Alison Jack – författare

The SCM Core Text The Bible and Literature explores the crossover between attempts to read the Bible as literature and to read the Bible in literature. It seeks to assess what form a truly inter-disciplinary approach to the reading of the Bible would have to take, taking into consideration the background knowledge, preconceptions and theories of reading which scholars from each discipline, literary and biblical studies, bring to literary and biblical texts.The book covers all the key methods of literary criticism such as narrative criticism, reader-response, intertextuality and feminist criticism and explores how they might be relevant to the crossover between the Bible and literature.The SCM Core Text The Bible and Literature is presented as an undergraduate-friendly textbook and will make a valuable addition to the reading lists of courses on theology and literature, hermeneutics and Biblical Studies.

The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have explicitly drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. The Bible in Crime Fiction and Drama brings together a multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day. The volume concludes with an afterword by crime writer and academic, Liam McIvanney. These essays explore both explicit and implicit engagements between biblical texts and crime narratives, analysing the multiple layers of meaning that such engagements can produce – cross-referencing Sherlock Holmes with the murder mystery in the Book of Tobit, observing biblical violence through the eyes of Christian fundamentalists in Henning Mankell’s Before the Frost, catching the thread of homily in the serial murders of Se7en, or analysing biblical sexual violence in light of television crime procedurals. The contributors also raise intriguing questions about the significance of the Bible as a religious and cultural text – its association with the culturally pervasive themes of violence, (im)morality, and redemption, and its relevance as a symbol of the (often fraught) location that religion occupies within contemporary secular culture.

The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have explicitly drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. The Bible in Crime Fiction and Drama brings together a multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day. The volume concludes with an afterword by crime writer and academic, Liam McIvanney. These essays explore both explicit and implicit engagements between biblical texts and crime narratives, analysing the multiple layers of meaning that such engagements can produce – cross-referencing Sherlock Holmes with the murder mystery in the Book of Tobit, observing biblical violence through the eyes of Christian fundamentalists in Henning Mankell’s Before the Frost, catching the thread of homily in the serial murders of Se7en, or analysing biblical sexual violence in light of television crime procedurals. The contributors also raise intriguing questions about the significance of the Bible as a religious and cultural text – its association with the culturally pervasive themes of violence, (im)morality, and redemption, and its relevance as a symbol of the (often fraught) location that religion occupies within contemporary secular culture.

A comprehensive selection of religious poetry that Scotland has produced over the centuries, including some Gaelic voices and reflecting the mixed religious profile of Scotland today. An earlier edition published in 2000 was a huge success, selling out very quickly. This eagerly awaited follow-up offers the very best from a diverse, often turbulent history and reveals an attractive and distinctive spirituality that is unique to Scotland.The poetry spans 15 centuries and includes poets from every corner of Scotland. It reflects the rich range of language across regions and centuries and is a unique collection of the deepest religious thought of a nation.Selected and introduced by three experts in the field, this offers an attractive and informed volume that will appeal to all lovers of Scottish literature.