Alison K. Brown – författare
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9 produkter
9 produkter
Inbunden, Engelska, 2003
2 410 kr
Skickas inom 10-15 vardagar
This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:the museum as field site or 'contact zone' - a place which source community members enter for purposes of consultation and collaborationvisual repatriation - the use of photography to return images of ancestors, historical moments and material heritage to source communitiesexhibition case studies - these are discussed to reveal the implications of cross-cultural and collaborative research for museums, and how such projects have challenged established attitudes and practices.As the first overview of its kind, this collection will be essential reading for museum staff working with source communities, for community members involved with museum programmes, and for students and academics in museum studies and social anthropology.
Häftad, Engelska, 2003
622 kr
Skickas inom 10-15 vardagar
This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:the museum as field site or 'contact zone' - a place which source community members enter for purposes of consultation and collaborationvisual repatriation - the use of photography to return images of ancestors, historical moments and material heritage to source communitiesexhibition case studies - these are discussed to reveal the implications of cross-cultural and collaborative research for museums, and how such projects have challenged established attitudes and practices.As the first overview of its kind, this collection will be essential reading for museum staff working with source communities, for community members involved with museum programmes, and for students and academics in museum studies and social anthropology.
Häftad, Engelska, 2020
65 kr
Skickas inom 5-8 vardagar
Model of a Summer Camp is an intriguing object with a range of stories to tell. Originating in the Sakha (Yakutia) region of far northeastern Russia, it depicts a yhyakh celebration – a festival of huge cultural importance to the region. This concise book takes a detailed look at the object, revealing the intricacies of the yhyakh and the model’s fascinating journey from Siberia to the British Museum. The recent resurgence of interest around the model is also explored, where creative responses and research have enriched our understanding of its stories.This book gives readers the opportunity to learn about a unique object in the British Museum’s Collection and the rich heritage of Sakha (Yakutia).
Häftad, Engelska, 2015
403 kr
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When the Franklin Motor Expedition set out across the Canadian Prairies to collect First Nations artifacts, brutal assimilation policies threatened to decimate these cultures and extensive programs of ethnographic salvage were in place. Despite having only three members, the expedition amassed the largest single collection of Prairie heritage items currently held in a British museum.In this book, Alison K. Brown draws together the multiple narratives that make up this encounter, consulting descendants of the collectors and members of the affected First Nations and reviewing both expedition images and the artifacts themselves. In doing so, she explores the context within which the collection was made as well as the complex relationships between museums, anthropologists, and First Nations.Accessibly written and vigorously researched, First Nations, Museums, Narrations raises timely questions about the role of collections in the twenty-first century and considers the way forward for indigenous peoples and the museums that house their cultural treasures.
E-bok
Engelska, 2005727 kr
Läs direkt efter köp
This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.
Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:
the museum as field site or ''contact zone'' - a place which source community members enter for purposes of consultation and collaboration visual repatriation - the use of photography to return images of ancestors, historical moments and material heritage to source communities exhibition case studies - these are discussed to reveal the implications of cross-cultural and collaborative research for museums, and how such projects have challenged established attitudes and practices.As the first overview of its kind, this collection will be essential reading for museum staff working with source communities, for community members involved with museum programmes, and for students and academics in museum studies and social anthropology.
E-bok
PDF, Engelska, 2005727 kr
Läs direkt efter köp
This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.
Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:
the museum as field site or ''contact zone'' - a place which source community members enter for purposes of consultation and collaboration visual repatriation - the use of photography to return images of ancestors, historical moments and material heritage to source communities exhibition case studies - these are discussed to reveal the implications of cross-cultural and collaborative research for museums, and how such projects have challenged established attitudes and practices.As the first overview of its kind, this collection will be essential reading for museum staff working with source communities, for community members involved with museum programmes, and for students and academics in museum studies and social anthropology.
Inbunden, Engelska, 2025
2 410 kr
Skickas inom 10-15 vardagar
Narrative Objects is concerned with the conversations that arise when artists, scholars, and museum practitioners come together with historic objects. Its focus is a unique mammoth ivory model of yhyakh – the annual celebration of the Sakha people in the Russian Far East – which has been in the collection of the British Museum since 1867. Almost 150 years later, the model was loaned to the National Arts Museum of the Republic of Sakha (Yakutia) for exhibition and public engagement. As Sakha people revisit past histories and reconstitute cultural knowledge following decades of Soviet rule, this book considers narratives generated by the return of the model which speak to wider concerns in anthropology, material culture studies, and history about how knowledge is both suppressed and engaged with. The book also explores how art can be a focus for cultural pride, how skilled practices are entwined with oral histories, and how historic objects can contribute to wider processes of cultural revival. The chapters draw on fieldwork and museum and archival research in Sakha Sire, Paris and London.Narrative Objects is particularly relevant to scholars of anthropology and museum studies as well as those with an interest in the subarctic and post-Soviet states.*Winner of the Council for Museum Anthropology book award 2025*The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Häftad, Engelska, 2016
470 kr
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In the pages of this beautifully illustrated volume is the story of aneffort to build a bridge between museums and source communities inhopes of establishing stronger, more sustaining relationships betweenthe two and spurring change in prevailing museum policies. Theexperience of negotiating the tension between a museum'sinstitutional protocol described by both the authors and by Blackfootcontributors to the volume was transformative. Museums seek to preserveobjects for posterity. However, the emotional and spiritual power ofobjects does not vanish with the death of those who created them. ForBlackfoot people today, these shirts are a living presence, one thatevokes a sense of continuity and inspires pride in Blackfoot culturalheritage.
E-bok
Engelska, 2013567 kr
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Recreating First Contact explores themes related to the proliferation of adventure travel which emerged during the early twentieth century and that were legitimized by their associations with popular views of anthropology. During this period, new transport and recording technologies, particularly the airplane and automobile and small, portable, still and motion-picture cameras, were utilized by a variety of expeditions to document the last untouched places of the globe and bring them home to eager audiences. These expeditions were frequently presented as first contact encounters and enchanted popular imagination. The various narratives encoded in the articles, books, films, exhibitions and lecture tours that these expeditions generated fed into pre-existing stereotypes about racial and technological difference, and helped to create them anew in popular culture. Through an unpacking of expeditions and their popular wakes, the essays (12 chapters, a preface, introduction and afterward) trace the complex but obscured relationships between anthropology, adventure travel and the cinematic imagination that the 1920s and 1930s engendered and how their myths have endured. The book further explores the effects - both positive and negative - of such expeditions on the discipline of anthropology itself. However, in doing so, this volume examines these impacts from a variety of national perspectives and thus through these different vantage points creates a more nuanced perspective on how expeditions were at once a global phenomenon but also culturally ordered.