Alison K. Brown – författare

This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:the museum as field site or 'contact zone' - a place which source community members enter for purposes of consultation and collaborationvisual repatriation - the use of photography to return images of ancestors, historical moments and material heritage to source communitiesexhibition case studies - these are discussed to reveal the implications of cross-cultural and collaborative research for museums, and how such projects have challenged established attitudes and practices.As the first overview of its kind, this collection will be essential reading for museum staff working with source communities, for community members involved with museum programmes, and for students and academics in museum studies and social anthropology.

This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:the museum as field site or 'contact zone' - a place which source community members enter for purposes of consultation and collaborationvisual repatriation - the use of photography to return images of ancestors, historical moments and material heritage to source communitiesexhibition case studies - these are discussed to reveal the implications of cross-cultural and collaborative research for museums, and how such projects have challenged established attitudes and practices.As the first overview of its kind, this collection will be essential reading for museum staff working with source communities, for community members involved with museum programmes, and for students and academics in museum studies and social anthropology.

Model of a Summer Camp is an intriguing object with a range of stories to tell. Originating in the Sakha (Yakutia) region of far northeastern Russia, it depicts a yhyakh celebration – a festival of huge cultural importance to the region. This concise book takes a detailed look at the object, revealing the intricacies of the yhyakh and the model’s fascinating journey from Siberia to the British Museum. The recent resurgence of interest around the model is also explored, where creative responses and research have enriched our understanding of its stories.This book gives readers the opportunity to learn about a unique object in the British Museum’s Collection and the rich heritage of Sakha (Yakutia).

This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.

Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:

the museum as field site or ''contact zone'' - a place which source community members enter for purposes of consultation and collaboration visual repatriation - the use of photography to return images of ancestors, historical moments and material heritage to source communities exhibition case studies - these are discussed to reveal the implications of cross-cultural and collaborative research for museums, and how such projects have challenged established attitudes and practices.

As the first overview of its kind, this collection will be essential reading for museum staff working with source communities, for community members involved with museum programmes, and for students and academics in museum studies and social anthropology.

This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.

Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:

the museum as field site or ''contact zone'' - a place which source community members enter for purposes of consultation and collaboration visual repatriation - the use of photography to return images of ancestors, historical moments and material heritage to source communities exhibition case studies - these are discussed to reveal the implications of cross-cultural and collaborative research for museums, and how such projects have challenged established attitudes and practices.

As the first overview of its kind, this collection will be essential reading for museum staff working with source communities, for community members involved with museum programmes, and for students and academics in museum studies and social anthropology.

Narrative Objects is concerned with the conversations that arise when artists, scholars, and museum practitioners come together with historic objects. Its focus is a unique mammoth ivory model of yhyakh – the annual celebration of the Sakha people in the Russian Far East – which has been in the collection of the British Museum since 1867. Almost 150 years later, the model was loaned to the National Arts Museum of the Republic of Sakha (Yakutia) for exhibition and public engagement. As Sakha people revisit past histories and reconstitute cultural knowledge following decades of Soviet rule, this book considers narratives generated by the return of the model which speak to wider concerns in anthropology, material culture studies, and history about how knowledge is both suppressed and engaged with. The book also explores how art can be a focus for cultural pride, how skilled practices are entwined with oral histories, and how historic objects can contribute to wider processes of cultural revival. The chapters draw on fieldwork and museum and archival research in Sakha Sire, Paris and London.Narrative Objects is particularly relevant to scholars of anthropology and museum studies as well as those with an interest in the subarctic and post-Soviet states.*Winner of the Council for Museum Anthropology book award 2025*The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.