Alexandra Sterling-Hellenbrand – författare

This book explores the metaphor of topography as a mechanism for the inscription of gender roles in Arthurian romance.

This book explores the metaphor of topography as a mechanism for the inscription of gender roles in Arthurian romance.

This book explores the metaphor of topography as a mechanism for the inscription of gender roles in Arthurian romance.

How is the medieval world depicted today? Two German museums serve as case studies for a vibrant, imaginative, and provocative enactment of twenty-first century medievalism: the Museum Wolfram von Eschenbach in Wolframs Eschenbach (1995) and the Nibelung Museum in Worms (2001). Emerging around the turn of the 20th century, the museums explore medieval German literature, cultural memory and local history. As the museums reconstruct and transform medieval narratives for the contemporary audience, they enact the process of medievalism: they reveal how memory, through the lens of the middle ages, shapes modern cultural identity and heritage. Medieval Literature on Display thereby contributes to important conversations about medievalism’s role in constructing and affirming cultural identity, in conceptualizing and finding places for the future of the past.This unique book is vital reading for scholars of medieval literature and historians of medieval Europe, as well as scholars of visual culture and museum studies.

How is the medieval world depicted today? Two German museums serve as case studies for a vibrant, imaginative, and provocative enactment of twenty-first century medievalism: the Museum Wolfram von Eschenbach in Wolframs Eschenbach (1995) and the Nibelung Museum in Worms (2001). Emerging around the turn of the 20th century, the museums explore medieval German literature, cultural memory and local history. As the museums reconstruct and transform medieval narratives for the contemporary audience, they enact the process of medievalism: they reveal how memory, through the lens of the middle ages, shapes modern cultural identity and heritage. Medieval Literature on Display thereby contributes to important conversations about medievalism''s role in constructing and affirming cultural identity, in conceptualizing and finding places for the future of the past.This unique book is vital reading for scholars of medieval literature and historians of medieval Europe, as well as scholars of visual culture and museum studies.

How is the medieval world depicted today? Two German museums serve as case studies for a vibrant, imaginative, and provocative enactment of twenty-first century medievalism: the Museum Wolfram von Eschenbach in Wolframs Eschenbach (1995) and the Nibelung Museum in Worms (2001). Emerging around the turn of the 20th century, the museums explore medieval German literature, cultural memory and local history. As the museums reconstruct and transform medieval narratives for the contemporary audience, they enact the process of medievalism: they reveal how memory, through the lens of the middle ages, shapes modern cultural identity and heritage. Medieval Literature on Display thereby contributes to important conversations about medievalism''s role in constructing and affirming cultural identity, in conceptualizing and finding places for the future of the past.This unique book is vital reading for scholars of medieval literature and historians of medieval Europe, as well as scholars of visual culture and museum studies.

How is the medieval world depicted today? Two German museums serve as case studies for a vibrant, imaginative, and provocative enactment of twenty-first century medievalism: the Museum Wolfram von Eschenbach in Wolframs Eschenbach (1995) and the Nibelung Museum in Worms (2001). Emerging around the turn of the 20th century, the museums explore medieval German literature, cultural memory and local history. As the museums reconstruct and transform medieval narratives for the contemporary audience, they enact the process of medievalism: they reveal how memory, through the lens of the middle ages, shapes modern cultural identity and heritage. Medieval Literature on Display thereby contributes to important conversations about medievalism’s role in constructing and affirming cultural identity, in conceptualizing and finding places for the future of the past.This unique book is vital reading for scholars of medieval literature and historians of medieval Europe, as well as scholars of visual culture and museum studies.

This book explores ways in which the medieval narrative past has been re-imagined in contemporary Austria. Focusing on the Styrian Literature Pathways of the Middle Ages, the Nibelung monuments in the cities of Tulln and Pöchlarn on the Danube River, and the Siegfriedskopf at the University of Vienna, it argues that each installation constructively applies medievalism to the process of working through the twentieth-century past. Sterling-Hellenbrand uncovers how medieval texts have been re-created in the Austrian landscape and how public installations make visible the values of the communities that build them. The author demonstrates how these modern installations facilitate an innovative process of engaged remembering: they prompt us to initiate challenging conversations about the past to tell different stories for the future.