Allan Levine – författare

In this definitive and meticulously researched account of the Jewish experience in Canada, award-winning and critically acclaimed author Allan Levine documents a story that is rich, accessible, often surprising, and epic in its scope. Relying on an abundance of primary sources and first-hand documentation and interviews, Seeking the Fabled City chronicles the successes and failures, the obstacles overcome and those not conquered, of a historic journey and the people who travelled it.Seeking the Fabled City is a story that unfolds over 250 years--from the decade after the conquest of New France in 1759, when small numbers of Sephardic Jews of Spanish and Portuguese descent arrived in British North America, through the great wave of Russian and Eastern European Jewish immigration at the turn of the twentieth century, to the present, in which Canada's large Jewish community, no longer hindered by the anti-Semitism of the past, is free to flourish. This is a chronicle of a people that takes place at hundreds of locales across the country--mainly in the large urban centres of Montreal, Toronto, Vancouver, and Winnipeg, but also in west coast and maritime villages and tiny prairie towns--in a riveting drama with a cast of thousands.Relying on an abundance of primary sources and first-hand documentation and interviews, Seeking the Fabled City chronicles the successes and failures, the obstacles overcome and those not conquered, of a historic journey and the people who travelled it.

The image of the scrum - a beleaguered politican surrounded by jockeying reporters - is central to our perception of Ottawa. The modern scrum began with the arrival of television, but even in Sir John A. Macdonald's day, a century earlier, reporters in the parliamentary press gallery had waited outside the prime minister's office, pen in hand, hoping for a quote for the next edition. The scrum represents the test of wills, the contest of wits, and the battle for control that have characterized the relationship between Canadian prime ministers and journalists for more than 125 years. Scrum Wars chronicles this relationship. It is an anecdotal as well as analytical account, showing how earlier prime ministers like Sir John A. Macdonald and Sir Wilfrid Laurier were able to exercise control over what was written about their administrators, while more recent leaders like John Diefenbaker, Joe Clark, John Turner, and Brian Mulroney often found themselves at the mercy of intense media scrutiny and comment.

The narrative of Details Are Unprintable primarily unfolds over a seven-month period from October 1943 to April 1944—from the moment the body of twenty-two-year old Patricia Burton Lonergan is discovered in the bedroom of her New York City Beekman Hill apartment, to the arrest of her husband of two years, Wayne Lonergan, for her murder, and his subsequent trial and conviction. But this story goes back in time to the 1920s, when Wayne Lonergan grew up in Toronto and then forward to his post-prison life following his deportation to Canada. It is the chronicle of Lonergan in denial as a bisexual or gay man living in an intolerant and morally superior heterosexual world; and of Patricia, rich and entitled, a seeker of attention, who loved a night out on the town—all set against the fast pace of New York’s ostentatious café society. Part True Crime and part a social history of New York City in the 1940s, this book transports readers to the New York World’s Fair of 1939 when Patricia’s father William Burton first encountered Lonergan; the Stork Club, 21 Club, and El Morocco to experience with Patricia a night of drinking champagne cocktails and dancing; and the muggy New York courtroom where Lonergan’s fate was decided. What truly happened on that tragic night in October 24, 1943? Should we accept Lonergan’s confession at face value as the jury did? Or was he indeed a victim of physical and mental abuse by the state prosecutors and the police, as he maintained for the rest of his life? This book considers these, and other, key questions.

The image of the scrum – a beleaguered politican surrounded by jockeying reporters – is central to our perception of Ottawa. The modern scrum began with the arrival of television, but even in Sir John A. Macdonald’s day, a century earlier, reporters in the parliamentary press gallery had waited outside the prime minister’s office, pen in hand, hoping for a quote for the next edition.The scrum represents the test of wills, the contest of wits, and the battle for control that have characterized the relationship between Canadian prime ministers and journalists for more than 125 years. Scrum Wars chronicles this relationship. It is an anecdotal as well as analytical account, showing how earlier prime ministers like Sir John A. Macdonald and Sir Wilfrid Laurier were able to exercise control over what was written about their administrators, while more recent leaders like John Diefenbaker, Joe Clark, John Turner, and Brian Mulroney often found themselves at the mercy of intense media scrutiny and comment.

The image of the scrum – a beleaguered politican surrounded by jockeying reporters – is central to our perception of Ottawa. The modern scrum began with the arrival of television, but even in Sir John A. Macdonald’s day, a century earlier, reporters in the parliamentary press gallery had waited outside the prime minister’s office, pen in hand, hoping for a quote for the next edition.

The scrum represents the test of wills, the contest of wits, and the battle for control that have characterized the relationship between Canadian prime ministers and journalists for more than 125 years. Scrum Wars chronicles this relationship. It is an anecdotal as well as analytical account, showing how earlier prime ministers like Sir John A. Macdonald and Sir Wilfrid Laurier were able to exercise control over what was written about their administrators, while more recent leaders like John Diefenbaker, Joe Clark, John Turner, and Brian Mulroney often found themselves at the mercy of intense media scrutiny and comment.

The heroic story of Jewish resistance and survival during the Second World War.

The narrative of Details Are Unprintable primarily unfolds over a seven-month period from October 1943 to April 1944—from the moment the body of twenty-two-year old Patricia Burton Lonergan is discovered in the bedroom of her New York City Beekman Hill apartment, to the arrest of her husband of two years, Wayne Lonergan, for her murder, and his subsequent trial and conviction. But this story goes back in time to the 1920s, when Wayne Lonergan grew up in Toronto and then forward to his post-prison life following his deportation to Canada. It is the chronicle of Lonergan in denial as a bisexual or gay man living in an intolerant and morally superior heterosexual world; and Patricia, rich and entitled, a seeker of attention, who loved a night out on the town —all set against the fast pace of New York’s ostentatious Café Society and Broadway gay bars in which gay men were regularly entrapped by undercover police operatives. Part crime novel and part a social history of New York City in the 1940s, readers will be transported to the New York World’s Fair of 1939 when Patricia’s father William first encountered Lonergan; the Stork Club, 21 Club as well as the El Morocco to experience with Patricia a night of drinking champagne cocktails and dancing; and the muggy New York courtroom where Lonergan’s fate was decided. What truly happened on that tragic night in October 24, 1943? Should Lonergan’s confession be accepted at face value as the jury did? Or, was he indeed a victim of physical and mental abuse by the state prosecutors and the police as he maintained for the rest of his life? These and other key questions will be considered and answers offered.