Alicia Volk – författare
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2 produkter
2 produkter
460 kr
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A pioneering look at an immensely creative period in Japanese art that developed amid the Cold War. Alicia Volk brings to light a significant body of postwar Japanese art, exploring how it accommodated and resisted the workings of the American empire during the early Cold War. Volk’s groundbreaking account presents the points of view of Japanese artists and their audiences under American occupation and amid the ruins of war. Each chapter reveals how artists embraced new roles for art in the public sphere—at times by enacting radical critiques of established institutions, values, and practices—and situates a range of compelling art objects in their intersecting artistic and political worlds. Centering on the diverse and divisive terrain of Japanese art between 1945 and 1952, In the Shadow of Empire creates a fluid map of relationality that brings multiple Cold War spheres into dialogue, stretching beyond US-occupied Japan to art from China, Europe, the Soviet Union, and the United States, and demonstrates the rich potential of this transnational site of artmaking for rethinking the history of Japanese and global postwar art.
Del 1 - Phillips Collection Book Prize Series
In Pursuit of Universalism
Yorozu Tetsugoro and Japanese Modern Art
Inbunden, Engelska, 2010
707 kr
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In "Pursuit of Universalism" is the first comprehensive, English-language study of early twentieth-century Japanese modern art. In this groundbreaking work, which is also the inaugural recipient of the Phillips Book Prize (awarded by the Phillips Collection Center for the Study of Modern Art), Alicia Volk constructs a critical theory of artistic modernism in Japan between 1900 and 1930 by analyzing the work of Yorozu Tetsugoro, whose paintings she casts as a polemic response to Japan's late-nineteenth-century encounter with European art. Volk places Yorozu at the forefront of a movement that sought to define Japanese art's role in the world by interrogating and ultimately refusing the opposition between East and West. Instead, she vividly demonstrates how Yorozu reframed modern art's dualistic underpinnings and transposed them into an inclusive and synthetic relation between the local and the universal. By looking closely at questions of cultural exchange within modern art, In "Pursuit of Universalism" offers a new and vital account of both Japanese and Euroamerican modernism.Volk's pioneering study builds bridges between the fields of modern and Asian art and takes its place at the forefront of the emerging global history of modern art. It is a copublication of "The Phillips Collection".