Alison Latham – författare

Printed music and writing about music involve the use of complex systems of notation and a wealth of technical terms in several languages. The Concise Oxford Dictionary of Musical Terms provides clear, succinct, definitions of a comprehensive range of the musical terms, in English and other European languages, that are likely to be encountered in Western music. Over 2,500 A-Z entries range across a spectrum of subjects, among them: rhythm, metre, forms, genres, pitch, scales, chords, harmony and counterpoint, notational systems, composition and analysis, performance practice, tempo, expression, musical periods, artistic movements, computer applications, acoustics, and many more. Entries provide etymologies, and are fully cross-referenced. Some are illustrated with music examples and tables. An appendix lists all composers mentioned in the Dictionary, with their dates. It is an ideal book for students and teachers of music - it covers all the terms required in the SMAB musical theory exams - as well as for professional musicians, those learning to play musical instruments, and members of choirs, and musical groups. It will also be a useful quick reference book for concert-goers, CD-collectors, and radio listeners.

The number of Verdi's works in the current repertories of the world's opera houses is greater than at any time since the composer's death a century ago. Yet, those responsible for staging and performing these works are faced with many difficult decisions, not least of which is how to make the operas relevant to modern audiences while respecting the composer's intentions. First written for an international conference at the Royal Opera House, Covent Garden, these lively and stimulating essays by leading Verdi scholars, music and stage practitioners reflect current thinking on matters such as 'authentic' staging, performance practice, Verdi's approach to the ballet, and the role of critical editions. With a chronology of the composer's life and times and also a list of his works, this anthology is essential reading for anyone interested in the performance of Verdi's operas in the new millennium.

The Oxford Companion to Music is one of the most famous music reference works of all time. This invaluable Companion now reappears in a completely new edition. Over a million words in length, it is the biggest, most authoritative, and most up to date single-volume music reference book available. The new edition draws on both the classic Oxford Companion to Music by Percy Scholes, first published in 1938, and the two-volume New Oxford Companion to Music, edited by Denis Arnold (1983), but is thoroughly revised and reimagined for the 21st century. Alison Latham has assembled a distinguished team of over 120 international contributors, bringing their distinctive voices to an exceptionally broad sweep of musical subjects ranging from composers, performers, conductors, individual works, instruments and notation, and forms and genres, to music scholarship and aesthetics, music education, broadcasting and publishing, all aspects of music theory, and performance practice, as well as jazz, popular music, and dance. Entries range from brief definitions to in-depth essays on subjects such as politics, religion, psychology, and computers. This is a comprehensive, authoritative, and accessible source of information on all aspects of Western music.

The Cambridge Music Guide is for all those who love music and wish to know more about its colourful history, development and theory. Superbly illustrated, the Guide is a comprehensive tour of every aspect of the new musical world, expertly edited by Stanley Sadie, editor of the New Grove Dictionary of Music.