Alison Hulme - Böcker

Presenting case studies of well-known shows including Will and Grace, Birds of a Feather, Sex and the City and Absolutely Fabulous, as well as 'reality' television, this book examines the transformations that have occurred in consumer society since its appearance and the ways in which these have been constructed and represented in popular media imagery. With analyses of the ways in which consumerism has played out in society, Consumerism on TV highlights specific aspects of the changing nature of consumerism by way of considerations of gender, sexuality and class, as well as less definable changes such as those to do with the celebration of ostentatious greed or the righteousness of the ’ethical’ shopper. With attention to the highly delineated consumer field in which ’shopping’ as an embedded practice of everyday life is caught between escapism and politics, authors explore a variety of themes, such as the extent to which consumerism has become embedded in forging identity, the positing of consumerism as a form of activism, the visibility of the gay male consumer and invisibility of the lesbian consumer, and the (re)stratification of consumer types along class lines. An engaging invitation to consider whether the positioning of consumerism through on-screen depictions is indicative of a new type of non-philosophical politics of 'choice' - a form of marketised, (a)political pragmatism - this book will appeal to scholars and students of sociology and cultural and media studies, with interests in class, consumption and gender.

Entangled Things takes the concept of entanglement as its starting point in investigating the relationship between us and the material things we engage with. Each chapter illustrates a particular form of entanglement – desiring things, hoarding things, creating things, ridding ourselves of things – using ethnographic examples and theoretical perspectives. Hulme encourages a wider consideration of the place of humans in the world, and the kind of choices we enact when influenced by the material things around us. She explores our relationships with material objects in light of both personal and planetary ‘space’, and personal and historical time, from the space in our homes, storage spaces, landfill and oceans; to the times in our lives and the times in wider shared histories that things connect us to, not to mention our sense of time and our own place in the world. In so doing, Hulme intentionally places discussions on our entanglement with things squarely back into the context of the Anthropocene, with a provocative analysis in which the Anthropocene is posited as a concept which on one hand takes away human agency, placing us in the context of immense geological epochs, whilst on the other hand pushes agency upon humans, blaming us for the extreme challenges of the current era and looking to us to solve those challenges. For Hulme, material things are instrumental in helping us to grasp our existential place in the world and weave a way through the complications of living in epochal times.

Presenting case studies of well-known shows including Will and Grace, Birds of a Feather, Sex and the City and Absolutely Fabulous, as well as 'reality' television, this book examines the transformations that have occurred in consumer society since its appearance and the ways in which these have been constructed and represented in popular media imagery. With analyses of the ways in which consumerism has played out in society, Consumerism on TV highlights specific aspects of the changing nature of consumerism by way of considerations of gender, sexuality and class, as well as less definable changes such as those to do with the celebration of ostentatious greed or the righteousness of the ’ethical’ shopper. With attention to the highly delineated consumer field in which ’shopping’ as an embedded practice of everyday life is caught between escapism and politics, authors explore a variety of themes, such as the extent to which consumerism has become embedded in forging identity, the positing of consumerism as a form of activism, the visibility of the gay male consumer and invisibility of the lesbian consumer, and the (re)stratification of consumer types along class lines. An engaging invitation to consider whether the positioning of consumerism through on-screen depictions is indicative of a new type of non-philosophical politics of 'choice' - a form of marketised, (a)political pragmatism - this book will appeal to scholars and students of sociology and cultural and media studies, with interests in class, consumption and gender.

Following the journey of eight bargain store objects, Alison Hulme reveals the complex story behind society’s simplest and cheapest commodities. Inspired by Walter Benjamin’s Arcades Project, On the Commodity Trail explores the colourful and fascinating histories of everyday objects.Along the way, we observe raw materials on municipal rubbish dumps in China, newly re-made products in the world’s largest wholesale market, and take a journey across the seas, to bargain stores in Europe and North America, arriving finally in the homes of consumers. Weaving together narratives from the people we meet at different parts of the commodity chain – waste peddlers, wholesalers, store owners, and shoppers – the book examines the places and people at the heart of these localized yet immense global networks.Unlike other investigations of commodity chains, this study does not chart a straightforward trajectory from production to consumption. Instead, it demonstrates that the low-end commodity chain is one of constant rupture in which products are made and re-made, blurring the dividing line between producing and consuming.An ethnography of material culture as well as an examination of commodity culture at a time of economic downturn, this deeply-engrossing book makes a unique contribution to our understanding of commodity chains and consumer culture.

