Alexei Penzin – författare

Boris Arvatov's Art and Production is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period.Derived from the internal struggles of Soviet Constructivism, as it confronted the massive problems of cultural transformation after 'War Communism', Arvatov's writing is a major force in the split that occurred in the revolutionary horizons of Constructivism in the early 1920s. Critical of early Constructivism's social-aesthetic process of art's transformation of daily life - epitomised in studio-based painting, photography and object making - Arvatov polemicises for the devolution of artistic skills directly into the relations of production and the factory.Whilst acknowledging the problems of a pure factory-based Productivism, Arvatov remains overwhelmingly committed to a new role and function for art outside the conventional studio and traditional gallery. Addressing issues such as artistic labour and productive labour, the artist as technician, art and multidisciplinarity and a life for art beyond 'art' - finding new relevance amidst the extensive social turn of contemporary participatory art - Art and Production offers a timely and compelling manifesto.

Contemporary theorists, including Walter Benjamin, Emmanuel Levinas and Jean-Luc Nancy, have identified that an essential feature of capitalism is an uninterrupted or permanently wakeful continuity of production, exchange, consumption, communication and control. A form of enforced insomnia which keeps people subservient and compliant. This makes sleep a revolutionary act.Insomnia ranges from the history of philosophy to contemporary 'sleep science' and cutting edge theory to provide us with a powerful philosophical and aesthetic intervention – that charts not just the problems of sleep but its revolutionary potential as a new politics of sleep. This is urgent reading for anyone trying to sleep in contemporary capitalism.

Contemporary theorists, including Walter Benjamin, Emmanuel Levinas and Jean-Luc Nancy, have identified that an essential feature of capitalism is an uninterrupted or permanently wakeful continuity of production, exchange, consumption, communication and control. A form of enforced insomnia which keeps people subservient and compliant. This makes sleep a revolutionary act.Insomnia ranges from the history of philosophy to contemporary 'sleep science' and cutting edge theory to provide us with a powerful philosophical and aesthetic intervention – that charts not just the problems of sleep but its revolutionary potential as a new politics of sleep. This is urgent reading for anyone trying to sleep in contemporary capitalism.

Politics of the Many draws inspiration from Percy Bysshe Shelley''s celebrated call to arms: ''Ye are many – they are few!'' This idea of the Many, as a general form of emancipatory subjectivity that cannot be erased for the sake of the One, is the philosophical and political assumption shared by contributors to this book. They raise questions of collective agency, and its crisis in contemporary capitalism, via new engagements with Marxist philosophy, psychoanalysis, theories of social reproduction and value-form, and post-colonial critiques, and drawing on activist thought and strategies. This book interrogates both established and emergent formations of the Many (the people, classes, publics, crowds, masses, multitudes), tracing their genealogies, their recent failures and victories, and their potentials to change the world. The book proposes and explores an intense and provoking series of new or reinvented concepts, figures, and theoretical constellations, including dividuality, the centaur, unintentional vanguard, insomnia at work, always-on capitalism, multitude (from its ''voiding'' to a ''(non)emergence''), crowds, necropolitics, and the link between political subjectivity and value-form. The contributors to Politics of the Many are both acclaimed and emergent thinkers including Carina Brand, Rebecca Carson, Luhuna Carvalho, Lorenzo Chiesa, Jodi Dean, Dario Gentili, Benjamin Halligan, Marc James Léger, Paul Mazzocchi, Alexei Penzin, Stefano Pippa, Gerald Raunig, and Stevphen Shukaitis.

Politics of the Many draws inspiration from Percy Bysshe Shelley’s celebrated call to arms: ‘Ye are many – they are few!’ This idea of the Many, as a general form of emancipatory subjectivity that cannot be erased for the sake of the One, is the philosophical and political assumption shared by contributors to this book. They raise questions of collective agency, and its crisis in contemporary capitalism, via new engagements with Marxist philosophy, psychoanalysis, theories of social reproduction and value-form, and post-colonial critiques, and drawing on activist thought and strategies. This book interrogates both established and emergent formations of the Many (the people, classes, publics, crowds, masses, multitudes), tracing their genealogies, their recent failures and victories, and their potentials to change the world. The book proposes and explores an intense and provoking series of new or reinvented concepts, figures, and theoretical constellations, including dividuality, the centaur, unintentional vanguard, insomnia at work, always-on capitalism, multitude (from its ‘voiding’ to a ‘(non)emergence’), crowds, necropolitics, and the link between political subjectivity and value-form. The contributors to Politics of the Many are both acclaimed and emergent thinkers including Carina Brand, Rebecca Carson, Luhuna Carvalho, Lorenzo Chiesa, Jodi Dean, Dario Gentili, Benjamin Halligan, Marc James Léger, Paul Mazzocchi, Alexei Penzin, Stefano Pippa, Gerald Raunig, and Stevphen Shukaitis.

