Alistair MacLeod – författare

In 1779, driven out of his home, Calum MacDonald sets sail from the Scottish Highlands with his extensive family. After a long, terrible journey he settles his family in 'the land of trees', and eventually they become a separate Nova Scotian clan: red-haired and black-eyed, with its own identity, its own history.It is the 1980s by the time our narrator, Alexander MacDonald, tells the story of his family, a thrilling and passionate story that intersects with history: with Culloden, where the clans died, and with the 1759 battle at Quebec that was won when General Wolfe sent in the fierce Highlanders because it was 'no great mischief if they fall'.

These slow, beautiful stories - resolute and resonant - are small masterpieces: apparently simple but actually crafted with enormous skill and precision. Set against the unforgiving landscape of Cape Breton, Nova Scotia, they are all concerned with the complexities and mysteries of the human heart, the unbreakable bonds and unbridgeable chasms between man and woman, parent and child. Steeped in memory and myth and washed in the brine and blood of the long battle with the land and the sea, these stories celebrate a passionate engagement with the natural world and a continuity of the generations in the face of transition, in the face of love and loss. As John McGahern says in his eloquent foreword: 'the work has a largeness, of feeling, of intellect, of vision, a great openness and generosity, even an old-fashioned courtliness. The stories stand securely outside of fashion while reflecting deep change'. Bringing together all Alistair MacLeod's short fiction, and including two previously uncollected stories, Island represents the great achievement of one of the world's finest storytellers.

The sixteen exquisitely crafted stories in Island prove Alistair MacLeod to be a master. Quietly, precisely, he has created a body of work that is among the greatest to appear in English in the last fifty years.A book-besotted patriarch releases his only son from the obligations of the sea. A father provokes his young son to violence when he reluctantly sells the family horse. A passionate girl who grows up on a nearly deserted island turns into an ever-wistful woman when her one true love is felled by a logging accident. A dying young man listens to his grandmother play the old Gaelic songs on her ancient violin as they both fend off the inevitable. The events that propel MacLeod's stories convince us of the importance of tradition, the beauty of the landscape, and the necessity of memory.

Alistair MacLeod musters all of the skill and grace that have won him an international following to give us No Great Mischief, the story of a fiercely loyal family and the tradition that drives it.Generations after their forebears went into exile, the MacDonalds still face seemingly unmitigated hardships and cruelties of life. Alexander, orphaned as a child by a horrific tragedy, has nevertheless gained some success in the world. Even his older brother, Calum, a nearly destitute alcoholic living on Toronto's skid row, has been scarred by another tragedy. But, like all his clansman, Alexander is sustained by a family history that seems to run through his veins. And through these lovingly recounted stories-wildly comic or heartbreakingly tragic-we discover the hope against hope upon which every family must sometimes rely.

Few published collections of Gaelic song place the songs or their singers and communities in context. Brìgh an Òrain - A Story in Every Song corrects this, showing how the inherited art of a fourth-generation Canadian Gael fits within biographical, social, and historical contexts. It is the first major study of its kind to be undertaken for a Scottish Gaelic singer. The forty-eight songs and nine folktales in the collection are transcribed from field recordings and presented as the singer performed them, with an English translation provided. All the songs are accompanied by musical transcriptions. The book also includes a brief autobiography in Lauchie MacLellan's entertaining narrative style. John Shaw has added extensive notes and references, as well as photos and maps. In an era of growing appreciation of Celtic cultures, Brìgh an Òrain - A Story in Every Song makes an important Gaelic tradition available to the general reader. The materials also serve as a unique, adaptable resource for those with more specialized research or teaching interests in ethnology/folklore, Canadian studies, Gaelic language, ethnomusicology, Celtic studies, anthropology, and social history.

In a collection as fine in scope as it is intimate in detail, Running the Whale's Back presents a host of Eastern Canada's brightest literary talents, all putting pens to paper to explore the multiple facets of what we call "faith" through a unique Atlantic vantage point.In a satisfying mixture of styles and themes, the full breadth of Atlantic Canadian spirituality is revealed. These are pieces that poke and prod, ruminate and circulate with themes of religion and cultures of spirituality. Mysticism meets piety, holiness argues with practicality, and hope lives side by side with despair as the stories spiral and waltz themselves across the four provinces.As the authors leap from subject to subject, we discover death lurking in the lonely wilderness, ski jumpers participating in miracles, and preachers suffering marital discord. Featured authors are Michael Crummey, Sheldon Currie, Joan Clark, David Adams Richards, Kenneth J. Harvey, Clive Doucet, Deborah Joy Corey, Ann-Marie MacDonald, Michael Hennessey, Lynn Coady, D.R. MacDonald, Jessica Grant, Michael Winter, Samuel Thomas Martin, Michelle Butler Hallett, Kathleen Winter, and Ann Copeland.

First published in 1973, this is the first book on Paul Tillich in which a sustained attempt is made to sort out and evaluate the questions to which Tillich addresses himself in the crucial philosophical parts of his theological system. It is argued that despite the apparent simplicity in his interest in the ‘question of being’, Tillich in fact conceives of the ontological enterprise in a number of radically different ways in different contexts. Much of the author's work is devoted to the careful separation of these strands in his philosophical thought and to an exploration and assessment of the assumptions associated with them. This book will be of interest to readers of Tillich and philosophers who specialise in ontology and linguistics.

First published in 1973, this is the first book on Paul Tillich in which a sustained attempt is made to sort out and evaluate the questions to which Tillich addresses himself in the crucial philosophical parts of his theological system. It is argued that despite the apparent simplicity in his interest in the ‘question of being’, Tillich in fact conceives of the ontological enterprise in a number of radically different ways in different contexts. Much of the author's work is devoted to the careful separation of these strands in his philosophical thought and to an exploration and assessment of the assumptions associated with them. This book will be of interest to readers of Tillich and philosophers who specialise in ontology and linguistics.