Ali Shobeiri - Böcker
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8 produkter
8 produkter
1 205 kr
Skickas inom 10-15 vardagar
?This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting.
1 205 kr
Skickas inom 10-15 vardagar
?This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting.
1 517 kr
Skickas inom 10-15 vardagar
This book explores the potential of specific photographic images for reflecting on experiences of mental disorders.
631 kr
Skickas inom 5-8 vardagar
1 517 kr
Skickas inom 10-15 vardagar
This book explores the potential of specific photographic images for reflecting on experiences of mental disorders.
Del 242 - Image
Virtual Photography
Artificial Intelligence, In-game, and Extended Reality
Häftad, Engelska, 2024
911 kr
Skickas inom 3-6 vardagar
While it has traditionally been seen as a means of documenting an external reality or expressing an internal feeling, photography is now capable of actualizing never-existed pasts and never-lived experiences. Thanks to the latest photographic technologies, we can now take photos in computer games, interpolate them in extended reality platforms, or synthesize them via artificial intelligence. To account for the most recent shifts in conceptualizations of photography, this book proposes the term virtual photography as a binding theoretical framework, defined as a photography that retains the efficiency and function of real photography (made with or without a camera) while manifesting these in an unfamiliar or noncustomary form.
625 kr
Skickas inom 7-10 vardagar
By examining photography through geography and philosophy, this book makes evident that place is not the content of a definite representation. To do this, it breaks down the participatory elements of photography into six tropes: the photographer, the camera, the photograph, the image, the spectator, and the genre. Afterwards, through a rigorous theoretical analysis of each of these themes vis-à-vis the notion of place, it shows how they manifest inactive, contingent, unlocalizable, liminal, evental, agential and exigent features. In doing so, it establishes a ‘geophilosophy of photography’, which regards place as that which resists being restricted to where it is (the photographer), to what it is (the camera), to where it goes (the photograph), to what it encloses (the photographic image), to how and when it occurs (the spectator), and to what it represents (the genre).
1 448 kr
Skickas inom 7-10 vardagar
Whether one is in front of the camera or behind it, inside their home or outside their house, photographs have proven indispensable in probing into the idea of home. In a time when displacement, migration, and homelessness have become commonplace due to geopolitical conflicts and oppressive ideologies, the role of photography in exploring the process of homemaking has become an irrefutable fact of sociopolitical debates. With that in mind, how can a representational medium deal with home as something that is not necessarily limited to the photographic frame? In other words, can photography embody the emotional and interpersonal aspects of home as well as participate in the social, political, and cultural debates on homemaking?Echoing the word photography, which is a compound of phōtós (light) and graphé (writing/drawing), this book defines "oikography" (oikos graphé) as "homemaking through photography". Following the same logic, it considers "oikographs" as photographs whose principal function is twofold: reflecting on the idea of home and dwelling on the process of homemaking. With the concept of home at its methodological and theoretical core, Oikography aims to show how photography envisages, embodies and apperceives home as a spatial idea, regardless of whether that space is idealized or ideologized, ontologized or theorized, materialized or dematerialized, territorialized or deterritorialized, or internalized within us or externalized around us. To this end, Oikography asks: How can photography represent the lived, perceived, and conceived experiences of homemaking?