Politics of the Many draws inspiration from Percy Bysshe Shelley''s celebrated call to arms: ''Ye are many – they are few!'' This idea of the Many, as a general form of emancipatory subjectivity that cannot be erased for the sake of the One, is the philosophical and political assumption shared by contributors to this book. They raise questions of collective agency, and its crisis in contemporary capitalism, via new engagements with Marxist philosophy, psychoanalysis, theories of social reproduction and value-form, and post-colonial critiques, and drawing on activist thought and strategies. This book interrogates both established and emergent formations of the Many (the people, classes, publics, crowds, masses, multitudes), tracing their genealogies, their recent failures and victories, and their potentials to change the world. The book proposes and explores an intense and provoking series of new or reinvented concepts, figures, and theoretical constellations, including dividuality, the centaur, unintentional vanguard, insomnia at work, always-on capitalism, multitude (from its ''voiding'' to a ''(non)emergence''), crowds, necropolitics, and the link between political subjectivity and value-form. The contributors to Politics of the Many are both acclaimed and emergent thinkers including Carina Brand, Rebecca Carson, Luhuna Carvalho, Lorenzo Chiesa, Jodi Dean, Dario Gentili, Benjamin Halligan, Marc James Léger, Paul Mazzocchi, Alexei Penzin, Stefano Pippa, Gerald Raunig, and Stevphen Shukaitis.

Politics of the Many draws inspiration from Percy Bysshe Shelley’s celebrated call to arms: ‘Ye are many – they are few!’ This idea of the Many, as a general form of emancipatory subjectivity that cannot be erased for the sake of the One, is the philosophical and political assumption shared by contributors to this book. They raise questions of collective agency, and its crisis in contemporary capitalism, via new engagements with Marxist philosophy, psychoanalysis, theories of social reproduction and value-form, and post-colonial critiques, and drawing on activist thought and strategies. This book interrogates both established and emergent formations of the Many (the people, classes, publics, crowds, masses, multitudes), tracing their genealogies, their recent failures and victories, and their potentials to change the world. The book proposes and explores an intense and provoking series of new or reinvented concepts, figures, and theoretical constellations, including dividuality, the centaur, unintentional vanguard, insomnia at work, always-on capitalism, multitude (from its ‘voiding’ to a ‘(non)emergence’), crowds, necropolitics, and the link between political subjectivity and value-form. The contributors to Politics of the Many are both acclaimed and emergent thinkers including Carina Brand, Rebecca Carson, Luhuna Carvalho, Lorenzo Chiesa, Jodi Dean, Dario Gentili, Benjamin Halligan, Marc James Léger, Paul Mazzocchi, Alexei Penzin, Stefano Pippa, Gerald Raunig, and Stevphen Shukaitis.

Boris Arvatov''s Art and Production is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period.Derived from the internal struggles of Soviet Constructivism, as it confronted the massive problems of cultural transformation after ''War Communism'', Arvatov''s writing is a major force in the split that occurred in the revolutionary horizons of Constructivism in the early 1920s. Critical of early Constructivism''s social-aesthetic process of art''s transformation of daily life - epitomised in studio-based painting, photography and object making - Arvatov polemicises for the devolution of artistic skills directly into the relations of production and the factory.Whilst acknowledging the problems of a pure factory-based Productivism, Arvatov remains overwhelmingly committed to a new role and function for art outside the conventional studio and traditional gallery. Addressing issues such as artistic labour and productive labour, the artist as technician, art and multidisciplinarity and a life for art beyond ''art'' - finding new relevance amidst the extensive social turn of contemporary participatory art - Art and Production offers a timely and compelling manifesto.

Die Regulierung von und Kontrolle über ein natürliches Phänomen wie den Schlaf kann als paradigmatisch für die Rationalisierung des Alltagslebens in Zeiten der kapitalistischen »Hypermodernität« bezeichnet werden. Das moderne Machtregime ist ebenfalls schlaflos – Kontrollpunkte, Überwachungskameras, Polizeipatrouillen, Sicherheitsbeamte arbeiten ohne Unterbrechung. In Form einer Montage fragmentarischer Anmerkungen und Zitate nähert sich Penzin dem Kern eines größeren Buchvorhabens, das zum Ziel hat, die komplexen Verbindungen zwischen Kapitalismus, »Metaphysik«, Schlaf, Wachen und Subjektivierung zu begreifen, und beleuchtet diese sowohl von einer politischen als auch einer philosophisch-archäologischen Seite. Der Autor ist wissenschaftlicher Mitarbeiter am Institut für Philosophie der Russischen Akademie der Wissenschaften, Moskau, und Mitglied der Künstler- und Intellektuellengruppe Chto Delat/What is to be done?.