tells a story in a wide-ranging and accessible selection that illuminates the civilizations, societies and local cultures that have defined Southeast Asia over the past 6,000 years. From the emergence of early agricultural communities and stratified societies to the rise of powerful empires and religious developments in Buddhism, Hinduism, Islam and Christianity, and to the eras of colonial rule and independence, curator and art historian Alexandra Green traces and explores the variety of Southeast Asian cultures. The texts describe the region through a broad range of objects, including sculptures from the historic civilizations of Java, Angkor, Bagan and Sukhothai, as well as ceramics, furniture, religious items, basketry, textiles, popular posters and contemporary art. This book is an informative visual delight for curious minds everywhere.

Reveals the rich and complex histories and cultures of Burma/Myanmar from their early development and powerful imperial expansions to their positions as colonial subjects and then as a war-torn nation. From influential superpower to repressive regime, Myanmar – also known as Burma – has seen dramatic fluctuations in fortune over the past 1,500 years. Interconnected yet isolated, rich in natural resources such as jade, rubies and teak but with many of its peoples living below the poverty line, Myanmar is a country that defies categorisation. Its cultures have been shaped by their engagements with religious networks, expansionist empires and global trade routes from India and China to Africa, the Middle East and Europe. It was once home to different kingdoms, principalities and chiefdoms that interacted with one another and further afield. The colonial period under British rule saw dramatic changes and upon independence in 1948, the various parts of the country were brought together, many for the first time, into a single nation state. Since then Myanmar has been engulfed by long running civil wars. This beautiful book explores Myanmar’s complexities, focusing on the extraordinary and innovative arts of its diverse peoples to create a long history of the region. Featuring objects such as sparkling gems, sumptuous court dress, intricately carved furniture, elaborate silver vessels, satirical cartoons and contemporary art, from the 400s CE to the present day, this book is a testament to the creativity and variety of Myanmar’s many peoples.

World Wonders is a three-level series for 9-11 year olds that capitalises on National Geographic photography and facts via reading texts and DVD clips. It also features an exciting adventure cartoon story for Levels 1 & 2. The course is structured around the Student’s Books that contain twelve eight-page core units plus six review units.

World Wonders is a three-level series for 9-11 year olds that capitalises on National Geographic photography and facts via reading texts and DVD clips. It also features an exciting adventure cartoon story for Levels 1 & 2. The course is structured around the Student’s Books that contain twelve eight-page core units plus six review units.

This stunning catalogue presents an exceptional collection of rare Burmese silver. Accompanied by detailed photographs and explanatory texts, this ground-breaking book proposes a new way of looking at Burmese silver. Names, dates, places, and stories – identifying the who, when, where, and what of Burmese silver has been the focus of publications on the topic. Are these questions the best way to understand silver, however? Alexandra Green argues that they are not. Too few pieces provide reliable information about silversmiths, production locations, and dates to allow for a comprehensive understanding of the subject. Instead, a close examination of silver patterns reveals strong links with Burmese art history reaching as far back as the Bagan period (11th- to 13th-centuries), connections with contemporary artistic trends, and participation within the wider world of silversmithing. The first European to write about Burmese silver was H. L. Tilly, a colonial official from the late 19th- into the early 20th-century. Tasked with collecting objects for various fairs and exhibitions, he took an interest in Burmese art, publishing articles and books from the 1880s onwards. While much of what he wrote was factually inaccurate and coloured by the prejudices and stereotypes common at the time, his two volumes on Burmese silver published in 1902 and 1904 contain pictures of pieces from the early to mid 19th-century. These enable a reconstruction of how silver designs evolved as the country was absorbed into the Indian Raj, and British and other Westerners became consumers of local silver products. Tilly was also correct in his interest in silver designs. Green uses the visual information from his books to describe the continuities and innovations of designs found on silver from the mid 19th through the mid 20th-century, and she places these trends within local, regional, and global flows of ideas. Many studies of Burmese silver have been plagued by a lack of understanding of the Burmese context. In contrast, Green examines silver from a local perspective, drawing on Burmese texts and information that allows for a nuanced view of the motifs, designs, and patterns that appear repetitively on silver pieces. Using Graham Honeybill's collection, formed over many years, as a basis, she explores how designs and patterns circulated around the country and were innovatively combined and recombined on pieces by silversmiths producing objects for Burmese, Western, and commercial clients.

Step into a Burmese temple built between the late seventeenth and early nineteenth centuries and you are surrounded by a riot of color and imagery. The majority of the highly detailed wall paintings display Buddhist biographical narratives, inspiring the devotees to follow the Buddha’s teachings. Alexandra Green goes one step further to consider the temples and their contents as a whole, arguing that the wall paintings mediate the relationship between the architecture and the main Buddha statues in the temples. This forges a unified space for the devotees to interact with the Buddha and his community, with the aim of transforming the devotees’ current and future lives. These temples were a cohesively articulated and represented Burmese Buddhist world to which the devotees belonged. Green’s visits to more than 160 sites with identifiable subject matter form the basis of this richly illustrated volume, which draws upon art historical, anthropological, and religious studies methodologies to analyze the wall paintings and elucidate the contemporary religious, political, and social concepts that drove the creation of this lively art form.

The collection of Burmese art housed at the Denison Museum in Granville, Ohio, USA, includes more than 1,500 objects dating from the late first millennium AD through the twentieth century. While particularly strong on textiles originating with minority groups in Burma, it also showcases Buddha images, lacquer objects, works on paper, manuscripts, wood carvings, and pieces made from bronze, silver, and ivory. The core holdings were acquired by Baptist missionaries, United States government employees, diplomats, and others living in Burma, and this material has been augmented by judicious purchases.""Eclectic Collecting"" is both a catalogue of the collection and a scholarly examination of Burmese art. It examines the production and use of textiles by the Karenic, Chin, Kachin, Lahu, Tai, and Wa minority groups, as well as ethnic Burmans, within the context of their histories and cultures. Vibrant photographs illustrate the distinctive designs characteristic of each population group and the production techniques they use.The volume also features lacquerware and Buddha images, including a fascinating discussion of the distinctive techniques used by lacquer producers in Burma, and a lucid exposition of how the Buddha images in the collection reflect contemporary political, social, and religious trends and requirements.

Skills Booster is a four-level series specially written to teach and develop young learners' listening, speaking and writing skills. While the series has been designed to be compatible with any course book of a similar level, it may also be used on its own. The task types presented are closely linked to the Cambridge ESOL examinations from Young Learners English Tests (Starters, Movers, Flyers) at beginner and elementary level to KET and PET at pre-intermediate and intermediate level.