Following the journey of eight bargain store objects, Alison Hulme reveals the complex story behind society’s simplest and cheapest commodities. Inspired by Walter Benjamin’s Arcades Project, On the Commodity Trail explores the colourful and fascinating histories of everyday objects.Along the way, we observe raw materials on municipal rubbish dumps in China, newly re-made products in the world’s largest wholesale market, and take a journey across the seas, to bargain stores in Europe and North America, arriving finally in the homes of consumers. Weaving together narratives from the people we meet at different parts of the commodity chain – waste peddlers, wholesalers, store owners, and shoppers – the book examines the places and people at the heart of these localized yet immense global networks.Unlike other investigations of commodity chains, this study does not chart a straightforward trajectory from production to consumption. Instead, it demonstrates that the low-end commodity chain is one of constant rupture in which products are made and re-made, blurring the dividing line between producing and consuming.An ethnography of material culture as well as an examination of commodity culture at a time of economic downturn, this deeply-engrossing book makes a unique contribution to our understanding of commodity chains and consumer culture.

Entangled Things takes the concept of entanglement as its starting point in investigating the relationship between us and the material things we engage with. Each chapter illustrates a particular form of entanglement – desiring things, hoarding things, creating things, ridding ourselves of things – using ethnographic examples and theoretical perspectives. Hulme encourages a wider consideration of the place of humans in the world, and the kind of choices we enact when influenced by the material things around us. She explores our relationships with material objects in light of both personal and planetary ‘space’, and personal and historical time, from the space in our homes, storage spaces, landfill and oceans; to the times in our lives and the times in wider shared histories that things connect us to, not to mention our sense of time and our own place in the world. In so doing, Hulme intentionally places discussions on our entanglement with things squarely back into the context of the Anthropocene, with a provocative analysis in which the Anthropocene is posited as a concept which on one hand takes away human agency, placing us in the context of immense geological epochs, whilst on the other hand pushes agency upon humans, blaming us for the extreme challenges of the current era and looking to us to solve those challenges. For Hulme, material things are instrumental in helping us to grasp our existential place in the world and weave a way through the complications of living in epochal times.

This book surveys ‘thrift’ through its moral, religious, ethical, political, spiritual and philosophical expressions, focussing in on key moments such as the early Puritans and Post-war rationing, and key characters such as Benjamin Franklin, Samuel Smiles and Henry Thoreau. The relationships between thrift and frugality, mindfulness, sustainability, and alternative consumption practices are explained, and connections made between myriad conceptions of thrift and contemporary concerns for how consumer cultures impact scarce resources, wealth distribution, and the Anthropocene. Ultimately, the book returns the reader to an understanding of thrift as it was originally used - to ‘thrive’ - and attempts to re-cast thrift in more collective, economically egalitarian terms, reclaiming it as a genuinely resistant practice.

This book surveys ‘thrift’ through its moral, religious, ethical, political, spiritual and philosophical expressions, focussing in on key moments such as the early Puritans and Post-war rationing, and key characters such as Benjamin Franklin, Samuel Smiles and Henry Thoreau. The relationships between thrift and frugality, mindfulness, sustainability, and alternative consumption practices are explained, and connections made between myriad conceptions of thrift and contemporary concerns for how consumer cultures impact scarce resources, wealth distribution, and the Anthropocene. Ultimately, the book returns the reader to an understanding of thrift as it was originally used - to ‘thrive’ - and attempts to re-cast thrift in more collective, economically egalitarian terms, reclaiming it as a genuinely resistant practice.