Alice Butler – författare

In Close Writing, Alice Butler reflects on the diaries, letters, publications, performances, lives, and afterlives of her most beloved queer feminist writers: Kathy Acker and Cookie Mueller. While the transgressive avant-garde writer Kathy Acker has developed a cult following in the decades since her death in the late-90s, the actress and writer Cookie Mueller has remained relatively obscure. In this creative-critical study, Butler participates and responds to the lives and writings of her shared “beloved," reimagining the scene of the archive as a scene of triangulated and bittersweet love that traverses the boundaries of life and death. She draws on the autofictional strategies that Acker and Mueller pioneered in their own experimental writings and performances, encountering the women in intimate theoretical spaces of sensuality, sexuality, and sickness that slip between life and text. By encountering Acker and Mueller as transgressors and innovators, but also as beloved figures in her writing life whom she addresses in love letters, Butler brings readers to new, reparative textures of understanding, embodiment, and affection through close writing.

In Close Writing, Alice Butler reflects on the diaries, letters, publications, performances, lives, and afterlives of her most beloved queer feminist writers: Kathy Acker and Cookie Mueller. While the transgressive avant-garde writer Kathy Acker has developed a cult following in the decades since her death in the late-90s, the actress and writer Cookie Mueller has remained relatively obscure. In this creative-critical study, Butler participates and responds to the lives and writings of her shared 'beloved’, reimagining the scene of the archive as a scene of triangulated and bittersweet love that traverses the boundaries of life and death. She draws on the autofictional strategies that Acker and Mueller pioneered in their own experimental writings and performances, encountering the women in intimate theoretical spaces of sensuality, sexuality, and sickness that slip between life and text. By encountering Acker and Mueller as transgressors and innovators, but also as beloved figures in her writing life whom she addresses in love letters, Butler brings readers to new, reparative textures of understanding, embodiment, and affection through close writing.

Gestures: A body of work is a cross-disciplinary collection of feminist approaches to ‘gesture’ that considers the term’s complex registers across embodied, aesthetic and political scenes. Attending to gestural movements, languages, feelings and communications, the book argues that gestures can unsettle gendered, sexed and racialised relations, norms and affects. Contributors activate the lens of gesture to offer innovative readings of art and literary works from the 1960s onwards and in transnational contexts. Experiments in art writing and autotheory reflect on the entanglement of the body, gesture and feminist practice. The book proposes that gesture be rethought as a mode of feminist practice that includes art, writing, performance and theory. Mixing disciplines, forms, genres and voices, these contributions and the book’s gestural structure offer a bold intervention into the conventions of critical writing.

Gestures: A body of work is a cross-disciplinary collection of feminist approaches to ‘gesture’ that considers the term’s complex registers across embodied, aesthetic and political scenes. Attending to gestural movements, languages, feelings and communications, the book argues that gestures can unsettle gendered, sexed and racialised relations, norms and affects. Contributors activate the lens of gesture to offer innovative readings of art and literary works from the 1960s onwards and in transnational contexts. Experiments in art writing and autotheory reflect on the entanglement of the body, gesture and feminist practice. The book proposes that gesture be rethought as a mode of feminist practice that includes art, writing, performance and theory. Mixing disciplines, forms, genres and voices, these contributions and the book’s gestural structure offer a bold intervention into the conventions of critical writing.