Alison Kinney – författare

This is a love-hate story about personal and political relationships in the United States, told through the intimate stories of both the rejectors and the rejected: lovers, families, neighbors, and a nation and its people. Although we’re taught not to care about others’ opinions, rejection always hurts, and it hurts some people a lot more than others. To prove it, this book marshals contemporary neuroscience, the Founding Fathers’ rejection advice, and four centuries of personal narratives, many of them hilarious, many more heartbreaking. These rejection and acceptance stories span loving and disastrous American first encounters, soldiers and dancers rejected on front lines and chorus lines, playground bullies invoked before the Senate, and generations of lovers and patriots battling or swiping right to defend their loved ones and their country.Abraham Lincoln wrote, “The true rule, in determining to embrace, or reject any thing, is not whether it have any evil in it; but whether it have more evil, than of good.” But rejection is often unjust, often deserved, and unusually complicated, depending on who’s rejecting whom and why.In laboratories, diaries, self-help manuals, auditions, lawsuits, and wars, we find models for “getting past” rejections, not just through personal resilience, but also through creating accountability and justice. United States of Rejection begins with heartbreak and ends with hope: an urgent self-improvement program for changing our relationships and the future of our messy nation.

This is a love-hate story about personal and political relationships in the United States, told through the intimate stories of both the rejectors and the rejected: lovers, families, neighbors, and a nation and its people. Although we're taught not to care about others' opinions, rejection always hurts, and it hurts some people a lot more than others. To prove it, this book marshals contemporary neuroscience, the Founding Fathers' rejection advice, and four centuries of personal narratives, many of them hilarious, many more heartbreaking. These rejection and acceptance stories span loving and disastrous American first encounters, soldiers and dancers rejected on front lines and chorus lines, playground bullies invoked before the Senate, and generations of lovers and patriots battling or swiping right to defend their loved ones and their country.Abraham Lincoln wrote, "e;The true rule, in determining to embrace, or reject any thing, is not whether it have any evil in it; but whether it have more evil, than of good."e; But rejection is often unjust, often deserved, and unusually complicated, depending on who's rejecting whom and why.In laboratories, diaries, self-help manuals, auditions, lawsuits, and wars, we find models for "e;getting past"e; rejections, not just through personal resilience, but also through creating accountability and justice. United States of Rejection begins with heartbreak and ends with hope: an urgent self-improvement program for changing our relationships and the future of our messy nation.

This is a love-hate story about personal and political relationships in the United States, told through the intimate stories of both the rejectors and the rejected: lovers, families, neighbors, and a nation and its people. Although we're taught not to care about others' opinions, rejection always hurts, and it hurts some people a lot more than others. To prove it, this book marshals contemporary neuroscience, the Founding Fathers' rejection advice, and four centuries of personal narratives, many of them hilarious, many more heartbreaking. These rejection and acceptance stories span loving and disastrous American first encounters, soldiers and dancers rejected on front lines and chorus lines, playground bullies invoked before the Senate, and generations of lovers and patriots battling or swiping right to defend their loved ones and their country.Abraham Lincoln wrote, "e;The true rule, in determining to embrace, or reject any thing, is not whether it have any evil in it; but whether it have more evil, than of good."e; But rejection is often unjust, often deserved, and unusually complicated, depending on who's rejecting whom and why.In laboratories, diaries, self-help manuals, auditions, lawsuits, and wars, we find models for "e;getting past"e; rejections, not just through personal resilience, but also through creating accountability and justice. United States of Rejection begins with heartbreak and ends with hope: an urgent self-improvement program for changing our relationships and the future of our messy nation.

"Opera is community, comfort, art, voice, breath, life. It's hope."All art exists to make life more bearable. For Alison Kinney, it was the wild, fantastical world of opera that transformed her listening and her life. Whether we're listening for the first time or revisiting the arias that first stole our hearts, Avidly Reads Opera welcomes readers and listeners to a community full of friendship, passion, critique—and, always, beautiful music. In times of delirious, madcap fun and political turmoil, opera fans have expressed their passion by dispatching records into the cosmos, building fairy-tale castles, and singing together through the arduous work of social activism. Avidly Reads Opera is a love letter to the music and those who love it, complete with playlists, a crowdsourced tip sheet from ultra-fans to newbies, and stories of the turbulent, genre-busting, and often hilarious history of opera and its audiences.Across five acts—and the requisite intermission—Alison Kinney takes us everywhere opera's rich melodies are heard, from the cozy bedrooms of listeners at home, to exclusive music festivals, to protests, and even prisons. Part of the Avidly Reads series, this slim book gives us a new way of looking at culture. With the singular blend of personal reflection and cultural criticism featured in the series, Avidly Reads Opera is an homage to the marvelous, sensational world of opera for the casual viewer.

"Opera is community, comfort, art, voice, breath, life. It's hope."All art exists to make life more bearable. For Alison Kinney, it was the wild, fantastical world of opera that transformed her listening and her life. Whether we're listening for the first time or revisiting the arias that first stole our hearts, Avidly Reads Opera welcomes readers and listeners to a community full of friendship, passion, critique—and, always, beautiful music. In times of delirious, madcap fun and political turmoil, opera fans have expressed their passion by dispatching records into the cosmos, building fairy-tale castles, and singing together through the arduous work of social activism. Avidly Reads Opera is a love letter to the music and those who love it, complete with playlists, a crowdsourced tip sheet from ultra-fans to newbies, and stories of the turbulent, genre-busting, and often hilarious history of opera and its audiences.Across five acts—and the requisite intermission—Alison Kinney takes us everywhere opera's rich melodies are heard, from the cozy bedrooms of listeners at home, to exclusive music festivals, to protests, and even prisons. Part of the Avidly Reads series, this slim book gives us a new way of looking at culture. With the singular blend of personal reflection and cultural criticism featured in the series, Avidly Reads Opera is an homage to the marvelous, sensational world of opera for the casual viewer.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. We all wear hoods: the Grim Reaper, Red Riding Hood, torturers, executioners and the executed, athletes, laborers, anarchists, rappers, babies in onesies, and anyone who's ever grabbed a hoodie on a chilly day. Alison Kinney's Hood explores the material and symbolic vibrancy of this everyday garment and political semaphore, which often protects the powerful at the expense of the powerless-with deadly results. Kinney considers medieval clerics and the Klan, anti-hoodie campaigns and the Hooded Man of Abu Ghraib, the Inquisition and the murder of Trayvon Martin, uncovering both the hooded perpetrators of violence and the hooded victims in their sights.Object Lessons is published in partnership with an essay series in The Atlantic.